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The Journal of World Literature (JWL) aspires to bring together scholars interested in developing the concept of World Literature, and to provide the most suitable environment for contributions from all the world’s literary traditions. It creates a forum for re-visiting global literary heritages, discovering valuable works that have been undeservedly ignored, and introducing aspects of the transnational global dissemination of literature, with translation as a focus. The journal welcomes submissions that can concurrently imagine any literary tradition, in any language, moving beyond national frames to simultaneously discuss and develop the cosmopolitan threads of a variety of literary traditions. It also welcomes contributions from scholars of different research backgrounds working collaboratively as well as from group research projects interested in showcasing their findings, in order to meet the challenge of a wider and deeper discussion of literature’s networks.

The editorial board of the JWL has begun accepting submissions for open-call issues.

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The introductions of the issues of the first two years are available Open Access to familiarize yourself with JWL and its applied scope.
Philological Encounters is dedicated to the historical and philosophical critique of philology.

The journal welcomes global and comparative perspectives that integrate textual scholarship and the study of language from across the world. Alongside four issues a year, monographs and/ or collected volumes will occasionally be published as supplements to the journal in the book series Philological Encounters Monographs.

The journal is open to contributions in all fields studying the history of textual practices, hermeneutics and philology, philological controversies, and the intellectual and global history of writing, archiving, tradition-making and publishing. Neither confined to any discipline nor bound by any geographical or temporal limits, Philological Encounters takes as its point of departure the growing concern with the global significance of philology and the potential of historically conscious and politically critical philology to challenge exclusivist notions of the self and the canon. Philological Encounters welcomes innovative and critical contributions in the form of articles as well as review articles, usually of two or three related books, and preferably from different disciplines.

Philological Encounters is a publication of the research program Zukunftsphilologie ( Forum Transregionale Studien Berlin).

The Dostoevsky Journal

A Comparative Literature Review

Editor-in-Chief Slobodanka Vladiv-Glover

The Dostoevsky Journal: A Comparative Literature Review is an interdisciplinary journal on research into the life and works of F. M. Dostoevsky and on the resonance of the Russian writer in other texts of world literature and philosophy.
Contributions are particularly welcome from a research perspective in postmodernism, poststructuralism and phenomenology, or which explore, in a historical context, Dostoevsky's poetics and its impact on the Western cultural paradigm.
Submitted articles will be subject to double-blind peer review.

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Editor-in-Chief Muhsin J. al-Musawi

The Journal of Arabic Literature (JAL) is the leading journal specializing in the study of Arabic literature, ranging from the pre-Islamic period to the present. Founded in 1970, JAL seeks critically and theoretically engaged work at the forefront of the field, written for a global audience comprised of the specialist, the comparatist, and the student alike. JAL publishes literary, critical and historical studies as well as book reviews on Arabic literature broadly understood– classical and modern, written and oral, poetry and prose, literary and colloquial, as well as work situated in comparative and interdisciplinary studies.

NOW AVAILABLE - Online submission: Articles for publication in the Journal of Arabic Literature can be submitted online through Editorial Manager, please click here.

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Editor-in-Chief Tim Conley, Éva Forgács, Bojan Jović and Béatrice Joyeux-Prunel

Published twice annually, the Journal of Avant-Garde Studies is an interdisciplinary forum for critical discussion of the experimental, the outrageous, and the unclassifiable in the arts and literature, from the heyday of modernism to today. The perspective is global, the theoretical approaches are diverse, and the eligible subjects range from the famous to the forgotten.
JAGS seeks to broaden and enrich our history of the vanguard.

Matatu

Journal for African Culture and Society

Matatu is a peer-reviewed journal on African literatures and societies dedicated to interdisciplinary dialogue between literary and cultural studies, historiography, the social sciences and cultural anthropology.
Matatu is animated by a lively interest in African culture and literature (including the Afro-Caribbean) that moves beyond worn-out clichés of “cultural authenticity” and “national liberation” towards critical exploration of African modernities. The East African public transport vehicle from which Matatu takes its name is both a component and a symbol of these modernities: based on “Western” (these days usually "Asian") technology, it is a vigorously African institution; it is usually regarded with some anxiety by those travelling in it, but is often enough the only means of transport available; it creates temporary communicative communities and provides a transient site for the exchange of news, storytelling, and political debate.
Matatu is firmly committed to supporting democratic change in Africa, to providing a forum for interchanges between African and European critical debates, to overcoming notions of absolute cultural, ethnic, or religious alterity, and to promoting transnational discussion on the future of African societies in a wider world.

Matatu was published as book series until the end of 2015. All back volumes are still available in print.

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Articles for publication in MATATU should be sent to Christa Stevens at c.stevens [a t] brill.com
The Mawlana Rumi Review is an academic journal (est. 2010) devoted to the poetry, life, thought, and legacy of Jalal al-Din Rumi (d. 1273), the Islamic Sufi poet who authored some 60,000 lines of poetry, lectures, sermons, and letters in Persian and Arabic, and who founded the Mevlevi (Mawlawiyya) dervish order. The journal publishes original articles, translations of Rumi’s poetry done from the original language, book reviews, and reports. The editors welcome articles in English, as well as in French, Persian and Turkish, on the following topics: Historical biography of Rumi and his circle, based on original sources; analysis and interpretation of Rumi’s poetry; his adaptation of the literary and Sufi traditions; his narratology and story-telling techniques; hermeneutics; theology and prophetology; theosophy and mysticism; spiritual psychology; erotic spirituality; metaphysics and cosmology; epistemology; ethics; pedagogy; the history of the Mevlevi order; the commentary and interpretative tradition on his works (The Masnavī, Dīvān-i Shams-i Tabrīz, Fīhi mā fīh and Majālis al-sabʽa ; and the reception and translation of Rumi’s thought in modern and medieval literary history and thought.

Studies in World Cinema

A Critical Journal

Editor-in-Chief Savaş Arslan

Studies in World Cinema: A Critical Journal offers a platform to examine, rethink and reinvent the notion of “world cinema”. What do we understand by “world cinema”, and how useful or enabling is this term? Taking the world as a space of signification in which we continually reproduce its meanings, this journal opens up inquiries about films and cinematic practices that engender novel senses of the world.
The journal welcomes research on traveling cinematic tropes, transnational practices, remakes and adaptations, translation cultures, migrant and diasporic films and film cultures, postcolonial and accented cinemas, collaborations and exchanges among filmmakers, co-productions and multinational filmmaking practices and networks, and early cinematic practices. Together we aim to develop a fruitful and more enriching understanding of our world cinema.