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This book is a multi-faceted study of the Srōš Drōn, comprising chapters 3 to 8 of the Yasna ceremony, the core ritual of the Zoroastrian religion. It provides a critical edition produced with the electronic tools of the project The Multimedia Yasna, and a study of the performative aspects of the Srōš Drōn both through the lens of the ritual directions and in comparison with the Drōn Yašt ceremony.
By analysing the Srōš Drōn both as a text attested in manuscripts and as a ritual performance, Céline Redard applies a new approach to unlock the meaning of these chapters of the Yasna.
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At the center of this book stands a text-critical edition of three chapters of the Gāthās, exemplifying the editorial methodology developed by the “Multimedia Yasna” (MUYA) project and its application to the Old Avestan parts of the Yasna liturgy.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.
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The manuscript S1 is one of the chief witnesses to the Sanskrit Yasna, containing the Avestan text of the Zoroastrian Yasna liturgy to chapter 46.19, together with a Sanskrit translation and commentary. This book contains the complete, full-colour set of facsimile images of S1.
An introduction by Leon Goldman provides an overview of the Zoroastrian Sanskrit tradition together with a discussion of the S1 manuscript covering its physical appearance, its age and history, and for the first time, a detailed palaeographic analysis of the Avestan and Sanskrit text.
In Metapoesis in the Arabic Tradition Huda J. Fakhreddine expands the study of metapoesis to include the Abbasid age in Arabic literature. Through this lens that is often used to study modernist poetry of the 20th and the 21st century, this book detects and examines a meta-poetic tendency and a self-reflexive attitude in the poetry of the first century of Abbasid poets. What and why is poetry? are questions the Abbasid poets asked themselves with the same persistence and urgency their modern successor did. This approach to the poetry of the Abbasid age serves to refresh our sense of what is “modernist” or “poetically new” and detach it from chronology.
The manuscript of the Aqwāl Qatāda has repeatedly attracted particular interest among modern scholars, as it raises questions concerning the early development of the Ibāḍī Basran community and the emergence of Islamic jurisprudence in Iraq. It is a unique document because it attests to the existence of a scholarly link between Sunnīs and Ibāḍīs during the early development of Islamic law. The fact that the legal responsa and traditions of Qatāda b. Diʿāma al-Sadūsī (60/680-117/735) are part of an Ibāḍī collection, in which the traditions of Ibāḍī Imam Jābir b. Zayd (d. 93/ 711) have been transmitted through ʿAmr b. Harim and ʿAmr b. Dīnār, proves that the Ibāḍī lawyers of the first generations considered Qatāda to be a faithful upholder of Jābir's doctrine. Given the lack of material available for Jābir, instructions must have been given to collect whatever was transmitted through Qatāda. Qatāda's legal responsa must have corresponded to those of the first Ibāḍī authorities, which explains why the collator of the Aqwāl Qatāda (probably Abū Ghānim al-Khurāsānī) included them in an Ibāḍī manuscript. The present volume sheds light on the relationship between the Aqwāl Qatāda and Ibāḍī authorities such as al-Rabī, Abū Ubayda, and Jābir.
Now available in Open Access thanks to support of the University of Helsinki. Al-Maqrīzī's (d. 845/1442) last work, al-Ḫabar ʿan al-bašar, was completed a year before his death. This volume, edited by Jaakko Hämeen-Anttila, covers the history of pre-Islamic Iran from the Creation to the Parthians. Al-Maqrīzī's work shows how Arab historians integrated Iran into world history and how they harmonized various currents of historiography (Middle Persian historiography, Islamic sacred history, Greek and Latin historiography).

Among al-Ḫabar's sources is Kitāb Hurūšiyūš, the Arabic translation of Paulus Orosius' Historiarum adversum paganos libri vii. This source has only been preserved in one defective copy, and al-Maqrīzī's text helps to fill in some of its lacunae.
Mulla Muḥammad-Ṭāhir Qummi’s Ḥikmat al-ʿĀrifīn
In Opposition to Philosophy in Safavid Iran, Ata Anzali and S. M. Hadi Gerami offer a critical edition of a hitherto unpublished manuscript that is arguably the most erudite and extensive polemical work against philosophy and philosophical mysticism from the Safavid period. The introduction offers an extensive and in-depth analysis of the status of philosophy in the late Safavid period, placing Mulla Muhammad-Tahir Qummi’s (d. 1689) work in the broader context of the relevant cultural and intellectual developments of his time.
The content of Hikmat al-‘arifin itself is divided between a refutation of many traditional philosophical arguments about the nature of God and His attributes and, more importantly for those interested in Safavid intellectual history, attacks on Mulla Sadra and his students for synthesizing fundamental elements Ibn ‘Arabi’s thought into the framework of traditional philosophical discourse.
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Der zweite Band hat das Archiv eines Beamten namens Sarapion zum Inhalt, der am Anfang des 2. Jhs. v.Chr. verschiedene Posten in der Getreide- und Finanzverwaltung bekleidete. Besonders beachtlich ist, dass die Texte aus dem memphitischen Gau stammen, aus einer Region, aus der wir nur wenige weitere Papyrustexte besitzen.