MyBook
EUR €25.00USD $25.00
Browse results
Page:12
An Old Javanese Epic Poem, its Indian Source and Balinese Illustrations
Mpu Monaguṇa's early thirteenth century epic poem Sumanasāntaka is a vernacular rendering of Kālidāsa's story of Prince Aja and Princess Indumatī told in the Raghuvaṃśa. In it the poet exploits his source narrative to describe and comment on the Javanese world of his times.
In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
An Old Javanese Epic Poem, its Indian Source and Balinese Illustrations
Mpu Monaguṇa's early thirteenth century epic poem Sumanasāntaka is a vernacular rendering of Kālidāsa's story of Prince Aja and Princess Indumatī told in the Raghuvaṃśa. In it the poet exploits his source narrative to describe and comment on the Javanese world of his times.
In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
The Prophet Muḥammad’s Nocturnal Journey to Heaven and Hell. Text and Translation of Cod. Or. 1713 in the Library of Leiden University
Texts about the nocturnal journey of the Prophet Muḥammad (Mi‘rāj) abound in the Muslim world and outside. International attention has never been afforded to any version of text in any language of the Indonesian archipelago. One old version of the text from the area, the Malay Hikayat Mir’āj Nabi Muḥammad is presented here in Malay and English translation. The introductory chapters place the text in a wider context in Indonesian literatures while the manuscript of the text (Cod.Or. Leiden 1713) is described in detail. The text and translation purport to enhance interest in this important text in the Muslim world as seen from the Malay/Indonesian perspective.
The Prophet Muḥammad’s Nocturnal Journey to Heaven and Hell. Text and Translation of Cod. Or. 1713 in the Library of Leiden University
Texts about the nocturnal journey of the Prophet Muḥammad (Mi‘rāj) abound in the Muslim world and outside. International attention has never been afforded to any version of text in any language of the Indonesian archipelago. One old version of the text from the area, the Malay Hikayat Mir’āj Nabi Muḥammad is presented here in Malay and English translation. The introductory chapters place the text in a wider context in Indonesian literatures while the manuscript of the text (Cod.Or. Leiden 1713) is described in detail. The text and translation purport to enhance interest in this important text in the Muslim world as seen from the Malay/Indonesian perspective.
The Battle for Junk Ceylon presents a new scholarly edition of the text of the Malay “ballad” known as the Syair Sultan Maulana, together with an English translation. This long poem was written during the second decade of the 19th century by the secretary to the Lakasamana (Admiral) of the sultanate of Kedah. It gives an eye-witness account if the events which occurred during the early part of the reign of Sultan Ahmad Tajuddin, in particular the part played by the Kedah fleet in helping the Siamese to expel the Burmese form the island of Phuket (“Junk Ceylon”) on the west coast of southern Thailand.
The accuracy and relative lack of bias on the part of the author make this Malay text a primary source of some importance, and accordingly the editor has concentrated his attention on the historical features of the text, in particular the military and naval aspects of the Junk Ceylon campaign, thereby also making use of sources in Thai in order to paint a remarkably clear picture of the course of the events.
The accuracy and relative lack of bias on the part of the author make this Malay text a primary source of some importance, and accordingly the editor has concentrated his attention on the historical features of the text, in particular the military and naval aspects of the Junk Ceylon campaign, thereby also making use of sources in Thai in order to paint a remarkably clear picture of the course of the events.
The Syair Sultan Maulana
The Battle for Junk Ceylon presents a new scholarly edition of the text of the Malay “ballad” known as the Syair Sultan Maulana, together with an English translation. This long poem was written during the second decade of the 19th century by the secretary to the Lakasamana (Admiral) of the sultanate of Kedah. It gives an eye-witness account if the events which occurred during the early part of the reign of Sultan Ahmad Tajuddin, in particular the part played by the Kedah fleet in helping the Siamese to expel the Burmese form the island of Phuket (“Junk Ceylon”) on the west coast of southern Thailand.
The accuracy and relative lack of bias on the part of the author make this Malay text a primary source of some importance, and accordingly the editor has concentrated his attention on the historical features of the text, in particular the military and naval aspects of the Junk Ceylon campaign, thereby also making use of sources in Thai in order to paint a remarkably clear picture of the course of the events.
The accuracy and relative lack of bias on the part of the author make this Malay text a primary source of some importance, and accordingly the editor has concentrated his attention on the historical features of the text, in particular the military and naval aspects of the Junk Ceylon campaign, thereby also making use of sources in Thai in order to paint a remarkably clear picture of the course of the events.
The Bhomantaka, or the Death of Bhoma, is a wide-ranging tale of the sweet romance of Samba and Yajñawati, of the defeat of the demon Bhoma by King Kresna and his minions in a truly monumental battle, and many more incidents and descriptions, a product of the sophisticated literary tradition of early Java. The poem is written in Old Javanese (composed by an author who does not mention his name or that of his king), in an idiom that presents many difficulties for the modern reader. This book contains an edition of the text, a translation, and an extensive explanatory introduction—enough to make the work accessible—and was produced by a team of two, both senior scholars of Old Javanese and experienced in producing readable English translations.
It will become apparent in the course of reading that there are still numerous philological problems attaching to the text and its interpretation, but on the other hand it is also a fact that it contains many a passage of delightful poetry, philosophical teaching and other cultural information. As a result we get a glimpse of what Java was like perhaps eight and a half centuries ago, and of the thought-world of the Javanese of that age a world where legendary, mythological or divine beings do battle, and kings march out to restore the welfare of the realm.
This publication takes its place in a long line, from the author via the copyists, in Java and in Bali, who faithfully and lovingly transmitted the work, down to the first edition of the text in 1852 and then the first translation in 1946. In this way a literary tradition of great value has been preserved for the future, and the KITLV Press now offers this contribution to coming generations of students of Old Javanese and to scholars of comparative literature around the world.
It will become apparent in the course of reading that there are still numerous philological problems attaching to the text and its interpretation, but on the other hand it is also a fact that it contains many a passage of delightful poetry, philosophical teaching and other cultural information. As a result we get a glimpse of what Java was like perhaps eight and a half centuries ago, and of the thought-world of the Javanese of that age a world where legendary, mythological or divine beings do battle, and kings march out to restore the welfare of the realm.
This publication takes its place in a long line, from the author via the copyists, in Java and in Bali, who faithfully and lovingly transmitted the work, down to the first edition of the text in 1852 and then the first translation in 1946. In this way a literary tradition of great value has been preserved for the future, and the KITLV Press now offers this contribution to coming generations of students of Old Javanese and to scholars of comparative literature around the world.
The Death of Bhoma
The Bhomantaka, or the Death of Bhoma, is a wide-ranging tale of the sweet romance of Samba and Yajñawati, of the defeat of the demon Bhoma by King Kresna and his minions in a truly monumental battle, and many more incidents and descriptions, a product of the sophisticated literary tradition of early Java. The poem is written in Old Javanese (composed by an author who does not mention his name or that of his king), in an idiom that presents many difficulties for the modern reader. This book contains an edition of the text, a translation, and an extensive explanatory introduction—enough to make the work accessible—and was produced by a team of two, both senior scholars of Old Javanese and experienced in producing readable English translations.
It will become apparent in the course of reading that there are still numerous philological problems attaching to the text and its interpretation, but on the other hand it is also a fact that it contains many a passage of delightful poetry, philosophical teaching and other cultural information. As a result we get a glimpse of what Java was like perhaps eight and a half centuries ago, and of the thought-world of the Javanese of that age a world where legendary, mythological or divine beings do battle, and kings march out to restore the welfare of the realm.
This publication takes its place in a long line, from the author via the copyists, in Java and in Bali, who faithfully and lovingly transmitted the work, down to the first edition of the text in 1852 and then the first translation in 1946. In this way a literary tradition of great value has been preserved for the future, and the KITLV Press now offers this contribution to coming generations of students of Old Javanese and to scholars of comparative literature around the world.
It will become apparent in the course of reading that there are still numerous philological problems attaching to the text and its interpretation, but on the other hand it is also a fact that it contains many a passage of delightful poetry, philosophical teaching and other cultural information. As a result we get a glimpse of what Java was like perhaps eight and a half centuries ago, and of the thought-world of the Javanese of that age a world where legendary, mythological or divine beings do battle, and kings march out to restore the welfare of the realm.
This publication takes its place in a long line, from the author via the copyists, in Java and in Bali, who faithfully and lovingly transmitted the work, down to the first edition of the text in 1852 and then the first translation in 1946. In this way a literary tradition of great value has been preserved for the future, and the KITLV Press now offers this contribution to coming generations of students of Old Javanese and to scholars of comparative literature around the world.
The sly wit and silky eroticism of the verse genre known as romantic syair were staple dishes on the Southeast Asian cultural menu, especially in the Malay, Islamic regional centres. Yet very few examples are available in translation for the many readers interested in the genre, and attempts by academics to account for their powers of attraction are even rarer. This book is the authors effort to convey the seductive qualities of the sexiest of the romantic syair, the Poem of Bidasari. Few Malay works have been loved and disseminated to the extent the Syair Bidasari has. It was translated in other languages of the region like Makassarese and Maranao and adapted for the Malay theatre and cinema.
Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poems virtues. The intertexts drawn upon in the analysis reveal the authors conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poems virtues. The intertexts drawn upon in the analysis reveal the authors conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Jewel of Malay Muslim Culture
The sly wit and silky eroticism of the verse genre known as romantic syair were staple dishes on the Southeast Asian cultural menu, especially in the Malay, Islamic regional centres. Yet very few examples are available in translation for the many readers interested in the genre, and attempts by academics to account for their powers of attraction are even rarer. This book is the authors effort to convey the seductive qualities of the sexiest of the romantic syair, the Poem of Bidasari. Few Malay works have been loved and disseminated to the extent the Syair Bidasari has. It was translated in other languages of the region like Makassarese and Maranao and adapted for the Malay theatre and cinema.
Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poems virtues. The intertexts drawn upon in the analysis reveal the authors conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Three tasks are attempted in the book: a transliteration into Roman characters of one of the surviving Malay manuscripts of the poem, a translation of that manuscript into English, and an inquiry into the poems virtues. The intertexts drawn upon in the analysis reveal the authors conviction that understanding of traditions of kesenian rakyat (popular arts) such as pantun and the Malay theatre provides the background that allows the text to signify most powerfully.
Preserved on undated palm-leaf manuscripts, Old Sundanese texts are generally in poor condition and unavailable to a wider audience. There are limited texts in any form of Sundanese, and only limited knowledge of Old Sundanese. In presenting three long Old Sundanese poems, Noorduyn and Teeuw, in a heretofore unequalled English-language study of Old Sundanese literature, bring to the light works of importance for further linguistic, literary and historical research.
The three poems, The Sons of Rama and Rawana, The ascension of Sri Ajnyana and The story of Bujangga Manik: A pilgrim's progress were undiscovered before this book. The first two were found in a nineteenth-century manuscript collection of the former Batavian Society and are now in the National Library of Indonesia in Jakarta, while the third was donated to the Bodleian Library in Oxford as early as 1627, though it was not identified as an Old Sundanese poem until the 1950s.
The three poems, The Sons of Rama and Rawana, The ascension of Sri Ajnyana and The story of Bujangga Manik: A pilgrim's progress were undiscovered before this book. The first two were found in a nineteenth-century manuscript collection of the former Batavian Society and are now in the National Library of Indonesia in Jakarta, while the third was donated to the Bodleian Library in Oxford as early as 1627, though it was not identified as an Old Sundanese poem until the 1950s.
Preserved on undated palm-leaf manuscripts, Old Sundanese texts are generally in poor condition and unavailable to a wider audience. There are limited texts in any form of Sundanese, and only limited knowledge of Old Sundanese. In presenting three long Old Sundanese poems, Noorduyn and Teeuw, in a heretofore unequalled English-language study of Old Sundanese literature, bring to the light works of importance for further linguistic, literary and historical research.
The three poems, The Sons of Rama and Rawana, The ascension of Sri Ajnyana and The story of Bujangga Manik: A pilgrim's progress were undiscovered before this book. The first two were found in a nineteenth-century manuscript collection of the former Batavian Society and are now in the National Library of Indonesia in Jakarta, while the third was donated to the Bodleian Library in Oxford as early as 1627, though it was not identified as an Old Sundanese poem until the 1950s.
The three poems, The Sons of Rama and Rawana, The ascension of Sri Ajnyana and The story of Bujangga Manik: A pilgrim's progress were undiscovered before this book. The first two were found in a nineteenth-century manuscript collection of the former Batavian Society and are now in the National Library of Indonesia in Jakarta, while the third was donated to the Bodleian Library in Oxford as early as 1627, though it was not identified as an Old Sundanese poem until the 1950s.
The Arjunawiwāha is one of the best known of the Old Javanese classics. This volume presents a new text, based on Balinese manuscripts, with a complete translation, building on the work done by earlier writers. An introduction provides ample background information, as well as an original interpretation of the significance of the text, within its historical and cultural setting. This poem was written by Mpu Kanwa in around A.D. 1030 under King Airlangga, who ruled in East Java. It is Mpu Kanwa’s only known work, and is the second oldest example in the genre of kakawin. The poem is a narrative, but also contains passages of description, philosophical or religious teaching of great interest, as well as remarkable erotic scenes. Parts of the tale have been depicted on early temple reliefs and in paintings, and the text is still recited in Bali by literary clubs and in temple ceremonies.
The Marriage of Arjuna of Mpu Kanwa
The Arjunawiwāha is one of the best known of the Old Javanese classics. This volume presents a new text, based on Balinese manuscripts, with a complete translation, building on the work done by earlier writers. An introduction provides ample background information, as well as an original interpretation of the significance of the text, within its historical and cultural setting. This poem was written by Mpu Kanwa in around A.D. 1030 under King Airlangga, who ruled in East Java. It is Mpu Kanwa’s only known work, and is the second oldest example in the genre of kakawin. The poem is a narrative, but also contains passages of description, philosophical or religious teaching of great interest, as well as remarkable erotic scenes. Parts of the tale have been depicted on early temple reliefs and in paintings, and the text is still recited in Bali by literary clubs and in temple ceremonies.
The Makassarese Chronicles of Gowa and Talloq
The chronicles of Gowa and Talloq are the most important historical sources for the study of pre-colonial Makassar. They have provided the basic framework and much of the information that we possess about the origins, growth, and expansion of Gowa during the sixteenth and seventeenth centuries. During this period Gowa and its close ally Talloq became the most powerful force in the eastern Indonesian archipelago, and historians have relied heavily on the chronicles to chart the developments of this period. Available for the first time in English translation, the two texts will offer historians and other scholars an invaluable foundation on which to base interpretations of this crucial place and time in Indonesian history. This volume is required reading for scholars of pre-modern Southeast Asia, including historians, linguists, anthropologists, and others.
The Makassarese Chronicles of Gowa and Talloq
The chronicles of Gowa and Talloq are the most important historical sources for the study of pre-colonial Makassar. They have provided the basic framework and much of the information that we possess about the origins, growth, and expansion of Gowa during the sixteenth and seventeenth centuries. During this period Gowa and its close ally Talloq became the most powerful force in the eastern Indonesian archipelago, and historians have relied heavily on the chronicles to chart the developments of this period. Available for the first time in English translation, the two texts will offer historians and other scholars an invaluable foundation on which to base interpretations of this crucial place and time in Indonesian history. This volume is required reading for scholars of pre-modern Southeast Asia, including historians, linguists, anthropologists, and others.
Editor:
William Cummings
Beginning in the 1630s, a series of annalists at the main courts of Makassar began keeping records with dated entries that recorded a wide variety of specific historical information about a wide variety of topics, including the births and deaths of notable individuals, the actions of rulers, the spread of Islam, trade and diplomacy, the built environment, ritual activity, warfare, internal political struggles, social and kinship relations, eclipses and comets, and more. These Lontaraq bilang were a clear departure in form and function from the genealogically-structured chronicles being composed about the ruling families of Gowa and Talloq in the same era. By the end of 1751, nearly 2400 entries had been completed.
These records are a rich lode of information for scholars interested in virtually any aspect of life in premodern Makassar, and are a rare and precious resource for scholars of Southeast Asia. This is the first English translation and annotation of the annals.
These records are a rich lode of information for scholars interested in virtually any aspect of life in premodern Makassar, and are a rare and precious resource for scholars of Southeast Asia. This is the first English translation and annotation of the annals.
Editor:
William Cummings
Beginning in the 1630s, a series of annalists at the main courts of Makassar began keeping records with dated entries that recorded a wide variety of specific historical information about a wide variety of topics, including the births and deaths of notable individuals, the actions of rulers, the spread of Islam, trade and diplomacy, the built environment, ritual activity, warfare, internal political struggles, social and kinship relations, eclipses and comets, and more. These Lontaraq bilang were a clear departure in form and function from the genealogically-structured chronicles being composed about the ruling families of Gowa and Talloq in the same era. By the end of 1751, nearly 2400 entries had been completed.
These records are a rich lode of information for scholars interested in virtually any aspect of life in premodern Makassar, and are a rare and precious resource for scholars of Southeast Asia. This is the first English translation and annotation of the annals.
These records are a rich lode of information for scholars interested in virtually any aspect of life in premodern Makassar, and are a rare and precious resource for scholars of Southeast Asia. This is the first English translation and annotation of the annals.
Four Texts of the Syair Sinyor Kosta
Editor:
R.M. Dumas
Around a century ago a Malay poem which tells of a foreigner, always indicated as Sinyor, in Southeast Asia who elopes with Lela Mayang, the wife of a wealthy Chinaman. The latter sets out in pursuit of the couple and engages in a naval battle with the Sinyor in an attempt to get his wife back. The Syair Sinyor Kosta, as the poem is known, presents us with fascinating pictures and glimpses of Malay society, in this case a nineteenth-century society in transition. It reflects changing literary tastes, a pluriform society and the beginning modernization of Malay culture. In its variegated transmission, through both manuscripts and early printings, it is an illustration of the continuous interaction between Malay authors and audiences. In particular it is a remarkable piece of early evidence of literary coexistence between Malays and Chinese, who must have enjoyed this story of the merry Sinyor each in their own way, as is apparent from the continuing process of creation, reception and recreation of the text.
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
Four Texts of the Syair Sinyor Kosta
Editor:
R.M. Dumas
Around a century ago a Malay poem which tells of a foreigner, always indicated as Sinyor, in Southeast Asia who elopes with Lela Mayang, the wife of a wealthy Chinaman. The latter sets out in pursuit of the couple and engages in a naval battle with the Sinyor in an attempt to get his wife back. The Syair Sinyor Kosta, as the poem is known, presents us with fascinating pictures and glimpses of Malay society, in this case a nineteenth-century society in transition. It reflects changing literary tastes, a pluriform society and the beginning modernization of Malay culture. In its variegated transmission, through both manuscripts and early printings, it is an illustration of the continuous interaction between Malay authors and audiences. In particular it is a remarkable piece of early evidence of literary coexistence between Malays and Chinese, who must have enjoyed this story of the merry Sinyor each in their own way, as is apparent from the continuing process of creation, reception and recreation of the text.
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
This book presents editions of four versions of the Syair Sinyor Kosta, of which two are translated into English. The texts are preceded by a lengthy introduction which deals with the manuscripts, their history and provenance, and their writers. The book closes with a detailed chapter with a comparative study of the four versions, an investigation of the historical setting, and an analysis of the language used in the texts.
Page:12