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Vol. V, Section 4: Persia and Its Kings, Part II
Al-Maqrīzī's (d. 845/1442) last work, al-Ḫabar ʿan al-bašar, was completed a year before his death. This volume, edited by Jaakko Hämeen-Anttila, covers the history of pre-Islamic Iran during the Sasanian period and the conquest. Al-Maqrīzī's work shows how Arab historians integrated Iran into world history and how they harmonised various currents of historiography (Middle Persian historiography, Islamic sacred history, Greek and Latin historiography).
This part harmonises the versions of Miskawayh's Tağārib, al-Ṭabarī’s Taʾrīḫ, and several other sources, producing a fluent narrative of Iran from the early 3rd century until 651. It also includes the complete text of ʿAhd Ardašīr, here translated for the first time into English.
This part harmonises the versions of Miskawayh's Tağārib, al-Ṭabarī’s Taʾrīḫ, and several other sources, producing a fluent narrative of Iran from the early 3rd century until 651. It also includes the complete text of ʿAhd Ardašīr, here translated for the first time into English.
Vol. V, Section 4: Persia and Its Kings, Part II
Al-Maqrīzī's (d. 845/1442) last work, al-Ḫabar ʿan al-bašar, was completed a year before his death. This volume, edited by Jaakko Hämeen-Anttila, covers the history of pre-Islamic Iran during the Sasanian period and the conquest. Al-Maqrīzī's work shows how Arab historians integrated Iran into world history and how they harmonised various currents of historiography (Middle Persian historiography, Islamic sacred history, Greek and Latin historiography).
This part harmonises the versions of Miskawayh's Tağārib, al-Ṭabarī’s Taʾrīḫ, and several other sources, producing a fluent narrative of Iran from the early 3rd century until 651. It also includes the complete text of ʿAhd Ardašīr, here translated for the first time into English.
This part harmonises the versions of Miskawayh's Tağārib, al-Ṭabarī’s Taʾrīḫ, and several other sources, producing a fluent narrative of Iran from the early 3rd century until 651. It also includes the complete text of ʿAhd Ardašīr, here translated for the first time into English.
The study of Islamicate intellectual history has witnessed a rapid growth of scholarship on post-classical thinkers and especially on Fakhr al-Dīn al-Rāzī (d. 1210 CE), one of the leading theologians and philosophers of his time. However, there is presently a lack of methodological tools and reference works in Rāzī studies. This book is the first bibliographical work entirely devoted to this thinker. It surveys the modern historiography on Rāzī from the nineteenth century onward and includes more than 1000 specialized entries written in European languages, Arabic, Persian, and Turkish. The bibliography also provides a preface, an introductory essay, annotations to the entries, and various indices to help students and experts navigate the complex field of Rāzī studies.
The study of Islamicate intellectual history has witnessed a rapid growth of scholarship on post-classical thinkers and especially on Fakhr al-Dīn al-Rāzī (d. 1210 CE), one of the leading theologians and philosophers of his time. However, there is presently a lack of methodological tools and reference works in Rāzī studies. This book is the first bibliographical work entirely devoted to this thinker. It surveys the modern historiography on Rāzī from the nineteenth century onward and includes more than 1000 specialized entries written in European languages, Arabic, Persian, and Turkish. The bibliography also provides a preface, an introductory essay, annotations to the entries, and various indices to help students and experts navigate the complex field of Rāzī studies.
Swahili Poetry of Commitment by Ustadh Mahmoud Mau
Series:
Islam in Africa, Volume: 25
The present volume is a pioneering collection of poetry by the outstanding Kenyan poet, intellectual and imam Ustadh Mahmmoud Mau (born 1952) from Lamu island, once an Indian Ocean hub, now on the edge of the nation state. By means of poetry in Arabic script, the poet raises his voice against social ills and injustices troubling his community on Lamu. The book situates Mahmoud Mau’s oeuvre within transoceanic exchanges of thoughts so characteristic of the Swahili coast. It shows how Swahili Indian Ocean intellectual history inhabits an individual biography and writings while also portraying a unique African Muslim thinker and his poetry in the local language, which has so often been neglected as major site for critical discourse in Islamic Africa. The authors’ approaches highlight the relevance of local epistemologies as archives for understanding the relationship between reform Islam and local communities in contemporary Africa.
The selected poetry is clustered around the following themes: jamii: societal topical issues, ilimu: the importance of education, huruma: social roles and responsabilities, matukio: biographical events and maombi: supplications. Prefaced by Prof. Rayya Timamy (Nairobi University), the volume includes contributions by Jasmin Mahazi, Kai Kresse and Kadara Swaleh, Annachiara Raia and Clarissa Vierke.
The selected poetry is clustered around the following themes: jamii: societal topical issues, ilimu: the importance of education, huruma: social roles and responsabilities, matukio: biographical events and maombi: supplications. Prefaced by Prof. Rayya Timamy (Nairobi University), the volume includes contributions by Jasmin Mahazi, Kai Kresse and Kadara Swaleh, Annachiara Raia and Clarissa Vierke.
Swahili Poetry of Commitment by Ustadh Mahmoud Mau
Series:
Islam in Africa, Volume: 25
The present volume is a pioneering collection of poetry by the outstanding Kenyan poet, intellectual and imam Ustadh Mahmmoud Mau (born 1952) from Lamu island, once an Indian Ocean hub, now on the edge of the nation state. By means of poetry in Arabic script, the poet raises his voice against social ills and injustices troubling his community on Lamu. The book situates Mahmoud Mau’s oeuvre within transoceanic exchanges of thoughts so characteristic of the Swahili coast. It shows how Swahili Indian Ocean intellectual history inhabits an individual biography and writings while also portraying a unique African Muslim thinker and his poetry in the local language, which has so often been neglected as major site for critical discourse in Islamic Africa. The authors’ approaches highlight the relevance of local epistemologies as archives for understanding the relationship between reform Islam and local communities in contemporary Africa.
The selected poetry is clustered around the following themes: jamii: societal topical issues, ilimu: the importance of education, huruma: social roles and responsabilities, matukio: biographical events and maombi: supplications. Prefaced by Prof. Rayya Timamy (Nairobi University), the volume includes contributions by Jasmin Mahazi, Kai Kresse and Kadara Swaleh, Annachiara Raia and Clarissa Vierke.
The selected poetry is clustered around the following themes: jamii: societal topical issues, ilimu: the importance of education, huruma: social roles and responsabilities, matukio: biographical events and maombi: supplications. Prefaced by Prof. Rayya Timamy (Nairobi University), the volume includes contributions by Jasmin Mahazi, Kai Kresse and Kadara Swaleh, Annachiara Raia and Clarissa Vierke.
First English Translation, with Introduction and Commentary
Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
First English Translation, with Introduction and Commentary
Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.