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Editorial Board / Council Member: Thomas Wortmann, Schamma Schahadat, and Cornelia Ruhe
Die Reihe versammelt Beiträge zu Theorie, Geschichte und Ästhetik der Medien. Im Zentrum sollen dabei die Beziehungen zwischen Medien, Kultur und Gesellschaft in synchroner und diachroner Perspektive stehen: Gefragt wird einerseits nach der kulturellen Formung von Medien sowie ihrer ästhetischen Faktur. In den Blick kommt andererseits das Wechselspiel zwischen Reaktion, Reflexion und Initiierung kultureller und gesellschaftlicher Prozesse in und durch Medien. Grundlage der Auseinandersetzung bildet die Verknüpfung von medien- und kulturwissenschaftlicher Theorie.
Die Reihe ist getragen von der Idee, dass unter dem Begriff der Medienkulturwissenschaft unterschiedliche geisteswissenschaft-
liche Disziplinen ihr Interesse an der Materialität von Kommunikation und der Medialität ästhetischer Artefakte bündeln können. Das Spektrum der zu analysierenden Medien ist daher bewusst breit gefasst: Es reicht von Film, Fotografie und Fernsehen über Literatur, Musik, Theater und Medienkunst bis zur Internet Art. Studien zu einzelnen Medien, Genres und Künstler:innen sind ebenso willkommen wie kultur- und medienvergleichend angelegte Projekte.
This series publishes contributions on the theory, history and aesthetics of media. Key focal points are the synchronic and diachronic relations between media, culture and society. The cultural formation of media and their aesthetic composition will be explored, whilst at the same time delving into the interplay between reaction, reflection and initiation of cultural and societal processes within and by media. The intersection between media and cultural studies theories serves as the starting point for this approach. The series is based on the idea that different disciplines in the humanities can unite their interest in the materiality of communication and the mediality of aesthetic artifacts under the concept of media cultural studies. The scope of media to be analyzed is deliberately broad by design. It ranges from film and photography through television, music, literature and theater to media and internet art. Studies about single media, genres and artists are just as welcome as projects utilizing a comparative approach to culture and media.
Editor: Elton L. Daniel
The Encyclopædia Iranica is dedicated to the study of Iranian civilization in the Middle East, the Caucasus, Central Asia, and the Indian Subcontinent. It also includes scholarly articles related to the reciprocal influences between Persia and its neighbors, extending from pre-history to the present. The disciplines represented include: anthropology, archaeology, geography, art history, ethnology, sociology, economics, history of religion, philosophy, mysticism, history of science and medicine, Islamic history, botany, zoology, folklore, development of agriculture and industry, political science, international relations, and diplomatic history.
Fascicle 2 of Volume XVII (pp. 113-224) starts with the entry "Khotan III. History in the Islamic Period" and ends with "King of the Benighted." The 112 new pages of the Encyclopædia Iranica project reflect the latest developments in the field of Iranian studies.
The Encyclopedia of Early Modern History offers 400 years of early modern history in one work. Experts from all over the world have joined in a presentation of the scholarship on the great era between the mid-15th to the mid-19th centuries. The perspective is European. That does not mean, however, that the view on the rest of the world is blocked. On the contrary: the multifaceted interrelatedness of European and other cultures is scrutinized extensively.

The Encyclopedia of Early Modern History addresses major historical questions:
- which ideas, inventions, and events changed people’s lives?
- in which ways did living conditions change?
- how do political, social, and economic developments interlock?
- which major cultural currents have begun to become apparent?
- how did historical interpretation of certain phenomena change?
The individual articles are connected to one another as in a web of red threads. The reader who follows the threads will keep coming upon new
and unexpected contexts and links.
Editor: Stefan Schorn
This volume is part of the continuation of Felix Jacoby’s monumental collection of fragmentary Greek historiography. It contains new editions of the Greek paradoxographers of the Imperial Period and of uncertain date, fragmentary and non-fragmentary alike. It also includes the fragments of the related types of works On rivers and On stones. For the first time, all these texts have been provided with a comprehensive commentary. Together with volume IV E 1, this will constitute a new corpus of Greek paradoxography which will make Greek thought on the marvelous accessible to scholars of antiquity and later times.
The Fatimid Egyptian Convert Who Shaped Christian Views of Islam
Author: David Bertaina
Būluṣ ibn Rajāʾ (ca. 955–ca. 1020) was a celebrated writer of Coptic Christianity from Fatimid Egypt. Born to an influential Muslim family in Cairo, Ibn Rajāʾ later converted to Christianity and composed The Truthful Exposer (Kitāb al-Wāḍiḥ bi-l-Ḥaqq) outlining his skepticism regarding Islam. His ideas circulated across the Middle East and the Mediterranean in the medieval period, shaping the Christian understanding of the Qurʾan’s origins, Muḥammad’s life, the practice of Islamic law, and Muslim political history. This book includes a study of Ibn Rajāʾ’s life, along with an Arabic edition and English translation of The Truthful Exposer.
The Yearbooks are published as part of the annual journal subscription, but are also available individually or as a set. Available for the entire period since 1906.
In Alfonso de Cartagena’s 'Memoriale virtutum' (1422), María Morrás and Jeremy Lawrance offer a critical edition of an anthology of Aristotle’s Nicomachean Ethics, compiled and significantly altered by the major Castilian intellectual of the day, Bishop Alfonso de Cartagena, and addressed to the heir to the throne of Portugal, Crown Prince Duarte.
The work is a speculum principis, an education of a future king in the virtues suitable to a statesman. Cartagena’s choice of Aristotle was a harbinger of Renaissance ideas. The “memorial” sheds light on a society in transition, setting new ethical guidelines for the ruling class at the crossroads between medieval feudalism and Renaissance absolutism.
Mit einer kritischen Edition des Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn des Aḥmad b. Maḥmūd b. Abī Bakr Nūr ad-Dīn aṣ-Ṣābūnī al-Ḥanafī al-Buḫārī (gest. 580/1184)
Nūr al-Dīn al-Ṣābūnī was a prominent jurist and theologian in Samarqand in the late 6th/12th century. His theological works are in the tradition of the Ḥanafite-Māturīdite current of Sunni kalām. In addition, al-Ṣābūnī’s argumentation reflects the increasing engagement of Māturīdite mutakallimūn with their wide intellectual-historical environment. His discussions with the famous scholar Faḫr al-Dīn al-Rāzī are attested.
In the present volume, Angelika Brodersen uses a text-critical edition of al-Ṣābūnī’s comprehensive theological work, the Kitāb al-Kifāya fī l-hidāya fī uṣūl al-dīn, to analyze, based on selected thematic examples, how both elements of Māturīdite theological tradition and transformation processes occur in al-Ṣābūnī’s work, which contributed to the consolidation of the Māturīdiyya as a Sunni school of thought.

Nūr ad-Dīn aṣ-Ṣābūnī war ein prominenter Jurist und Theologe im Samarkand des ausgehenden 6./12. Jahrhunderts. Seine theologischen Werke stehen einerseits in der Tradition der ḥanafitisch-māturīditischen Strömung des sunnitischen kalāms. Auf der anderen Seite spiegelt aṣ-Ṣābūnīs Argumentation die zunehmende Auseinandersetzung der māturīditischen mutakallimūn mit ihrem allgemeinen geistesgeschichtlichen Umfeld wider. Bezeugt sind seine Diskussionen mit dem berühmten Gelehrten Faḫr ad-Dīn ar-Rāzī.
Im vorliegenden Band untersucht Angelika Brodersen auf der Grundlage einer textkritischen Edition von aṣ-Ṣābūnīs theologischem Hauptwerk, dem Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn, anhand ausgewählter Themenbeispiele, wie sich im Werk aṣ-Ṣābūnīs sowohl Elemente māturīditischer theologischer Tradition als auch Transformationsprozesse verfolgen lassen, die zur Konsolidierung der Māturīdiyya als sunnitische Schulrichtung beigetragen haben.
Editor: Suad Joseph
A unique collaboration of over 1000 scholars from around the world, the Encyclopedia of Women & Islamic Cultures crosses history, geographic borders and disciplines to create a ground-breaking reference work reflecting the very latest research on gender studies and the Islamic world.
No other reference work offers this scale of contributions or depth and breadth of coverage.
Since its publication, Encyclopedia of Women & Islamic Cultures is the essential reference work for students and researchers in the fields of gender studies, Middle Eastern and Islamic studies, as well as scholars of religion, history, politics, anthropology, geography and related disciplines.
This encyclopedia consists of six volumes (including an Index volume), published from 2003 to 2007.

The Encyclopedia of Women & Islamic Cultures is also available online. For more information see Encyclopedia of Women & Islamic Cultures Online. There are yearly updates with new articles for the online version.

As of 2020, EWIC is supplemented by the Encyclopedia of Women & Islamic Cultures 2010-2020. The EWIC 2010-2020 consist of all new entries on ground-breaking contemporary research topics, such as social media, security regimes, cinema, diaspora studies, Hip-Hop & Rap, Queer movements, Islamophobia and masculinity. EWIC 2010-2020 collects all the articles from ten years of Encyclopedia of Women & Islamic Cultures Online, into a nine-volume set – eight volumes of articles and one volume for the collective index. EWIC 2010-2020 offers 289 articles, written by 292 authors, covering 126 topics. Cumulatively, this is nearly two million words.
The Contemplacioun of Synnaris, by the Observant Franciscan William Touris, written c.1494 and evidently intended for King James IV of Scotland, is a significant and much copied work of Older Scots, although the earliest surviving witness is the English print by Wynkyn de Worde (1499).
The Contemplacioun was the very first work of Older Scots literature to be translated and to be printed. The poem’s seven sections comprise a course of meditations for Holy Week. Richard Fox, bishop of Durham, commissioned the English print, in which the stanzas were preceded by Latin sententiae, biblical, medieval and ancient. The work retained sufficient interest to re-emerge in separate versions in both Scotland (1568) and England (1578), drastically revised for Protestant readers.