Browse results

You are looking at 1 - 10 of 665 items for :

  • Indo-European Languages x
  • Gender Studies x
  • Social Sciences x
  • Historical and Comparative Linguistics & Linguistic Typology x
  • Status (Books): Published x
  • Status (Books): Out Of Print x
Clear All Modify Search
In this revised edition of Moral Conflicts of Organ Retrieval: A Case for Constructive Pluralism, Charles Hinkley elaborates on his moral philosophy of constructive pluralism and updates the literature on organ retrieval strategies. Hinkley challenges a deeply entrenched moral triad: 1) moral values are comparable; 2) the weighing metaphor helps us conceptualize decisions regarding conflicting values; and 3) there is a single best discoverable response to a moral decision. This book offers an alternative—cases of incomparability, a constructing or making metaphor, and multiple permissible responses to some moral questions. Constructive pluralism has important implications for organ transplantation, health, and ethics.
Form, Technique and Function
This study presents an overview of the wooden furniture that has come to light since the rediscovery of Herculaneum in the 18th century, with an emphasis on the form, function and the techniques employed. The combination of comments in the excavation reports with the information derived from the surviving pieces of furniture and fittings made of other materials as well as indications for the presence of furniture in the architecture and decoration of the houses, offers a representative idea of the role of wooden furniture in the interior arrangements of the houses at Herculaneum.
This book offers a synoptic introduction to an important chapter of Polish 20th century philosophy, by introducing the studies of Kazimierz Twardowski, Tadeusz Czeżowski, Tadeusz Kotarbiński, Władysław Tatarkiewicz, Roman Ingarden, Henryk Elzenberg, Maria Ossowska, and Józef Maria Bocheński and how they contributed to value theory, ethics and aesthetics. These philosophers differed in their more definite interests, methodological approaches, and main results and yet their investigations share a number of characteristic features. Questions of value, considered as extremely vital, are treated with care and precision. In spite of the richness of their insights and an impressive number of detailed results these philosophers refrain from hasty conclusions, trying here, as elsewhere, to conduct their studies in an intellectually and morally responsible way.
Codex Amrensis 1, the first volume of the series Documenta Coranica contains images and Arabic texts of four sets of fragments (seventy-five sheets) of the Qurʾān codex, once kept in the ʿAmr ibn al-ʿĀṣ Mosque at Al-Fusṭāṭ, and now in the collections of the National Library of Russia, the Bibliothèque Nationale de France, The Museum of Islamic Art, Doha and the Nasser D. Khalili Collection of Islamic Art. It includes an extensive introduction, the facsimile of the original, and the full text with annotations.The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% of the letters, without any signs for short vowels. It varies from today’s reference editions of the Qurʾān in verse numbering and has a different orthography. Essential reading for students and scholars of the history of the Qurʾān and its written transmission.

Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.


Der Band veranschaulicht in 13 systematisch angelegten Beiträgen aus unterschiedlichen wissenschaftlichen Disziplinen,wie sehr Robert Walsers Schreiben von vaszillierenden Erscheinungsformen des Ambivalenten geprägt ist. Er bildet ein besonderes Kompendium zu seinem Werk und soll außerdem zu einem differenzierten Verständnis eines kulturwissenschaftlich zentralen Begriffs beitragen.
Schon Walter Benjamin erkannte bei Robert Walser den produktiven Widerspruch von »Geschwätzigkeit« und »Sprachscham« und dass »jeder Satz nur die Aufgabe hat, den vorigen vergessen zu machen«. Im Rückblick erscheint Walsers Werk als literarische Umschreibung des »Endes der Eindeutigkeit« (Zygmunt Bauman) und damit letztlich als eine Positionsbestimmung der Moderne. Im Gegensatz zu dialektischen Denkmustern, die Entscheidung oder Synthese anstreben, entwickelt dieser Schriftsteller beweglich-gleitende Ausdrucksweisen. Seine Figuren, oftmals widerspenstig und unterwürfi g, verkörpern das Vage und Brüchige persönlicher Identität.