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Ibn Wāṣil (d. 1298), perhaps better known today as a historian and an emissary to the court of King Manfred in southern Italy, was also an eminent logician. The present work is a critical edition of his main work in the field, a commentary on his teacher Khūnajī’s (d. 1248) handbook al-Jumal. The work helped consolidate the logic of the “later scholars” (such as Khūnajī). It also shows that commentators did much more than merely explain the original work and instead regularly discussed and assessed received views. Ibn Wāṣil’s work was an influential contribution to a particularly dynamic chapter in the history of Arabic logic.
K. al-Anwār al-bahiyya fī taʿrīf maqāmāt fuṣaḥāʾ al-bariyya is a work of adab attributed to the renowned littérateur and historian of literature Abū Manṣūr al-Thaʿālibī. The work consists of an introduction and four chapters. The first three chapters are concerned with knowledge (ʿilm): Chapter One discusses the merit and application of knowledge, Chapter Two the definition of knowledge and its true meaning, and Chapter Three the conditions of knowledge. The fourth chapter, which constitutes the bulk of the book, is concerned with occasions on which scholars and sages made speeches in the presence of rulers. It is divided into two parts: Part One presents pre-Islamic (jāhiliyya) speeches, incorporating Arab, Greek, Byzantine, Persian, and Indian traditions, and Part Two presents Islamic speeches. The work is introduced by an analytical study discussing the attribution of the work, its relation to the Maqāmāt genre, and the manuscripts used.
Editor: Jan Bloemendal
In his ‘Project of the New Testament’ Erasmus also wrote a running commentary on all New Testament books, except Revelation, in the form of a paraphrase. In this volume, the Paraphrase on John – Latin text with critical apparatus, and English introduction and commentary, is edited. In the paraphrase, Erasmus turns out to be a mature interpreter of the Bible, who advocated a new Christianity, which he called ‘the philosophy of Christ’, and implicitly criticized the clergy of his own age.
Editorial Board / Council Member: Thomas Wortmann, Schamma Schahadat, and Cornelia Ruhe
Die Reihe versammelt Beiträge zu Theorie, Geschichte und Ästhetik der Medien. Im Zentrum sollen dabei die Beziehungen zwischen Medien, Kultur und Gesellschaft in synchroner und diachroner Perspektive stehen: Gefragt wird einerseits nach der kulturellen Formung von Medien sowie ihrer ästhetischen Faktur. In den Blick kommt andererseits das Wechselspiel zwischen Reaktion, Reflexion und Initiierung kultureller und gesellschaftlicher Prozesse in und durch Medien. Grundlage der Auseinandersetzung bildet die Verknüpfung von medien- und kulturwissenschaftlicher Theorie.
Die Reihe ist getragen von der Idee, dass unter dem Begriff der Medienkulturwissenschaft unterschiedliche geisteswissenschaft-
liche Disziplinen ihr Interesse an der Materialität von Kommunikation und der Medialität ästhetischer Artefakte bündeln können. Das Spektrum der zu analysierenden Medien ist daher bewusst breit gefasst: Es reicht von Film, Fotografie und Fernsehen über Literatur, Musik, Theater und Medienkunst bis zur Internet Art. Studien zu einzelnen Medien, Genres und Künstler:innen sind ebenso willkommen wie kultur- und medienvergleichend angelegte Projekte.
This series publishes contributions on the theory, history and aesthetics of media. Key focal points are the synchronic and diachronic relations between media, culture and society. The cultural formation of media and their aesthetic composition will be explored, whilst at the same time delving into the interplay between reaction, reflection and initiation of cultural and societal processes within and by media. The intersection between media and cultural studies theories serves as the starting point for this approach. The series is based on the idea that different disciplines in the humanities can unite their interest in the materiality of communication and the mediality of aesthetic artifacts under the concept of media cultural studies. The scope of media to be analyzed is deliberately broad by design. It ranges from film and photography through television, music, literature and theater to media and internet art. Studies about single media, genres and artists are just as welcome as projects utilizing a comparative approach to culture and media.
Volume XVII Fascicle 1
Editor: Elton L. Daniel
The Encyclopædia Iranica is dedicated to the study of Iranian civilization in the Middle East, the Caucasus, Central Asia, and the Indian Subcontinent. It also includes scholarly articles related to the reciprocal influences between Persia and its neighbors, extending from pre-history to the present. The disciplines represented include: anthropology, archaeology, geography, art history, ethnology, sociology, economics, history of religion, philosophy, mysticism, history of science and medicine, Islamic history, botany, zoology, folklore, development of agriculture and industry, political science, international relations, and diplomatic history.

Fascicle 1 of Volume XVII (pp. 1-112) starts with the article on xv. The Babi-Bahai Community in Khorasan and ends with the entry on Khotan iii. History in the Islamic Period.