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Exotisme et établissement français aux Îles (1625-1671)
Series:
Francopolyphonies, Volume: 31
Cette étude propose d’examiner les ramifications historiques de l’exotisme à partir d’une lecture critique de l’
Histoire générale des Antilles (1654/1667-71) écrite par le missionnaire dominicain, Jean-Baptiste Du Tertre. En procédant d’une analyse littéraire, notre étude suggère une reconfiguration de l’exotisme basée à la fois sur la théorisation contemporaine et sur le contexte historique et l’esthétique de l’époque. Notre travail se veut donc à la fois théorique en offrant une analyse critique des différentes orientations de l’exotisme ; et historique, en présentant une lecture approfondie d’une œuvre dont l’importance est considérable aussi bien pour l’histoire de la littérature française et antillaise que pour l’histoire de l’anthropologie. À cet égard, cette étude fournira aussi une exploration de la toute première colonisation française des îles et de la manière dont elle a été représentée.
This book examines the historical ramifications of the concept of exoticism through a literary analysis of Histoire générale des Antilles (1654/1667-71) written by Dominican missionary Jean-Baptiste Du Tertre. The study gives a thorough account of the early French colonization of the islands and the ways in which this violent process of cultural encounters was represented. It argues for the necessity to reconfigure the notion of exoticism, both by revisiting contemporary theorization and by contextualizing it in regard to the history and aesthetics of the times. The study is thus both theoretical, in proceeding by a critical reading of different orientations of exoticism, and historical in offering an in-depth study of an author and a period that have received little attention despite their impact on French Caribbean literature and on the history of anthropology.
This book examines the historical ramifications of the concept of exoticism through a literary analysis of Histoire générale des Antilles (1654/1667-71) written by Dominican missionary Jean-Baptiste Du Tertre. The study gives a thorough account of the early French colonization of the islands and the ways in which this violent process of cultural encounters was represented. It argues for the necessity to reconfigure the notion of exoticism, both by revisiting contemporary theorization and by contextualizing it in regard to the history and aesthetics of the times. The study is thus both theoretical, in proceeding by a critical reading of different orientations of exoticism, and historical in offering an in-depth study of an author and a period that have received little attention despite their impact on French Caribbean literature and on the history of anthropology.
Exotisme et établissement français aux Îles (1625-1671)
Series:
Francopolyphonies, Volume: 31
Cette étude propose d’examiner les ramifications historiques de l’exotisme à partir d’une lecture critique de l’
Histoire générale des Antilles (1654/1667-71) écrite par le missionnaire dominicain, Jean-Baptiste Du Tertre. En procédant d’une analyse littéraire, notre étude suggère une reconfiguration de l’exotisme basée à la fois sur la théorisation contemporaine et sur le contexte historique et l’esthétique de l’époque. Notre travail se veut donc à la fois théorique en offrant une analyse critique des différentes orientations de l’exotisme ; et historique, en présentant une lecture approfondie d’une œuvre dont l’importance est considérable aussi bien pour l’histoire de la littérature française et antillaise que pour l’histoire de l’anthropologie. À cet égard, cette étude fournira aussi une exploration de la toute première colonisation française des îles et de la manière dont elle a été représentée.
This book examines the historical ramifications of the concept of exoticism through a literary analysis of Histoire générale des Antilles (1654/1667-71) written by Dominican missionary Jean-Baptiste Du Tertre. The study gives a thorough account of the early French colonization of the islands and the ways in which this violent process of cultural encounters was represented. It argues for the necessity to reconfigure the notion of exoticism, both by revisiting contemporary theorization and by contextualizing it in regard to the history and aesthetics of the times. The study is thus both theoretical, in proceeding by a critical reading of different orientations of exoticism, and historical in offering an in-depth study of an author and a period that have received little attention despite their impact on French Caribbean literature and on the history of anthropology.
This book examines the historical ramifications of the concept of exoticism through a literary analysis of Histoire générale des Antilles (1654/1667-71) written by Dominican missionary Jean-Baptiste Du Tertre. The study gives a thorough account of the early French colonization of the islands and the ways in which this violent process of cultural encounters was represented. It argues for the necessity to reconfigure the notion of exoticism, both by revisiting contemporary theorization and by contextualizing it in regard to the history and aesthetics of the times. The study is thus both theoretical, in proceeding by a critical reading of different orientations of exoticism, and historical in offering an in-depth study of an author and a period that have received little attention despite their impact on French Caribbean literature and on the history of anthropology.
Volume Editor:
Alexandre Gefen
Si les siècles qui précédaient avaient vu le couronnement du roman, la littérature du XXIe siècle débute avec le triomphe du document : écritures de voyage, d’investigation, enquêtes judiciaires ou ethnologiques, autobiographies, factographies, factions, rapports et enregistrements littéraires, et autres formes de récits refusant de se dire fictions occupent nos librairies : émerge sous nos yeux une toute nouvelle littérature d'information, de témoignage, d’inventaire ou de documentation. Or ces textes ne se contentent pas de déjouer les critères des classements des bibliothèques et d’intriguer les théoriciens du récit, ils modifient profondément les catégories du littéraire et imposent leur poétique propre. C’est dire si l’heure est à inventorier et à comprendre les territoires de la non-fiction, genre capital de notre contemporain.
If the previous centuries had seen the crowning of the novel, the literature of the 21st century begins with the triumph of the document: travel writings, investigative, criminal or ethnological investigations, autobiographies, “factographies”, factions, literary reports and recordings, and other forms of narrative that refuse to call themselves fictions occupy our bookstores : a whole new literature of information, testimony, inventory or documentation is emerging before our eyes. Yet these texts not only thwart the criteria of library classifications and intrigue narrative theorists, they also profoundly modify the categories of the literary and impose their own poetics. In other words, the time has come to inventory and understand the territories of non-fiction, the capital genre of our time.
If the previous centuries had seen the crowning of the novel, the literature of the 21st century begins with the triumph of the document: travel writings, investigative, criminal or ethnological investigations, autobiographies, “factographies”, factions, literary reports and recordings, and other forms of narrative that refuse to call themselves fictions occupy our bookstores : a whole new literature of information, testimony, inventory or documentation is emerging before our eyes. Yet these texts not only thwart the criteria of library classifications and intrigue narrative theorists, they also profoundly modify the categories of the literary and impose their own poetics. In other words, the time has come to inventory and understand the territories of non-fiction, the capital genre of our time.
Cartographie d’un genre émergent
Series:
Chiasma, Volume: 46
Volume Editor:
Alexandre Gefen
Si les siècles qui précédaient avaient vu le couronnement du roman, la littérature du XXIe siècle débute avec le triomphe du document : écritures de voyage, d’investigation, enquêtes judiciaires ou ethnologiques, autobiographies, factographies, factions, rapports et enregistrements littéraires, et autres formes de récits refusant de se dire fictions occupent nos librairies : émerge sous nos yeux une toute nouvelle littérature d'information, de témoignage, d’inventaire ou de documentation. Or ces textes ne se contentent pas de déjouer les critères des classements des bibliothèques et d’intriguer les théoriciens du récit, ils modifient profondément les catégories du littéraire et imposent leur poétique propre. C’est dire si l’heure est à inventorier et à comprendre les territoires de la non-fiction, genre capital de notre contemporain.
If the previous centuries had seen the crowning of the novel, the literature of the 21st century begins with the triumph of the document: travel writings, investigative, criminal or ethnological investigations, autobiographies, “factographies”, factions, literary reports and recordings, and other forms of narrative that refuse to call themselves fictions occupy our bookstores : a whole new literature of information, testimony, inventory or documentation is emerging before our eyes. Yet these texts not only thwart the criteria of library classifications and intrigue narrative theorists, they also profoundly modify the categories of the literary and impose their own poetics. In other words, the time has come to inventory and understand the territories of non-fiction, the capital genre of our time.
If the previous centuries had seen the crowning of the novel, the literature of the 21st century begins with the triumph of the document: travel writings, investigative, criminal or ethnological investigations, autobiographies, “factographies”, factions, literary reports and recordings, and other forms of narrative that refuse to call themselves fictions occupy our bookstores : a whole new literature of information, testimony, inventory or documentation is emerging before our eyes. Yet these texts not only thwart the criteria of library classifications and intrigue narrative theorists, they also profoundly modify the categories of the literary and impose their own poetics. In other words, the time has come to inventory and understand the territories of non-fiction, the capital genre of our time.
Volume Editor:
Franc Schuerewegen
Vous ne lisez pas les notes en bas de page ? Vous avez tort. Rien de plus passionnant qu’une note infrapaginale, ou marginale, ou finale car il est vrai que nos dispositifs d’annotation sont divers. Souvent c’est la note qui contient l’essentiel. C’est alors par elle qu’il faut commencer. Nous distinguons entre le
texte et le
paratexte mais le
paratexte est aussi une autre sorte de
texte. Une « frange d’incertitude » (Genette) nous permet de passer d’un régime à l’autre. Les choses deviennent intéressantes à ce moment. Imaginez la note à la place du texte, le texte à la place de la note. Votre univers bascule, vous entrez dans un monde parallèle. La littérature est le lieu où la frontière entre le texte et les notes devient indécidable. Le présent volume passe en revue les pratiques d’annotation en contexte européen et ailleurs. Il offre au lecteur une riche série « d’études de cas » où le geste de l’annotateur est observé
in actu. Parmi les auteurs étudiés : Balzac, Chateaubriand, Eliot, Mallarmé, Nabokov, Proust, Rimbaud, Oliver Rolin, et bien d’autres.
You don’t read footnotes? You are mistaken. There’s nothing more passionate than a footnote, a sidenote, or an endnote. The essential part of the message is the footnote. Narratologists distinguish between texte and paratexte, but the paratexte is just a different kind of texte. A frange d’incertitude (Genette) allows one to switch from one system to another. Imagine the note in the position of the text and the text in the position of the note. Your universe switches: you enter into a parallel world. Literature is the place where the border between the text and the notes becomes undecidable. The current volume reviews annotation practices in and outside of the European context. It offers a substantial series of “case studies” to the reader, where the actions of the annotateur are observed in actu. Among the studied authors: Balzac, Chateaubriand, Eliot, Mallarmé, Nabokov, Proust, Rimbaud, Oliver Rolin, and many others.
Avec des contributions de / With contributions from Anikó Ádám, Emmanuel Bouju, Maria de Jesus Cabral, Riccardo Campi, Ana Paula Coutinho, Andrea Del Lungo, Karen Haddad, Vincent Jouve, Fatima Outereirinhou, Claude Perez, Marika Piva, Nathalie Roelens, Franc Schuerewegen.
You don’t read footnotes? You are mistaken. There’s nothing more passionate than a footnote, a sidenote, or an endnote. The essential part of the message is the footnote. Narratologists distinguish between texte and paratexte, but the paratexte is just a different kind of texte. A frange d’incertitude (Genette) allows one to switch from one system to another. Imagine the note in the position of the text and the text in the position of the note. Your universe switches: you enter into a parallel world. Literature is the place where the border between the text and the notes becomes undecidable. The current volume reviews annotation practices in and outside of the European context. It offers a substantial series of “case studies” to the reader, where the actions of the annotateur are observed in actu. Among the studied authors: Balzac, Chateaubriand, Eliot, Mallarmé, Nabokov, Proust, Rimbaud, Oliver Rolin, and many others.
Avec des contributions de / With contributions from Anikó Ádám, Emmanuel Bouju, Maria de Jesus Cabral, Riccardo Campi, Ana Paula Coutinho, Andrea Del Lungo, Karen Haddad, Vincent Jouve, Fatima Outereirinhou, Claude Perez, Marika Piva, Nathalie Roelens, Franc Schuerewegen.
Volume Editor:
Franc Schuerewegen
Vous ne lisez pas les notes en bas de page ? Vous avez tort. Rien de plus passionnant qu’une note infrapaginale, ou marginale, ou finale car il est vrai que nos dispositifs d’annotation sont divers. Souvent c’est la note qui contient l’essentiel. C’est alors par elle qu’il faut commencer. Nous distinguons entre le
texte et le
paratexte mais le
paratexte est aussi une autre sorte de
texte. Une « frange d’incertitude » (Genette) nous permet de passer d’un régime à l’autre. Les choses deviennent intéressantes à ce moment. Imaginez la note à la place du texte, le texte à la place de la note. Votre univers bascule, vous entrez dans un monde parallèle. La littérature est le lieu où la frontière entre le texte et les notes devient indécidable. Le présent volume passe en revue les pratiques d’annotation en contexte européen et ailleurs. Il offre au lecteur une riche série « d’études de cas » où le geste de l’annotateur est observé
in actu. Parmi les auteurs étudiés : Balzac, Chateaubriand, Eliot, Mallarmé, Nabokov, Proust, Rimbaud, Oliver Rolin, et bien d’autres.
You don’t read footnotes? You are mistaken. There’s nothing more passionate than a footnote, a sidenote, or an endnote. The essential part of the message is the footnote. Narratologists distinguish between texte and paratexte, but the paratexte is just a different kind of texte. A frange d’incertitude (Genette) allows one to switch from one system to another. Imagine the note in the position of the text and the text in the position of the note. Your universe switches: you enter into a parallel world. Literature is the place where the border between the text and the notes becomes undecidable. The current volume reviews annotation practices in and outside of the European context. It offers a substantial series of “case studies” to the reader, where the actions of the annotateur are observed in actu. Among the studied authors: Balzac, Chateaubriand, Eliot, Mallarmé, Nabokov, Proust, Rimbaud, Oliver Rolin, and many others.
Avec des contributions de / With contributions from Anikó Ádám, Emmanuel Bouju, Maria de Jesus Cabral, Riccardo Campi, Ana Paula Coutinho, Andrea Del Lungo, Karen Haddad, Vincent Jouve, Fatima Outereirinhou, Claude Perez, Marika Piva, Nathalie Roelens, Franc Schuerewegen.
You don’t read footnotes? You are mistaken. There’s nothing more passionate than a footnote, a sidenote, or an endnote. The essential part of the message is the footnote. Narratologists distinguish between texte and paratexte, but the paratexte is just a different kind of texte. A frange d’incertitude (Genette) allows one to switch from one system to another. Imagine the note in the position of the text and the text in the position of the note. Your universe switches: you enter into a parallel world. Literature is the place where the border between the text and the notes becomes undecidable. The current volume reviews annotation practices in and outside of the European context. It offers a substantial series of “case studies” to the reader, where the actions of the annotateur are observed in actu. Among the studied authors: Balzac, Chateaubriand, Eliot, Mallarmé, Nabokov, Proust, Rimbaud, Oliver Rolin, and many others.
Avec des contributions de / With contributions from Anikó Ádám, Emmanuel Bouju, Maria de Jesus Cabral, Riccardo Campi, Ana Paula Coutinho, Andrea Del Lungo, Karen Haddad, Vincent Jouve, Fatima Outereirinhou, Claude Perez, Marika Piva, Nathalie Roelens, Franc Schuerewegen.
Volume Editors:
Sjef Houppermans, Manet van Montfrans, Annelies Schulte Nordholt, Sabine van Wesemael, and Nell de de Hullu-van Doeselaar
Ce volume comporte un dossier sur la thématique du rire dans
À la recherche du temps perdu. Toutes sortes de procédés rhétoriques, de multiples collusions avec le destinataire, un discours nourri de plaisir et d’intentions caustiques, donnent à cette dimension une place de première importance. Ironie raffinée qui subtilise les perspectives, satire mordante ou subreptice, burlesque caricatural et grotesque scabreux, humour bonhomme ou raillerie polissonne, moquerie ou sarcasme, toutes les nuances du rire, du plus léger au gros calibre, se rencontrent tout au long de l’apprentissage de ‘Marcel’.
This volume includes a major section on the theme of laughter in the Recherche. Various rhetorical processes, many collusions with the recipient, a discourse nourished with pleasure and caustic intentions, make that this dimension plays a prominent role. Sophisticated irony that subtilises the perspectives, harsh or subreptitious satire, caricatural burlesque and scabrous grotesque, good humour or rascally moquerie, sarcasm or derision, we encounter all kinds and variants of laughter, from the most gentle to its extremely furious manifestations, throughout the apprenticeship of ‘Marcel’.
Avec des contributions de/contributors: Paul Aron; Dominique Defer; Nell de Hullu-van Doeselaar; Karen Haddad; Sjef Houppermans; Didier Hurson; Mathieu Jung; Bérengère Moricheau-Airaud; Anne-Aël Ropars; Thanh-Vân Ton That; Manet van Montfrans; Ruud Verwaal; Philippe Willemart.
This volume includes a major section on the theme of laughter in the Recherche. Various rhetorical processes, many collusions with the recipient, a discourse nourished with pleasure and caustic intentions, make that this dimension plays a prominent role. Sophisticated irony that subtilises the perspectives, harsh or subreptitious satire, caricatural burlesque and scabrous grotesque, good humour or rascally moquerie, sarcasm or derision, we encounter all kinds and variants of laughter, from the most gentle to its extremely furious manifestations, throughout the apprenticeship of ‘Marcel’.
Avec des contributions de/contributors: Paul Aron; Dominique Defer; Nell de Hullu-van Doeselaar; Karen Haddad; Sjef Houppermans; Didier Hurson; Mathieu Jung; Bérengère Moricheau-Airaud; Anne-Aël Ropars; Thanh-Vân Ton That; Manet van Montfrans; Ruud Verwaal; Philippe Willemart.
Volume Editors:
Sjef Houppermans, Manet van Montfrans, Annelies Schulte Nordholt, Sabine van Wesemael, and Nell de de Hullu-van Doeselaar
Ce volume comporte un dossier sur la thématique du rire dans
À la recherche du temps perdu. Toutes sortes de procédés rhétoriques, de multiples collusions avec le destinataire, un discours nourri de plaisir et d’intentions caustiques, donnent à cette dimension une place de première importance. Ironie raffinée qui subtilise les perspectives, satire mordante ou subreptice, burlesque caricatural et grotesque scabreux, humour bonhomme ou raillerie polissonne, moquerie ou sarcasme, toutes les nuances du rire, du plus léger au gros calibre, se rencontrent tout au long de l’apprentissage de ‘Marcel’.
This volume includes a major section on the theme of laughter in the Recherche. Various rhetorical processes, many collusions with the recipient, a discourse nourished with pleasure and caustic intentions, make that this dimension plays a prominent role. Sophisticated irony that subtilises the perspectives, harsh or subreptitious satire, caricatural burlesque and scabrous grotesque, good humour or rascally moquerie, sarcasm or derision, we encounter all kinds and variants of laughter, from the most gentle to its extremely furious manifestations, throughout the apprenticeship of ‘Marcel’.
Avec des contributions de/contributors: Paul Aron; Dominique Defer; Nell de Hullu-van Doeselaar; Karen Haddad; Sjef Houppermans; Didier Hurson; Mathieu Jung; Bérengère Moricheau-Airaud; Anne-Aël Ropars; Thanh-Vân Ton That; Manet van Montfrans; Ruud Verwaal; Philippe Willemart.
This volume includes a major section on the theme of laughter in the Recherche. Various rhetorical processes, many collusions with the recipient, a discourse nourished with pleasure and caustic intentions, make that this dimension plays a prominent role. Sophisticated irony that subtilises the perspectives, harsh or subreptitious satire, caricatural burlesque and scabrous grotesque, good humour or rascally moquerie, sarcasm or derision, we encounter all kinds and variants of laughter, from the most gentle to its extremely furious manifestations, throughout the apprenticeship of ‘Marcel’.
Avec des contributions de/contributors: Paul Aron; Dominique Defer; Nell de Hullu-van Doeselaar; Karen Haddad; Sjef Houppermans; Didier Hurson; Mathieu Jung; Bérengère Moricheau-Airaud; Anne-Aël Ropars; Thanh-Vân Ton That; Manet van Montfrans; Ruud Verwaal; Philippe Willemart.
Volume Editor:
Edyta Kociubińska
Qu’ils soient naturalistes, décadents, anarchistes ou symbolistes, les romanciers fin-de-siècle se livrent à une quête du rare et de l’étrange, luttent contre les angoisses et les chimères, cherchent à briser, voire dépasser les limites du roman. Le présent ouvrage propose de réfléchir sur la richesse de la création romanesque de l’époque crépusculaire en réunissant quatorze contributions consacrées aussi bien aux classiques qu’aux auteurs rarement étudiés, voire méconnus. Ainsi se rencontrent ou se retrouvent dans ce lieu N. Casanova, G. Darien, L. d’Herdy, J. de Tinan, L. Bloy, H. Céard, O. Mirbeau, J. Lorrain, P. Louÿs, R. Vivien, Rachilde, C. Mendès, J.-K. Huysmans, H. Fleischmann. Voici un guide qui a pour but d’accompagner le lecteur dans la (re)découverte de l’univers finiséculaire en l’invitant à connaître ses mystères.
Whether naturalists, decadents, anarchists or symbolists, fin-de-siècle novelists engage in a quest for the rare and the strange, in a fight against anxieties and chimeras, they seek to break with, exceed the limits of a novel. This work offers a reflection on the richness of the novels created in this twilight period by bringing together fourteen contributions devoted both to the classics and to authors rarely studied. Thus, one may encounter or find here: N. Casanova, G. Darien, L. d'Herdy, J. de Tinan, L. Bloy, H. Céard, O. Mirbeau, J. Lorrain, P. Louÿs, R. Vivien, Rachilde, C. Mendès, J.-K. Huysmans, H. Fleischmann. Here is a guide which aims to accompany the reader in his (re)discovery of the finisecular universe by inviting him to face its mysteries. .
Whether naturalists, decadents, anarchists or symbolists, fin-de-siècle novelists engage in a quest for the rare and the strange, in a fight against anxieties and chimeras, they seek to break with, exceed the limits of a novel. This work offers a reflection on the richness of the novels created in this twilight period by bringing together fourteen contributions devoted both to the classics and to authors rarely studied. Thus, one may encounter or find here: N. Casanova, G. Darien, L. d'Herdy, J. de Tinan, L. Bloy, H. Céard, O. Mirbeau, J. Lorrain, P. Louÿs, R. Vivien, Rachilde, C. Mendès, J.-K. Huysmans, H. Fleischmann. Here is a guide which aims to accompany the reader in his (re)discovery of the finisecular universe by inviting him to face its mysteries. .
Series:
Faux Titre, Volume: 446
Volume Editor:
Edyta Kociubińska
Qu’ils soient naturalistes, décadents, anarchistes ou symbolistes, les romanciers fin-de-siècle se livrent à une quête du rare et de l’étrange, luttent contre les angoisses et les chimères, cherchent à briser, voire dépasser les limites du roman. Le présent ouvrage propose de réfléchir sur la richesse de la création romanesque de l’époque crépusculaire en réunissant quatorze contributions consacrées aussi bien aux classiques qu’aux auteurs rarement étudiés, voire méconnus. Ainsi se rencontrent ou se retrouvent dans ce lieu N. Casanova, G. Darien, L. d’Herdy, J. de Tinan, L. Bloy, H. Céard, O. Mirbeau, J. Lorrain, P. Louÿs, R. Vivien, Rachilde, C. Mendès, J.-K. Huysmans, H. Fleischmann. Voici un guide qui a pour but d’accompagner le lecteur dans la (re)découverte de l’univers finiséculaire en l’invitant à connaître ses mystères.
Whether naturalists, decadents, anarchists or symbolists, fin-de-siècle novelists engage in a quest for the rare and the strange, in a fight against anxieties and chimeras, they seek to break with, exceed the limits of a novel. This work offers a reflection on the richness of the novels created in this twilight period by bringing together fourteen contributions devoted both to the classics and to authors rarely studied. Thus, one may encounter or find here: N. Casanova, G. Darien, L. d'Herdy, J. de Tinan, L. Bloy, H. Céard, O. Mirbeau, J. Lorrain, P. Louÿs, R. Vivien, Rachilde, C. Mendès, J.-K. Huysmans, H. Fleischmann. Here is a guide which aims to accompany the reader in his (re)discovery of the finisecular universe by inviting him to face its mysteries. .
Whether naturalists, decadents, anarchists or symbolists, fin-de-siècle novelists engage in a quest for the rare and the strange, in a fight against anxieties and chimeras, they seek to break with, exceed the limits of a novel. This work offers a reflection on the richness of the novels created in this twilight period by bringing together fourteen contributions devoted both to the classics and to authors rarely studied. Thus, one may encounter or find here: N. Casanova, G. Darien, L. d'Herdy, J. de Tinan, L. Bloy, H. Céard, O. Mirbeau, J. Lorrain, P. Louÿs, R. Vivien, Rachilde, C. Mendès, J.-K. Huysmans, H. Fleischmann. Here is a guide which aims to accompany the reader in his (re)discovery of the finisecular universe by inviting him to face its mysteries. .
Identité de rôle et projection de puissance
Depuis l’avènement du règne de Mohammed VI en 1999, le Maroc déploie une nouvelle politique étrangère continentale. Le Royaume ambitionne d’être reconnu comme une puissance africaine émergente dans son identité comme dans son espace de projection. Afin de satisfaire ces ambitions, l’appareil diplomatique se développe et se modernise, tandis qu’une identité de rôle singulière émerge autour de la notion de « juste milieu ». Cette étude présente, sur le plan empirique, les conditions de l’élaboration et de la conduite de cette politique africaine, et analyse, sur le plan théorique, l’évolution de l’identité de rôle marocaine à l'échelle internationale.
Since the advent of the reign of Mohammed VI in 1999, Morocco has deployed a new continental foreign policy. The Kingdom aspires to be recognized as an emerging African power in its identity as well as in its space of projection. In order to meet these ambitions, the diplomatic apparatus is developing and modernizing, while a singular role identity is emerging around the notion of the "golden mean". This study presents, on an empirical level, the conditions of the elaboration and conduct of this African policy, and analyzes, on a theoretical level, the evolution of the Moroccan role identity in the international system.
Since the advent of the reign of Mohammed VI in 1999, Morocco has deployed a new continental foreign policy. The Kingdom aspires to be recognized as an emerging African power in its identity as well as in its space of projection. In order to meet these ambitions, the diplomatic apparatus is developing and modernizing, while a singular role identity is emerging around the notion of the "golden mean". This study presents, on an empirical level, the conditions of the elaboration and conduct of this African policy, and analyzes, on a theoretical level, the evolution of the Moroccan role identity in the international system.
Identité de rôle et projection de puissance
Depuis l’avènement du règne de Mohammed VI en 1999, le Maroc déploie une nouvelle politique étrangère continentale. Le Royaume ambitionne d’être reconnu comme une puissance africaine émergente dans son identité comme dans son espace de projection. Afin de satisfaire ces ambitions, l’appareil diplomatique se développe et se modernise, tandis qu’une identité de rôle singulière émerge autour de la notion de « juste milieu ». Cette étude présente, sur le plan empirique, les conditions de l’élaboration et de la conduite de cette politique africaine, et analyse, sur le plan théorique, l’évolution de l’identité de rôle marocaine à l'échelle internationale.
Since the advent of the reign of Mohammed VI in 1999, Morocco has deployed a new continental foreign policy. The Kingdom aspires to be recognized as an emerging African power in its identity as well as in its space of projection. In order to meet these ambitions, the diplomatic apparatus is developing and modernizing, while a singular role identity is emerging around the notion of the "golden mean". This study presents, on an empirical level, the conditions of the elaboration and conduct of this African policy, and analyzes, on a theoretical level, the evolution of the Moroccan role identity in the international system.
Since the advent of the reign of Mohammed VI in 1999, Morocco has deployed a new continental foreign policy. The Kingdom aspires to be recognized as an emerging African power in its identity as well as in its space of projection. In order to meet these ambitions, the diplomatic apparatus is developing and modernizing, while a singular role identity is emerging around the notion of the "golden mean". This study presents, on an empirical level, the conditions of the elaboration and conduct of this African policy, and analyzes, on a theoretical level, the evolution of the Moroccan role identity in the international system.