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Mit einer kritischen Edition des Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn des Aḥmad b. Maḥmūd b. Abī Bakr Nūr ad-Dīn aṣ-Ṣābūnī al-Ḥanafī al-Buḫārī (gest. 580/1184)
Nūr al-Dīn al-Ṣābūnī was a prominent jurist and theologian in Samarqand in the late 6th/12th century. His theological works are in the tradition of the Ḥanafite-Māturīdite current of Sunni kalām. In addition, al-Ṣābūnī’s argumentation reflects the increasing engagement of Māturīdite mutakallimūn with their wide intellectual-historical environment. His discussions with the famous scholar Faḫr al-Dīn al-Rāzī are attested.
In the present volume, Angelika Brodersen uses a text-critical edition of al-Ṣābūnī’s comprehensive theological work, the Kitāb al-Kifāya fī l-hidāya fī uṣūl al-dīn, to analyze, based on selected thematic examples, how both elements of Māturīdite theological tradition and transformation processes occur in al-Ṣābūnī’s work, which contributed to the consolidation of the Māturīdiyya as a Sunni school of thought.

Nūr ad-Dīn aṣ-Ṣābūnī war ein prominenter Jurist und Theologe im Samarkand des ausgehenden 6./12. Jahrhunderts. Seine theologischen Werke stehen einerseits in der Tradition der ḥanafitisch-māturīditischen Strömung des sunnitischen kalāms. Auf der anderen Seite spiegelt aṣ-Ṣābūnīs Argumentation die zunehmende Auseinandersetzung der māturīditischen mutakallimūn mit ihrem allgemeinen geistesgeschichtlichen Umfeld wider. Bezeugt sind seine Diskussionen mit dem berühmten Gelehrten Faḫr ad-Dīn ar-Rāzī.
Im vorliegenden Band untersucht Angelika Brodersen auf der Grundlage einer textkritischen Edition von aṣ-Ṣābūnīs theologischem Hauptwerk, dem Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn, anhand ausgewählter Themenbeispiele, wie sich im Werk aṣ-Ṣābūnīs sowohl Elemente māturīditischer theologischer Tradition als auch Transformationsprozesse verfolgen lassen, die zur Konsolidierung der Māturīdiyya als sunnitische Schulrichtung beigetragen haben.
Editor: Suad Joseph
A unique collaboration of over 1000 scholars from around the world, the Encyclopedia of Women & Islamic Cultures crosses history, geographic borders and disciplines to create a ground-breaking reference work reflecting the very latest research on gender studies and the Islamic world.
No other reference work offers this scale of contributions or depth and breadth of coverage.
Since its publication, Encyclopedia of Women & Islamic Cultures is the essential reference work for students and researchers in the fields of gender studies, Middle Eastern and Islamic studies, as well as scholars of religion, history, politics, anthropology, geography and related disciplines.
This encyclopedia consists of six volumes (including an Index volume), published from 2003 to 2007.

The Encyclopedia of Women & Islamic Cultures is also available online. For more information see Encyclopedia of Women & Islamic Cultures Online. There are yearly updates with new articles for the online version.

As of 2020, EWIC is supplemented by the Encyclopedia of Women & Islamic Cultures 2010-2020. The EWIC 2010-2020 consist of all new entries on ground-breaking contemporary research topics, such as social media, security regimes, cinema, diaspora studies, Hip-Hop & Rap, Queer movements, Islamophobia and masculinity. EWIC 2010-2020 collects all the articles from ten years of Encyclopedia of Women & Islamic Cultures Online, into a nine-volume set – eight volumes of articles and one volume for the collective index. EWIC 2010-2020 offers 289 articles, written by 292 authors, covering 126 topics. Cumulatively, this is nearly two million words.
Editorial Board / Council Member: Thomas Wortmann, Schamma Schahadat, and Cornelia Ruhe
Die Reihe versammelt Beiträge zu Theorie, Geschichte und Ästhetik der Medien. Im Zentrum sollen dabei die Beziehungen zwischen Medien, Kultur und Gesellschaft in synchroner und diachroner Perspektive stehen: Gefragt wird einerseits nach der kulturellen Formung von Medien sowie ihrer ästhetischen Faktur. In den Blick kommt andererseits das Wechselspiel zwischen Reaktion, Reflexion und Initiierung kultureller und gesellschaftlicher Prozesse in und durch Medien. Grundlage der Auseinandersetzung bildet die Verknüpfung von medien- und kulturwissenschaftlicher Theorie.
Die Reihe ist getragen von der Idee, dass unter dem Begriff der Medienkulturwissenschaft unterschiedliche geisteswissenschaft-
liche Disziplinen ihr Interesse an der Materialität von Kommunikation und der Medialität ästhetischer Artefakte bündeln können. Das Spektrum der zu analysierenden Medien ist daher bewusst breit gefasst: Es reicht von Film, Fotografie und Fernsehen über Literatur, Musik, Theater und Medienkunst bis zur Internet Art. Studien zu einzelnen Medien, Genres und Künstler:innen sind ebenso willkommen wie kultur- und medienvergleichend angelegte Projekte.
This series publishes contributions on the theory, history and aesthetics of media. Key focal points are the synchronic and diachronic relations between media, culture and society. The cultural formation of media and their aesthetic composition will be explored, whilst at the same time delving into the interplay between reaction, reflection and initiation of cultural and societal processes within and by media. The intersection between media and cultural studies theories serves as the starting point for this approach. The series is based on the idea that different disciplines in the humanities can unite their interest in the materiality of communication and the mediality of aesthetic artifacts under the concept of media cultural studies. The scope of media to be analyzed is deliberately broad by design. It ranges from film and photography through television, music, literature and theater to media and internet art. Studies about single media, genres and artists are just as welcome as projects utilizing a comparative approach to culture and media.
Ibn Wāṣil (d. 1298), perhaps better known today as a historian and an emissary to the court of King Manfred in southern Italy, was also an eminent logician. The present work is a critical edition of his main work in the field, a commentary on his teacher Khūnajī’s (d. 1248) handbook al-Jumal. The work helped consolidate the logic of the “later scholars” (such as Khūnajī). It also shows that commentators did much more than merely explain the original work and instead regularly discussed and assessed received views. Ibn Wāṣil’s work was an influential contribution to a particularly dynamic chapter in the history of Arabic logic.
K. al-Anwār al-bahiyya fī taʿrīf maqāmāt fuṣaḥāʾ al-bariyya is a work of adab attributed to the renowned littérateur and historian of literature Abū Manṣūr al-Thaʿālibī. The work consists of an introduction and four chapters. The first three chapters are concerned with knowledge (ʿilm): Chapter One discusses the merit and application of knowledge, Chapter Two the definition of knowledge and its true meaning, and Chapter Three the conditions of knowledge. The fourth chapter, which constitutes the bulk of the book, is concerned with occasions on which scholars and sages made speeches in the presence of rulers. It is divided into two parts: Part One presents pre-Islamic (jāhiliyya) speeches, incorporating Arab, Greek, Byzantine, Persian, and Indian traditions, and Part Two presents Islamic speeches. The work is introduced by an analytical study discussing the attribution of the work, its relation to the Maqāmāt genre, and the manuscripts used.
Editor: Jan Bloemendal
In his ‘Project of the New Testament’ Erasmus also wrote a running commentary on all New Testament books, except Revelation, in the form of a paraphrase. In this volume, the Paraphrase on John – Latin text with critical apparatus, and English introduction and commentary, is edited. In the paraphrase, Erasmus turns out to be a mature interpreter of the Bible, who advocated a new Christianity, which he called ‘the philosophy of Christ’, and implicitly criticized the clergy of his own age.