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A Critical Edition of Ḥāfiẓ-i Baṣīr’s Maẓhar al-ʿAjāʾib
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The Maẓhar al-ʿajāʾib is the devotional work written to expound upon the teachings of Aghā-yi Buzurg, a female religious master active in the early 16th century in Bukhara. The work was produced in 16th century Central Asia, when the region underwent major socio-economic and religio-political changes in the aftermath of the downfall of the Timurid dynasty and the establishment of the Shibanid dynasty in Mavarannahr and the Safavid dynasty in Iran.
In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
A Critical Edition of Ḥāfiẓ-i Baṣīr’s Maẓhar al-ʿAjāʾib
Editor:
Author:
The Maẓhar al-ʿajāʾib is the devotional work written to expound upon the teachings of Aghā-yi Buzurg, a female religious master active in the early 16th century in Bukhara. The work was produced in 16th century Central Asia, when the region underwent major socio-economic and religio-political changes in the aftermath of the downfall of the Timurid dynasty and the establishment of the Shibanid dynasty in Mavarannahr and the Safavid dynasty in Iran.
In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.
Īḍāḥ al-ḥikma bi-aḥkām al-ʿibra (Wisdom Deciphered, the Unseen Discovered)
A Qurʾān Commentary by Ibn Barrajān of Seville (d. 536/1141) is a critical Arabic text edition of a medieval Muslim Qurʾān commentary entitled, Īḍāḥ al-ḥikma bi-aḥkām al-ʿibra (Wisdom Deciphered, the Unseen Discovered). The annotated Arabic text is accompanied by an analytical introduction and an extensive subject index.
This Qurʾān commentary is Ibn Barrajān’s last and most esoteric work, and as such offers the most explicit articulation of his mystical and philosophical doctrines. It synthesizes his teachings, drawn from a wide array of Islamic disciplines, and provides a link between early Sufism and Muslim mysticism in medieval Spain (Andalusia). The Īḍāḥ moreover is the earliest known work of its kind to make extensive use of Arabic Biblical material as proof texts for Qurʾānic doctrines.
This Qurʾān commentary is Ibn Barrajān’s last and most esoteric work, and as such offers the most explicit articulation of his mystical and philosophical doctrines. It synthesizes his teachings, drawn from a wide array of Islamic disciplines, and provides a link between early Sufism and Muslim mysticism in medieval Spain (Andalusia). The Īḍāḥ moreover is the earliest known work of its kind to make extensive use of Arabic Biblical material as proof texts for Qurʾānic doctrines.
Īḍāḥ al-ḥikma bi-aḥkām al-ʿibra (Wisdom Deciphered, the Unseen Discovered)
A Qurʾān Commentary by Ibn Barrajān of Seville (d. 536/1141) is a critical Arabic text edition of a medieval Muslim Qurʾān commentary entitled, Īḍāḥ al-ḥikma bi-aḥkām al-ʿibra (Wisdom Deciphered, the Unseen Discovered). The annotated Arabic text is accompanied by an analytical introduction and an extensive subject index.
This Qurʾān commentary is Ibn Barrajān’s last and most esoteric work, and as such offers the most explicit articulation of his mystical and philosophical doctrines. It synthesizes his teachings, drawn from a wide array of Islamic disciplines, and provides a link between early Sufism and Muslim mysticism in medieval Spain (Andalusia). The Īḍāḥ moreover is the earliest known work of its kind to make extensive use of Arabic Biblical material as proof texts for Qurʾānic doctrines.
This Qurʾān commentary is Ibn Barrajān’s last and most esoteric work, and as such offers the most explicit articulation of his mystical and philosophical doctrines. It synthesizes his teachings, drawn from a wide array of Islamic disciplines, and provides a link between early Sufism and Muslim mysticism in medieval Spain (Andalusia). The Īḍāḥ moreover is the earliest known work of its kind to make extensive use of Arabic Biblical material as proof texts for Qurʾānic doctrines.
The ‘Christian Chapter’ of the Jāvidān-nāma-yi kabīr by Faḍl Allāh Astarābādī (d. 796/1394)
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In Christian Apocalyptic Texts in Islamic Messianic Discourse Orkhan Mir-Kasimov offers an account of the interpretation of these Christian texts by Faḍl Allāh Astarābādī (d. 796/1394), the founder of a mystical and messianic movement which was influential in medieval Iran and Anatolia. This interpretation can be situated within the tradition of ‘positive’ Muslim hermeneutics of the Christian and Jewish scriptures which was particularly developed in Shıīʿī and especially Ismaīʿlī circles. Faḍl Allāh incorporates the Christian apocalyptic texts into an Islamic eschatological context, combining them with Qurʾān and ḥadīth material. In addition to an introductory study, the book contains a critical edition and an English translation of the relevant passages from Faḍl Allāh’s magnum opus, the Jāvidān-nāma-yi kabīr.
The ‘Christian Chapter’ of the Jāvidān-nāma-yi kabīr by Faḍl Allāh Astarābādī (d. 796/1394)
Author:
In Christian Apocalyptic Texts in Islamic Messianic Discourse Orkhan Mir-Kasimov offers an account of the interpretation of these Christian texts by Faḍl Allāh Astarābādī (d. 796/1394), the founder of a mystical and messianic movement which was influential in medieval Iran and Anatolia. This interpretation can be situated within the tradition of ‘positive’ Muslim hermeneutics of the Christian and Jewish scriptures which was particularly developed in Shıīʿī and especially Ismaīʿlī circles. Faḍl Allāh incorporates the Christian apocalyptic texts into an Islamic eschatological context, combining them with Qurʾān and ḥadīth material. In addition to an introductory study, the book contains a critical edition and an English translation of the relevant passages from Faḍl Allāh’s magnum opus, the Jāvidān-nāma-yi kabīr.
Un traité pratique de magie des lettres attribué à Hermès
Le Kitāb dā’irat al-aḥruf al-abjadiyya est un traité de magie pratique attribué à Hermès. Ce texte composite, qui ne peut être daté avec précision, est un ouvrage de magie basée sur la doctrine de la science des lettres (‘ilm al-ḥurūf). Le présent livre offre la première édition critique du texte, accompagnée d’une traduction annotée et d’une étude historique et philologique exposant les principes théoriques à la base des procédés décrits dans les recettes ainsi que des entités, objets et ingrédients utilisés (noms des anges invoqués, types de fumigations et d’encres, dessins et figures, etc.). Il s’agit d’une des premières éditions critiques d’un traité de magie pratique des lettres, genre encore fort méconnu bien qu’abondamment représenté dans les manuscrits arabes.
The Kitāb dā’irat al-aḥruf al-abjadiyya is a composite treatise of letter magic attributed to Hermes. The edition and annotated translation of the Arabic text are accompanied by an explanation of the theoretical principles underlying the procedures described in the recipes, and a discussion of the entities, objects and ingredients used. These include names of the angels to be summoned, types of incenses and inks to be used, sketches and images to be drawn, etc. This is one of the first critical editions and translations of a full-length text of practical magic containing recipes pertaining to ‘ilm al-ḥurūf (the science of letters). The book is addressed to Arabists and to any non-Arabist interested in the tradition of magic.
The Kitāb dā’irat al-aḥruf al-abjadiyya is a composite treatise of letter magic attributed to Hermes. The edition and annotated translation of the Arabic text are accompanied by an explanation of the theoretical principles underlying the procedures described in the recipes, and a discussion of the entities, objects and ingredients used. These include names of the angels to be summoned, types of incenses and inks to be used, sketches and images to be drawn, etc. This is one of the first critical editions and translations of a full-length text of practical magic containing recipes pertaining to ‘ilm al-ḥurūf (the science of letters). The book is addressed to Arabists and to any non-Arabist interested in the tradition of magic.
Un traité pratique de magie des lettres attribué à Hermès
Le Kitāb dā’irat al-aḥruf al-abjadiyya est un traité de magie pratique attribué à Hermès. Ce texte composite, qui ne peut être daté avec précision, est un ouvrage de magie basée sur la doctrine de la science des lettres (‘ilm al-ḥurūf). Le présent livre offre la première édition critique du texte, accompagnée d’une traduction annotée et d’une étude historique et philologique exposant les principes théoriques à la base des procédés décrits dans les recettes ainsi que des entités, objets et ingrédients utilisés (noms des anges invoqués, types de fumigations et d’encres, dessins et figures, etc.). Il s’agit d’une des premières éditions critiques d’un traité de magie pratique des lettres, genre encore fort méconnu bien qu’abondamment représenté dans les manuscrits arabes.
The Kitāb dā’irat al-aḥruf al-abjadiyya is a composite treatise of letter magic attributed to Hermes. The edition and annotated translation of the Arabic text are accompanied by an explanation of the theoretical principles underlying the procedures described in the recipes, and a discussion of the entities, objects and ingredients used. These include names of the angels to be summoned, types of incenses and inks to be used, sketches and images to be drawn, etc. This is one of the first critical editions and translations of a full-length text of practical magic containing recipes pertaining to ‘ilm al-ḥurūf (the science of letters). The book is addressed to Arabists and to any non-Arabist interested in the tradition of magic.
The Kitāb dā’irat al-aḥruf al-abjadiyya is a composite treatise of letter magic attributed to Hermes. The edition and annotated translation of the Arabic text are accompanied by an explanation of the theoretical principles underlying the procedures described in the recipes, and a discussion of the entities, objects and ingredients used. These include names of the angels to be summoned, types of incenses and inks to be used, sketches and images to be drawn, etc. This is one of the first critical editions and translations of a full-length text of practical magic containing recipes pertaining to ‘ilm al-ḥurūf (the science of letters). The book is addressed to Arabists and to any non-Arabist interested in the tradition of magic.
With a Critical Edition of al-Wārid al-šārid al-ṭārid šubhat al-mārid and its Persian version Zayn al-mu‘taqad li-zayn al-mu‘taqid
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In ʿAlāʾ al-Dawla al-Simnānī between Spiritual Authority and Political Power: A Persian Lord and Intellectual in the Heart of the Ilkhanate, Giovanni Maria Martini investigates the personality of a major figure in the socio-political and cultural landscape of Mongol Iran. In pursuing this objective, the author follows parallel paths: Chapter 1 provides the most updated reconstruction of Simnānī’s (d. 736/1336) biography, which, thanks to its unique features, emerges as a cross-section of Iranian society and as a microhistory of the complex relationships between a Sufi master, Persian elites and Mongol rulers during the Ilkhanid period; Chapter 2 contains a study on the phenomenon of Arabic-Persian diglossia in Simnānī’s written work, arguing for its socio-religious function; in Chapters 3 to 6 the critical editions of two important, interrelated treatises by Simnānī are presented; finally, Chapter 7 offers the first full-length annotated translation of a long work by Simnānī ever to appear in a Western language.
With a Critical Edition of al-Wārid al-šārid al-ṭārid šubhat al-mārid and its Persian version Zayn al-mu‘taqad li-zayn al-mu‘taqid
Author:
In ʿAlāʾ al-Dawla al-Simnānī between Spiritual Authority and Political Power: A Persian Lord and Intellectual in the Heart of the Ilkhanate, Giovanni Maria Martini investigates the personality of a major figure in the socio-political and cultural landscape of Mongol Iran. In pursuing this objective, the author follows parallel paths: Chapter 1 provides the most updated reconstruction of Simnānī’s (d. 736/1336) biography, which, thanks to its unique features, emerges as a cross-section of Iranian society and as a microhistory of the complex relationships between a Sufi master, Persian elites and Mongol rulers during the Ilkhanid period; Chapter 2 contains a study on the phenomenon of Arabic-Persian diglossia in Simnānī’s written work, arguing for its socio-religious function; in Chapters 3 to 6 the critical editions of two important, interrelated treatises by Simnānī are presented; finally, Chapter 7 offers the first full-length annotated translation of a long work by Simnānī ever to appear in a Western language.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya: A New Manuscript of ʿAbd al-Wahhāb al-Shaʿrānī's (d. 973 H/1565 CE) Work
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كتاب الأنوار القدسية في بيان آداب العبودية هو نسخة من النص العربي للمتصوف المصري عبد الوهاب الشعراني الذي يعود إلى القرن السادس عشر. يعتبر النص من نواحٍ عديدة مقدمة للعديد من الموضوعات المركزية لآراء الشعراني ومدرسته الصوفية الكبيرة، حول موضوعات مثل النظرية الشرعية، والعلاقة بين الشرع والتصوف، وعلاقة المريد بالشيخ، وأخلاق كل منهما، وما إلى ذلك. فهو يوضح لنا تطور أفكار الشعراني في وقت مبكر نسبيًا، قبل أن يتم التوسع فيها في أعمال لاحقة.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya is an edition of the Arabic text of an early work of the sixteenth century Egyptian Sufi ʿAbd al-Wahhāb al-Shaʿrānī (d. 973 H/1565 CE). The text can be considered as an introduction to many of the central themes of his large corpus on subjects like legal theory, the relationship between law and Sufism, the master-shaykh relationship, and ethics. It shows us the development of al-Shaʿrānī's ideas in his early careeer, before building on them in later works.
The editor has discovered another manuscript that provides a more correct reading of the text, resolving a number of problems in the previously published versions. Using this new manuscript as the base text along with other existing witnesses, this critical edition provides the first comprehensive and complete version of this important text.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya: A New Manuscript of ʿAbd al-Wahhāb al-Shaʿrānī's (d. 973 H/1565 CE) Work
Author:
كتاب الأنوار القدسية في بيان آداب العبودية هو نسخة من النص العربي للمتصوف المصري عبد الوهاب الشعراني الذي يعود إلى القرن السادس عشر. يعتبر النص من نواحٍ عديدة مقدمة للعديد من الموضوعات المركزية لآراء الشعراني ومدرسته الصوفية الكبيرة، حول موضوعات مثل النظرية الشرعية، والعلاقة بين الشرع والتصوف، وعلاقة المريد بالشيخ، وأخلاق كل منهما، وما إلى ذلك. فهو يوضح لنا تطور أفكار الشعراني في وقت مبكر نسبيًا، قبل أن يتم التوسع فيها في أعمال لاحقة.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya is an edition of the Arabic text of an early work of the sixteenth century Egyptian Sufi ʿAbd al-Wahhāb al-Shaʿrānī (d. 973 H/1565 CE). The text can be considered as an introduction to many of the central themes of his large corpus on subjects like legal theory, the relationship between law and Sufism, the master-shaykh relationship, and ethics. It shows us the development of al-Shaʿrānī's ideas in his early careeer, before building on them in later works.
The editor has discovered another manuscript that provides a more correct reading of the text, resolving a number of problems in the previously published versions. Using this new manuscript as the base text along with other existing witnesses, this critical edition provides the first comprehensive and complete version of this important text.
Winner of the 2021 Sheikh Hamad Award for Translation and International Understanding (category: translation from Arabic into English)
This is an unabridged, annotated, translation of the great Damascene savant and saint Ibn Qayyim al-Jawziyya’s (d. 751/1350) Madārij al-Sālikīn. Conceived as a critical commentary on an earlier Sufi classic by the great Hanbalite scholar Abū Ismāʿīl of Herat, Madārij aims to rejuvenate Sufism’s Qurʾanic foundations. The original work was a key text for the Sufi initiates, composed in terse, rhyming prose as a master’s instruction to the aspiring seeker on the path to God, in a journey of a hundred stations whose ultimate purpose was to be lost to one’s self (fanāʾ) and subsist (baqāʾ) in God. The translator, Ovamir (ʿUwaymir) Anjum, provides an extensive introduction and annotation to this English-Arabic face-to-face presentation of this masterpiece of Islamic psychology.
This is an unabridged, annotated, translation of the great Damascene savant and saint Ibn Qayyim al-Jawziyya’s (d. 751/1350) Madārij al-Sālikīn. Conceived as a critical commentary on an earlier Sufi classic by the great Hanbalite scholar Abū Ismāʿīl of Herat, Madārij aims to rejuvenate Sufism’s Qurʾanic foundations. The original work was a key text for the Sufi initiates, composed in terse, rhyming prose as a master’s instruction to the aspiring seeker on the path to God, in a journey of a hundred stations whose ultimate purpose was to be lost to one’s self (fanāʾ) and subsist (baqāʾ) in God. The translator, Ovamir (ʿUwaymir) Anjum, provides an extensive introduction and annotation to this English-Arabic face-to-face presentation of this masterpiece of Islamic psychology.
A Source Publication of Chimiini Texts and English Translations
This book presents fifty-one didactic and devotional Sufi poems (with English translations) composed by the ulama of Brava, on Somalia’s Benadir coast, in Chimiini, a Bantu language related to Swahili and unique to the town. Because the six ulama-poets, among whom two women, guided local believers towards correct beliefs and behaviours in reference to specific authoritative religious texts, the poems allow insight into their authors’ religious education, affiliations, in which the Qādiriyyah and Aḥmadiyyah took pride of place, and regional connections. Because the poems refer to local people, places, events, and livelihoods, they also bring into view the uniquely local dimension of Islam in this small East African port city in this time-period.
A Source Publication of Chimiini Texts and English Translations
This book presents fifty-one didactic and devotional Sufi poems (with English translations) composed by the ulama of Brava, on Somalia’s Benadir coast, in Chimiini, a Bantu language related to Swahili and unique to the town. Because the six ulama-poets, among whom two women, guided local believers towards correct beliefs and behaviours in reference to specific authoritative religious texts, the poems allow insight into their authors’ religious education, affiliations, in which the Qādiriyyah and Aḥmadiyyah took pride of place, and regional connections. Because the poems refer to local people, places, events, and livelihoods, they also bring into view the uniquely local dimension of Islam in this small East African port city in this time-period.