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The text edited in this volume includes the myths of Viṣṇu’s manifestation as the Man-Lion (Narasiṃha), the birth of Skanda, the birth of Andhaka, and Hiraṇyākṣa’s battle with the gods culminating in his victory and capture of the Earth.
Thanks to generous support of the J. Gonda Fund Foundation, the e-book version of this volume is available in Open Access.
The text edited in this volume includes the myths of Viṣṇu’s manifestation as the Man-Lion (Narasiṃha), the birth of Skanda, the birth of Andhaka, and Hiraṇyākṣa’s battle with the gods culminating in his victory and capture of the Earth.
Thanks to generous support of the J. Gonda Fund Foundation, the e-book version of this volume is available in Open Access.
The Śivadharmaśāstra has arguably played a crucial role in the formation, development and institutionalisation of Śaivism. Through a detailed study of its extensive śānti mantra, Peter Bisschop shows how the text advocates a system in which all worldly and cosmic power is ultimately dependent upon Śiva. The mantra itself is a mine of information on the evolving pantheon of early Brahmanical Hinduism.
Thanks to generous support of the J. Gonda Fund Foundation, the e-book version of this volume is available in Open Access.
The Śivadharmaśāstra has arguably played a crucial role in the formation, development and institutionalisation of Śaivism. Through a detailed study of its extensive śānti mantra, Peter Bisschop shows how the text advocates a system in which all worldly and cosmic power is ultimately dependent upon Śiva. The mantra itself is a mine of information on the evolving pantheon of early Brahmanical Hinduism.
Thanks to generous support of the J. Gonda Fund Foundation, the e-book version of this volume is available in Open Access.
The text edited in this volume includes the extensive myth of Viṣṇu’s manifestation as the Boar (Varāha), who conquers Hiraṇyākṣa and wins back the Earth for the gods; its aftermath, which involves the birth of Varāha’s son Vṛka and Skanda’s finishing of Viṣṇu’s Boar manifestation; Devī’s instructions to the goddesses about donations, fasts and penances; and the continuation of the Andhaka cycle.
The introduction addresses the incorporation of Vaiṣṇava mythology in the text, the composition and revision of Adhyāya 112 in the different recensions, and the Dharmanibandha citations of Devī’s teachings.
The text edited in this volume includes the extensive myth of Viṣṇu’s manifestation as the Boar (Varāha), who conquers Hiraṇyākṣa and wins back the Earth for the gods; its aftermath, which involves the birth of Varāha’s son Vṛka and Skanda’s finishing of Viṣṇu’s Boar manifestation; Devī’s instructions to the goddesses about donations, fasts and penances; and the continuation of the Andhaka cycle.
The introduction addresses the incorporation of Vaiṣṇava mythology in the text, the composition and revision of Adhyāya 112 in the different recensions, and the Dharmanibandha citations of Devī’s teachings.
By analysing the Srōš Drōn both as a text attested in manuscripts and as a ritual performance, Céline Redard applies a new approach to unlock the meaning of these chapters of the Yasna.
By analysing the Srōš Drōn both as a text attested in manuscripts and as a ritual performance, Céline Redard applies a new approach to unlock the meaning of these chapters of the Yasna.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.