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A kakawin of Mpu Tantular
Editor:
The present translation of the kakawin Arjunawijaya appeared earlier as the author's Pd.D. thesis for the Australian National University in 1971. The poem under study only became better known to Western scholars in 1849, when R. Friederich described it. Although many scholars in the field have been familiar with the poem ever since, no separate study has been devoted to it. It is now published together with the translation and its explanatory notes. The punctuation marks which the author introduces in the body of the text are admittedly still tentative and experimental in nature. In the introduction to the text, the author discusses its dating and origins; and includes a comparison with the Old Javanese Uttar*a*kanda poem. Separate chapters are devoted to a description of contemporary life and ideas as reflected in this poem. According to the author, Tantular's poem is partly a reflection of the real world in which he lived, and is not to be seen merely as a tale, as Pigeaud has suggested in his Java in the 14th Century: a study in Cultural History (The Hague, 1960-1963).
A kakawin of Mpu Tantular
Editor:
The present translation of the kakawin Arjunawijaya appeared earlier as the author's Pd.D. thesis for the Australian National University in 1971. The poem under study only became better known to Western scholars in 1849, when R. Friederich described it. Although many scholars in the field have been familiar with the poem ever since, no separate study has been devoted to it. It is now published together with the translation and its explanatory notes. The punctuation marks which the author introduces in the body of the text are admittedly still tentative and experimental in nature. In the introduction to the text, the author discusses its dating and origins; and includes a comparison with the Old Javanese Uttar*a*kanda poem. Separate chapters are devoted to a description of contemporary life and ideas as reflected in this poem. According to the author, Tantular's poem is partly a reflection of the real world in which he lived, and is not to be seen merely as a tale, as Pigeaud has suggested in his Java in the 14th Century: a study in Cultural History (The Hague, 1960-1963).
Author:
The Battle for Junk Ceylon presents a new scholarly edition of the text of the Malay “ballad” known as the Syair Sultan Maulana, together with an English translation. This long poem was written during the second decade of the 19th century by the secretary to the Lakasamana (Admiral) of the sultanate of Kedah. It gives an eye-witness account if the events which occurred during the early part of the reign of Sultan Ahmad Tajuddin, in particular the part played by the Kedah fleet in helping the Siamese to expel the Burmese form the island of Phuket (“Junk Ceylon”) on the west coast of southern Thailand.
The accuracy and relative lack of bias on the part of the author make this Malay text a primary source of some importance, and accordingly the editor has concentrated his attention on the historical features of the text, in particular the military and naval aspects of the Junk Ceylon campaign, thereby also making use of sources in Thai in order to paint a remarkably clear picture of the course of the events.
The accuracy and relative lack of bias on the part of the author make this Malay text a primary source of some importance, and accordingly the editor has concentrated his attention on the historical features of the text, in particular the military and naval aspects of the Junk Ceylon campaign, thereby also making use of sources in Thai in order to paint a remarkably clear picture of the course of the events.
The Syair Sultan Maulana
Author:
The Battle for Junk Ceylon presents a new scholarly edition of the text of the Malay “ballad” known as the Syair Sultan Maulana, together with an English translation. This long poem was written during the second decade of the 19th century by the secretary to the Lakasamana (Admiral) of the sultanate of Kedah. It gives an eye-witness account if the events which occurred during the early part of the reign of Sultan Ahmad Tajuddin, in particular the part played by the Kedah fleet in helping the Siamese to expel the Burmese form the island of Phuket (“Junk Ceylon”) on the west coast of southern Thailand.
The accuracy and relative lack of bias on the part of the author make this Malay text a primary source of some importance, and accordingly the editor has concentrated his attention on the historical features of the text, in particular the military and naval aspects of the Junk Ceylon campaign, thereby also making use of sources in Thai in order to paint a remarkably clear picture of the course of the events.
The accuracy and relative lack of bias on the part of the author make this Malay text a primary source of some importance, and accordingly the editor has concentrated his attention on the historical features of the text, in particular the military and naval aspects of the Junk Ceylon campaign, thereby also making use of sources in Thai in order to paint a remarkably clear picture of the course of the events.
Author:
This critical edition of the Serat Cabolèk includes an Introduction, an English translation of the text, and notes. The Introduction gives a brief description of each of the extant MSS of the Serat Cabolèk to be found in the Jakarta Museum Library, the Lembaga Kebudayaan Indonesia, and the University of Leiden library. The eleven MSS and the printed version of the Serat Cabolèk are compared with one another on the points of form, structure, and content. The author concludes that they all share a common core and all derive from a single source.
The Introduction also provides information of the career of the author of the Serat Cabolèk, Kyahi Yasadipura I (1749-1788), as the founder of Javanese literature at the time of the early kingdom of Surakarta. This is followed by a summary of the contents of the text. The author also discusses the significance of the Serat Cabolèk as a document portraying certain tensions in Javanese religious life. Finally, the author analyses the ethical and mystical teachings of the Dewa Ruci story.
The Introduction also provides information of the career of the author of the Serat Cabolèk, Kyahi Yasadipura I (1749-1788), as the founder of Javanese literature at the time of the early kingdom of Surakarta. This is followed by a summary of the contents of the text. The author also discusses the significance of the Serat Cabolèk as a document portraying certain tensions in Javanese religious life. Finally, the author analyses the ethical and mystical teachings of the Dewa Ruci story.
Author:
This critical edition of the Serat Cabolèk includes an Introduction, an English translation of the text, and notes. The Introduction gives a brief description of each of the extant MSS of the Serat Cabolèk to be found in the Jakarta Museum Library, the Lembaga Kebudayaan Indonesia, and the University of Leiden library. The eleven MSS and the printed version of the Serat Cabolèk are compared with one another on the points of form, structure, and content. The author concludes that they all share a common core and all derive from a single source.
The Introduction also provides information of the career of the author of the Serat Cabolèk, Kyahi Yasadipura I (1749-1788), as the founder of Javanese literature at the time of the early kingdom of Surakarta. This is followed by a summary of the contents of the text. The author also discusses the significance of the Serat Cabolèk as a document portraying certain tensions in Javanese religious life. Finally, the author analyses the ethical and mystical teachings of the Dewa Ruci story.
The Introduction also provides information of the career of the author of the Serat Cabolèk, Kyahi Yasadipura I (1749-1788), as the founder of Javanese literature at the time of the early kingdom of Surakarta. This is followed by a summary of the contents of the text. The author also discusses the significance of the Serat Cabolèk as a document portraying certain tensions in Javanese religious life. Finally, the author analyses the ethical and mystical teachings of the Dewa Ruci story.
The Bhomantaka, or the Death of Bhoma, is a wide-ranging tale of the sweet romance of Samba and Yajñawati, of the defeat of the demon Bhoma by King Kresna and his minions in a truly monumental battle, and many more incidents and descriptions, a product of the sophisticated literary tradition of early Java. The poem is written in Old Javanese (composed by an author who does not mention his name or that of his king), in an idiom that presents many difficulties for the modern reader. This book contains an edition of the text, a translation, and an extensive explanatory introduction—enough to make the work accessible—and was produced by a team of two, both senior scholars of Old Javanese and experienced in producing readable English translations.
It will become apparent in the course of reading that there are still numerous philological problems attaching to the text and its interpretation, but on the other hand it is also a fact that it contains many a passage of delightful poetry, philosophical teaching and other cultural information. As a result we get a glimpse of what Java was like perhaps eight and a half centuries ago, and of the thought-world of the Javanese of that age a world where legendary, mythological or divine beings do battle, and kings march out to restore the welfare of the realm.
This publication takes its place in a long line, from the author via the copyists, in Java and in Bali, who faithfully and lovingly transmitted the work, down to the first edition of the text in 1852 and then the first translation in 1946. In this way a literary tradition of great value has been preserved for the future, and the KITLV Press now offers this contribution to coming generations of students of Old Javanese and to scholars of comparative literature around the world.
It will become apparent in the course of reading that there are still numerous philological problems attaching to the text and its interpretation, but on the other hand it is also a fact that it contains many a passage of delightful poetry, philosophical teaching and other cultural information. As a result we get a glimpse of what Java was like perhaps eight and a half centuries ago, and of the thought-world of the Javanese of that age a world where legendary, mythological or divine beings do battle, and kings march out to restore the welfare of the realm.
This publication takes its place in a long line, from the author via the copyists, in Java and in Bali, who faithfully and lovingly transmitted the work, down to the first edition of the text in 1852 and then the first translation in 1946. In this way a literary tradition of great value has been preserved for the future, and the KITLV Press now offers this contribution to coming generations of students of Old Javanese and to scholars of comparative literature around the world.
The Death of Bhoma
The Bhomantaka, or the Death of Bhoma, is a wide-ranging tale of the sweet romance of Samba and Yajñawati, of the defeat of the demon Bhoma by King Kresna and his minions in a truly monumental battle, and many more incidents and descriptions, a product of the sophisticated literary tradition of early Java. The poem is written in Old Javanese (composed by an author who does not mention his name or that of his king), in an idiom that presents many difficulties for the modern reader. This book contains an edition of the text, a translation, and an extensive explanatory introduction—enough to make the work accessible—and was produced by a team of two, both senior scholars of Old Javanese and experienced in producing readable English translations.
It will become apparent in the course of reading that there are still numerous philological problems attaching to the text and its interpretation, but on the other hand it is also a fact that it contains many a passage of delightful poetry, philosophical teaching and other cultural information. As a result we get a glimpse of what Java was like perhaps eight and a half centuries ago, and of the thought-world of the Javanese of that age a world where legendary, mythological or divine beings do battle, and kings march out to restore the welfare of the realm.
This publication takes its place in a long line, from the author via the copyists, in Java and in Bali, who faithfully and lovingly transmitted the work, down to the first edition of the text in 1852 and then the first translation in 1946. In this way a literary tradition of great value has been preserved for the future, and the KITLV Press now offers this contribution to coming generations of students of Old Javanese and to scholars of comparative literature around the world.
It will become apparent in the course of reading that there are still numerous philological problems attaching to the text and its interpretation, but on the other hand it is also a fact that it contains many a passage of delightful poetry, philosophical teaching and other cultural information. As a result we get a glimpse of what Java was like perhaps eight and a half centuries ago, and of the thought-world of the Javanese of that age a world where legendary, mythological or divine beings do battle, and kings march out to restore the welfare of the realm.
This publication takes its place in a long line, from the author via the copyists, in Java and in Bali, who faithfully and lovingly transmitted the work, down to the first edition of the text in 1852 and then the first translation in 1946. In this way a literary tradition of great value has been preserved for the future, and the KITLV Press now offers this contribution to coming generations of students of Old Javanese and to scholars of comparative literature around the world.
Author:
The sly wit and silky eroticism of the verse genre known as romantic syair were staple dishes on the Southeast Asian cultural menu, especially in the Malay, Islamic regional centres. Yet very few examples are available in translation for the many readers interested in the genre, and attempts by academics to account for their powers of attraction are even rarer. This book is the authors effort to convey the seductive qualities of the sexiest of the romantic syair, the Poem of Bidasari. Few Malay works have been loved and disseminated to the extent the Syair Bidasari has. It was translated in other languages of the region like Makassarese and Maranao and adapted for the Malay theatre and cinema.
Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poems virtues. The intertexts drawn upon in the analysis reveal the authors conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poems virtues. The intertexts drawn upon in the analysis reveal the authors conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Jewel of Malay Muslim Culture
Author:
The sly wit and silky eroticism of the verse genre known as romantic syair were staple dishes on the Southeast Asian cultural menu, especially in the Malay, Islamic regional centres. Yet very few examples are available in translation for the many readers interested in the genre, and attempts by academics to account for their powers of attraction are even rarer. This book is the authors effort to convey the seductive qualities of the sexiest of the romantic syair, the Poem of Bidasari. Few Malay works have been loved and disseminated to the extent the Syair Bidasari has. It was translated in other languages of the region like Makassarese and Maranao and adapted for the Malay theatre and cinema.
Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poems virtues. The intertexts drawn upon in the analysis reveal the authors conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poems virtues. The intertexts drawn upon in the analysis reveal the authors conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Four Texts of the Syair Sinyor Kosta, volume 1
Editor:
Around a century ago a Malay poem which tells of a foreigner, always indicated as Sinyor, in Southeast Asia who elopes with Lela Mayang, the wife of a wealthy Chinaman. The latter sets out in pursuit of the couple and engages in a naval battle with the Sinyor in an attempt to get his wife back. The Syair Sinyor Kosta, as the poem is known, presents us with fascinating pictures and glimpses of Malay society, in this case a nineteenth-century society in transition. It reflects changing literary tastes, a pluriform society and the beginning modernization of Malay culture. In its variegated transmission, through both manuscripts and early printings, it is an illustration of the continuous interaction between Malay authors and audiences. In particular it is a remarkable piece of early evidence of literary coexistence between Malays and Chinese, who must have enjoyed this story of the merry Sinyor each in their own way, as is apparent from the continuing process of creation, reception and recreation of the text.
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
The print edition is available as a set of two volumes (9789067182164).
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
The print edition is available as a set of two volumes (9789067182164).
Four Texts of the Syair Sinyor Kosta, volume 1
Editor:
Around a century ago a Malay poem which tells of a foreigner, always indicated as Sinyor, in Southeast Asia who elopes with Lela Mayang, the wife of a wealthy Chinaman. The latter sets out in pursuit of the couple and engages in a naval battle with the Sinyor in an attempt to get his wife back. The Syair Sinyor Kosta, as the poem is known, presents us with fascinating pictures and glimpses of Malay society, in this case a nineteenth-century society in transition. It reflects changing literary tastes, a pluriform society and the beginning modernization of Malay culture. In its variegated transmission, through both manuscripts and early printings, it is an illustration of the continuous interaction between Malay authors and audiences. In particular it is a remarkable piece of early evidence of literary coexistence between Malays and Chinese, who must have enjoyed this story of the merry Sinyor each in their own way, as is apparent from the continuing process of creation, reception and recreation of the text.
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
The print edition is available as a set of two volumes (9789067182164).
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
The print edition is available as a set of two volumes (9789067182164).
Four Texts of the Syair Sinyor Kosta, volume 2
Editor:
Around a century ago a Malay poem which tells of a foreigner, always indicated as Sinyor, in Southeast Asia who elopes with Lela Mayang, the wife of a wealthy Chinaman. The latter sets out in pursuit of the couple and engages in a naval battle with the Sinyor in an attempt to get his wife back. The Syair Sinyor Kosta, as the poem is known, presents us with fascinating pictures and glimpses of Malay society, in this case a nineteenth-century society in transition. It reflects changing literary tastes, a pluriform society and the beginning modernization of Malay culture. In its variegated transmission, through both manuscripts and early printings, it is an illustration of the continuous interaction between Malay authors and audiences. In particular it is a remarkable piece of early evidence of literary coexistence between Malays and Chinese, who must have enjoyed this story of the merry Sinyor each in their own way, as is apparent from the continuing process of creation, reception and recreation of the text.
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
The print edition is available as a set of two volumes (9789067182164).
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
The print edition is available as a set of two volumes (9789067182164).
Four Texts of the Syair Sinyor Kosta, volume 2
Editor:
Around a century ago a Malay poem which tells of a foreigner, always indicated as Sinyor, in Southeast Asia who elopes with Lela Mayang, the wife of a wealthy Chinaman. The latter sets out in pursuit of the couple and engages in a naval battle with the Sinyor in an attempt to get his wife back. The Syair Sinyor Kosta, as the poem is known, presents us with fascinating pictures and glimpses of Malay society, in this case a nineteenth-century society in transition. It reflects changing literary tastes, a pluriform society and the beginning modernization of Malay culture. In its variegated transmission, through both manuscripts and early printings, it is an illustration of the continuous interaction between Malay authors and audiences. In particular it is a remarkable piece of early evidence of literary coexistence between Malays and Chinese, who must have enjoyed this story of the merry Sinyor each in their own way, as is apparent from the continuing process of creation, reception and recreation of the text.
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
The print edition is available as a set of two volumes (9789067182164).
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
The print edition is available as a set of two volumes (9789067182164).
Preserved on undated palm-leaf manuscripts, Old Sundanese texts are generally in poor condition and unavailable to a wider audience. There are limited texts in any form of Sundanese, and only limited knowledge of Old Sundanese. In presenting three long Old Sundanese poems, Noorduyn and Teeuw, in a heretofore unequalled English-language study of Old Sundanese literature, bring to the light works of importance for further linguistic, literary and historical research.
The three poems, The Sons of Rama and Rawana, The ascension of Sri Ajnyana and The story of Bujangga Manik: A pilgrim's progress were undiscovered before this book. The first two were found in a nineteenth-century manuscript collection of the former Batavian Society and are now in the National Library of Indonesia in Jakarta, while the third was donated to the Bodleian Library in Oxford as early as 1627, though it was not identified as an Old Sundanese poem until the 1950s.
The three poems, The Sons of Rama and Rawana, The ascension of Sri Ajnyana and The story of Bujangga Manik: A pilgrim's progress were undiscovered before this book. The first two were found in a nineteenth-century manuscript collection of the former Batavian Society and are now in the National Library of Indonesia in Jakarta, while the third was donated to the Bodleian Library in Oxford as early as 1627, though it was not identified as an Old Sundanese poem until the 1950s.
Preserved on undated palm-leaf manuscripts, Old Sundanese texts are generally in poor condition and unavailable to a wider audience. There are limited texts in any form of Sundanese, and only limited knowledge of Old Sundanese. In presenting three long Old Sundanese poems, Noorduyn and Teeuw, in a heretofore unequalled English-language study of Old Sundanese literature, bring to the light works of importance for further linguistic, literary and historical research.
The three poems, The Sons of Rama and Rawana, The ascension of Sri Ajnyana and The story of Bujangga Manik: A pilgrim's progress were undiscovered before this book. The first two were found in a nineteenth-century manuscript collection of the former Batavian Society and are now in the National Library of Indonesia in Jakarta, while the third was donated to the Bodleian Library in Oxford as early as 1627, though it was not identified as an Old Sundanese poem until the 1950s.
The three poems, The Sons of Rama and Rawana, The ascension of Sri Ajnyana and The story of Bujangga Manik: A pilgrim's progress were undiscovered before this book. The first two were found in a nineteenth-century manuscript collection of the former Batavian Society and are now in the National Library of Indonesia in Jakarta, while the third was donated to the Bodleian Library in Oxford as early as 1627, though it was not identified as an Old Sundanese poem until the 1950s.
Sources from the Ottoman Archives
Ottoman-Southeast Asian Relations: Sources from the Ottoman Archives, is a product of meticulous study of İsmail Hakkı Kadı, A.C.S. Peacock and other contributors on historical documents from the Ottoman archives. The work contains documents in Ottoman-Turkish, Malay, Arabic, French, English, Tausug, Burmese and Thai languages, each introduced by an expert in the language and history of the related country. The work contains documents hitherto unknown to historians as well as others that have been unearthed before but remained confined to the use of limited scholars who had access to the Ottoman archives. The resources published in this study show that the Ottoman Empire was an active actor within the context of Southeast Asian experience with Western colonialism. The fact that the extensive literature on this experience made limited use of Ottoman source materials indicates the crucial importance of this publication for future innovative research in the field.
Contributors are: Giancarlo Casale, Annabel Teh Gallop, Rıfat Günalan, Patricia Herbert, Jana Igunma, Midori Kawashima, Abraham Sakili and Michael Talbot
Contributors are: Giancarlo Casale, Annabel Teh Gallop, Rıfat Günalan, Patricia Herbert, Jana Igunma, Midori Kawashima, Abraham Sakili and Michael Talbot
Sources from the Ottoman Archives
Ottoman-Southeast Asian Relations: Sources from the Ottoman Archives, is a product of meticulous study of İsmail Hakkı Kadı, A.C.S. Peacock and other contributors on historical documents from the Ottoman archives. The work contains documents in Ottoman-Turkish, Malay, Arabic, French, English, Tausug, Burmese and Thai languages, each introduced by an expert in the language and history of the related country. The work contains documents hitherto unknown to historians as well as others that have been unearthed before but remained confined to the use of limited scholars who had access to the Ottoman archives. The resources published in this study show that the Ottoman Empire was an active actor within the context of Southeast Asian experience with Western colonialism. The fact that the extensive literature on this experience made limited use of Ottoman source materials indicates the crucial importance of this publication for future innovative research in the field.
Contributors are: Giancarlo Casale, Annabel Teh Gallop, Rıfat Günalan, Patricia Herbert, Jana Igunma, Midori Kawashima, Abraham Sakili and Michael Talbot
Contributors are: Giancarlo Casale, Annabel Teh Gallop, Rıfat Günalan, Patricia Herbert, Jana Igunma, Midori Kawashima, Abraham Sakili and Michael Talbot
Editor:
The Hikayat Indraputra, or adventures of Indraputra, is a fine example of traditional Malay story-telling, in the form of the prose hikayat. It follows the hero through the fantastic realms of jinns and demigods where he wins the hands of beautiful princesses and obtains magic stones to aid him in his battles. It is a tale that is well-known and must long have been popular among he Malay-speaking peoples, to judge from the large number of manuscripts that have survived.
Dr. Mulyadi presents the complete Malay text, according to the reading of a manuscript dating from 1700 and now kept in the collection of the Royal Institute of Linguistics and Anthropology, Leiden. She also gives a very full English rendering of the story, and enough background information to provide a sound basic for further literary analysis. There is ample material here for the student of folklore, as well as those interested in the problems of Malay philology.
This work represents a further step forward in the study of traditional Indonesian literatures, hence its place in the series Bibliotheca Indonesica, which aims to make texts in critical editions accessible to a wider public.
Dr. Mulyadi presents the complete Malay text, according to the reading of a manuscript dating from 1700 and now kept in the collection of the Royal Institute of Linguistics and Anthropology, Leiden. She also gives a very full English rendering of the story, and enough background information to provide a sound basic for further literary analysis. There is ample material here for the student of folklore, as well as those interested in the problems of Malay philology.
This work represents a further step forward in the study of traditional Indonesian literatures, hence its place in the series Bibliotheca Indonesica, which aims to make texts in critical editions accessible to a wider public.
Editor:
The Hikayat Indraputra, or adventures of Indraputra, is a fine example of traditional Malay story-telling, in the form of the prose hikayat. It follows the hero through the fantastic realms of jinns and demigods where he wins the hands of beautiful princesses and obtains magic stones to aid him in his battles. It is a tale that is well-known and must long have been popular among he Malay-speaking peoples, to judge from the large number of manuscripts that have survived.
Dr. Mulyadi presents the complete Malay text, according to the reading of a manuscript dating from 1700 and now kept in the collection of the Royal Institute of Linguistics and Anthropology, Leiden. She also gives a very full English rendering of the story, and enough background information to provide a sound basic for further literary analysis. There is ample material here for the student of folklore, as well as those interested in the problems of Malay philology.
This work represents a further step forward in the study of traditional Indonesian literatures, hence its place in the series Bibliotheca Indonesica, which aims to make texts in critical editions accessible to a wider public.
Dr. Mulyadi presents the complete Malay text, according to the reading of a manuscript dating from 1700 and now kept in the collection of the Royal Institute of Linguistics and Anthropology, Leiden. She also gives a very full English rendering of the story, and enough background information to provide a sound basic for further literary analysis. There is ample material here for the student of folklore, as well as those interested in the problems of Malay philology.
This work represents a further step forward in the study of traditional Indonesian literatures, hence its place in the series Bibliotheca Indonesica, which aims to make texts in critical editions accessible to a wider public.
Page:12