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The series Documenta Coranica is dedicated to the study of history of the Qurʾānic text as manifested in manuscripts and other sources. Documenta Coranica publishes witnesses of the Qurʾān from the early period in the shape of facsimile, accompanied by transcription and a commentary. The series makes codices on parchment, papyri, inscriptions, variant readings and other relevant sources for the history of the Qurʾān, accessible to the academic public. The first volumes contain manuscript fragments from Sanaa (DAM 01-25.1, DAM 01-27.1, DAM 01-29.1), the manuscript Ma VI 165 (Tübingen), and the codex Or. 2165 of the British Library.
The series comprises two sections: Manuscripta contains facsimile editions of Qurʾānic manuscripts with a line-by-line transcript in Modern Arabic script on the opposite page and a commentary about codicology, paleography, variant readings and verse numbering explaining content and characteristics of each manuscript. Testimonia et Studia contains studies about material evidence for the history of the Qurʾān, as manifested on papyrus, stone and rock inscriptions etc., as well in exegetical, narrative and philological sources.
Documenta Coranica inscribes itself into a German-French cooperation: in the framework of the research project Coranica, 2011-2014, and Paleocoran 2015-2018, both funded by the Deutsche Forschungsgemeinschaft and the Agence Nationale de la Recherche.
The series comprises two sections: Manuscripta contains facsimile editions of Qurʾānic manuscripts with a line-by-line transcript in Modern Arabic script on the opposite page and a commentary about codicology, paleography, variant readings and verse numbering explaining content and characteristics of each manuscript. Testimonia et Studia contains studies about material evidence for the history of the Qurʾān, as manifested on papyrus, stone and rock inscriptions etc., as well in exegetical, narrative and philological sources.
Documenta Coranica inscribes itself into a German-French cooperation: in the framework of the research project Coranica, 2011-2014, and Paleocoran 2015-2018, both funded by the Deutsche Forschungsgemeinschaft and the Agence Nationale de la Recherche.
A Critical Edition, English Translation, Commentary, and Introduction
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Editor:
This is the first work by Giovanni Caroli (1428–1503) to appear in print. Caroli was one of the leading theologians in Florence during the last decades of the fifteenth century, a man who lived between the two great traditions of his time: the scholastic and the humanist. The volume contains a critical edition of the Latin text, entitled The Book of My Days in Lucca, an English translation, commentary notes and an introduction. Caroli presents us with his powerful personal reaction to the institutional crisis regarding the required reform in the Dominican Order, yet even here we already notice the pervasive influence of his classical education, and especially his acquaintance with authors such as Cicero, Livy, Tacitus, and especially Virgil.
A Critical Edition, English Translation, Commentary, and Introduction
Editor:
Author:
This is the first work by Giovanni Caroli (1428–1503) to appear in print. Caroli was one of the leading theologians in Florence during the last decades of the fifteenth century, a man who lived between the two great traditions of his time: the scholastic and the humanist. The volume contains a critical edition of the Latin text, entitled The Book of My Days in Lucca, an English translation, commentary notes and an introduction. Caroli presents us with his powerful personal reaction to the institutional crisis regarding the required reform in the Dominican Order, yet even here we already notice the pervasive influence of his classical education, and especially his acquaintance with authors such as Cicero, Livy, Tacitus, and especially Virgil.
Author:
Codex Amrensis 1, the first volume of the series Documenta Coranica contains images and Arabic texts of four sets of fragments (seventy-five sheets) of the Qurʾān codex, once kept in the ʿAmr ibn al-ʿĀṣ Mosque at Al-Fusṭāṭ, and now in the collections of the National Library of Russia, the Bibliothèque Nationale de France, The Museum of Islamic Art, Doha and the Nasser D. Khalili Collection of Islamic Art. It includes an extensive introduction, the facsimile of the original, and the full text with annotations.The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% of the letters, without any signs for short vowels. It varies from today’s reference editions of the Qurʾān in verse numbering and has a different orthography. Essential reading for students and scholars of the history of the Qurʾān and its written transmission.
Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
Series:
Documenta Coranica, Volume: 1
Author:
Codex Amrensis 1, the first volume of the series Documenta Coranica contains images and Arabic texts of four sets of fragments (seventy-five sheets) of the Qurʾān codex, once kept in the ʿAmr ibn al-ʿĀṣ Mosque at Al-Fusṭāṭ, and now in the collections of the National Library of Russia, the Bibliothèque Nationale de France, The Museum of Islamic Art, Doha and the Nasser D. Khalili Collection of Islamic Art. It includes an extensive introduction, the facsimile of the original, and the full text with annotations.The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% of the letters, without any signs for short vowels. It varies from today’s reference editions of the Qurʾān in verse numbering and has a different orthography. Essential reading for students and scholars of the history of the Qurʾān and its written transmission.
Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya: A New Manuscript of ʿAbd al-Wahhāb al-Shaʿrānī's (d. 973 H/1565 CE) Work
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كتاب الأنوار القدسية في بيان آداب العبودية هو نسخة من النص العربي للمتصوف المصري عبد الوهاب الشعراني الذي يعود إلى القرن السادس عشر. يعتبر النص من نواحٍ عديدة مقدمة للعديد من الموضوعات المركزية لآراء الشعراني ومدرسته الصوفية الكبيرة، حول موضوعات مثل النظرية الشرعية، والعلاقة بين الشرع والتصوف، وعلاقة المريد بالشيخ، وأخلاق كل منهما، وما إلى ذلك. فهو يوضح لنا تطور أفكار الشعراني في وقت مبكر نسبيًا، قبل أن يتم التوسع فيها في أعمال لاحقة.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya is an edition of the Arabic text of an early work of the sixteenth century Egyptian Sufi ʿAbd al-Wahhāb al-Shaʿrānī (d. 973 H/1565 CE). The text can be considered as an introduction to many of the central themes of his large corpus on subjects like legal theory, the relationship between law and Sufism, the master-shaykh relationship, and ethics. It shows us the development of al-Shaʿrānī's ideas in his early careeer, before building on them in later works.
The editor has discovered another manuscript that provides a more correct reading of the text, resolving a number of problems in the previously published versions. Using this new manuscript as the base text along with other existing witnesses, this critical edition provides the first comprehensive and complete version of this important text.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya: A New Manuscript of ʿAbd al-Wahhāb al-Shaʿrānī's (d. 973 H/1565 CE) Work
Author:
كتاب الأنوار القدسية في بيان آداب العبودية هو نسخة من النص العربي للمتصوف المصري عبد الوهاب الشعراني الذي يعود إلى القرن السادس عشر. يعتبر النص من نواحٍ عديدة مقدمة للعديد من الموضوعات المركزية لآراء الشعراني ومدرسته الصوفية الكبيرة، حول موضوعات مثل النظرية الشرعية، والعلاقة بين الشرع والتصوف، وعلاقة المريد بالشيخ، وأخلاق كل منهما، وما إلى ذلك. فهو يوضح لنا تطور أفكار الشعراني في وقت مبكر نسبيًا، قبل أن يتم التوسع فيها في أعمال لاحقة.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya is an edition of the Arabic text of an early work of the sixteenth century Egyptian Sufi ʿAbd al-Wahhāb al-Shaʿrānī (d. 973 H/1565 CE). The text can be considered as an introduction to many of the central themes of his large corpus on subjects like legal theory, the relationship between law and Sufism, the master-shaykh relationship, and ethics. It shows us the development of al-Shaʿrānī's ideas in his early careeer, before building on them in later works.
The editor has discovered another manuscript that provides a more correct reading of the text, resolving a number of problems in the previously published versions. Using this new manuscript as the base text along with other existing witnesses, this critical edition provides the first comprehensive and complete version of this important text.
A Critical Edition and Translation of Evagrius Ponticus’ Kephalaia Gnostika in Arabic
Series:
Arabic Christianity, Volume: 5
Author:
In the late fourth century, the early Christian monk and author Evagrius Ponticus wrote his magnum opus in Greek—entitled Kephalaia Gnostika (“Gnostic Chapters”)—a spiritual treatise on ascetic contemplation and unity with God. After Evagrius’ death, however, his theology attracted controversy, and many of his writings were suppressed or destroyed. As a result, complete copies of this important work principally survived only in Syriac translations and an Armenian adaptation, until the recent discovery of two Arabic copies at the so-called Monastery of the Syrians in Egypt. The present volume represents the first-ever critical edition and translation of the Kephalaia Gnostika in that language.
A Critical Edition and Translation of Evagrius Ponticus’ Kephalaia Gnostika in Arabic
Series:
Arabic Christianity, Volume: 5
Author:
In the late fourth century, the early Christian monk and author Evagrius Ponticus wrote his magnum opus in Greek—entitled Kephalaia Gnostika (“Gnostic Chapters”)—a spiritual treatise on ascetic contemplation and unity with God. After Evagrius’ death, however, his theology attracted controversy, and many of his writings were suppressed or destroyed. As a result, complete copies of this important work principally survived only in Syriac translations and an Armenian adaptation, until the recent discovery of two Arabic copies at the so-called Monastery of the Syrians in Egypt. The present volume represents the first-ever critical edition and translation of the Kephalaia Gnostika in that language.