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Edited by Olga Voronina

A Companion to Soviet Children’s Literature and Film offers a comprehensive and innovative analysis of Soviet literary and cinematic production for children. Its contributors contextualize and reevaluate Soviet children’s books, films, and animation and explore their contemporary re-appropriation by the Russian government, cultural practitioners, and educators.

Celebrating the centennial of Soviet children’s literature and film, the Companion reviews the rich and dramatic history of the canon. It also provides an insight into the close ties between Soviet children’s culture and Avant-Garde aesthetics, investigates early pedagogical experiments of the Soviet state, documents the importance of translation in children’s literature of the 1920-80s, and traces the evolution of heroic, fantastic, historical, and absurdist Soviet narratives for children.

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Edited by Egbert Fortuin, Peter Houtzagers and Janneke Kalsbeek

Every five years, on the occasion of the International Congress of Slavists, a volume appears that presents a comprehensive overview of current Slavic linguistic research in the Netherlands. Like its predecessors, the present collection covers a variety of topics: Bulgarian and Polish aspectology (Barentsen, Genis), Slavic historical linguistics (Kortlandt, Vermeer), pragmatics of tense usage in Old Russian (Dekker), dialect description (Houtzagers), L2 acquisition (Tribushinina & Mak), Russian foreigners’ speech imitation (Peeters & Arkema), corpus-based semantics (Fortuin & Davids) and theoretical work on negation (Keijsper, Van Helden). As can be seen from this list, the majority of the contributions in this peer-reviewed volume displays the data-oriented tradition of Dutch Slavic linguistics, but studies of a more theoretical nature are also represented.

Poets of Hope and Despair

The Russian Symbolists in War and Revolution, 1914-1918

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Ben Hellman

In Poets of Hope and Despair: The Russian Symbolists in War and Revolution (1914-1918), Ben Hellman examines the artistic responses and the philosophical and political attitudes of eight major Russian poets to the First World War and the revolutions of 1917. The historical cataclysms gave rise to apocalyptic premonitions and a thirst for a total spiritual metamorphosis. A major topic of discussion was the role of Russia in this process. Other issues raised were modern Germany, the future of a divided Poland, the occupation of Belgium, and the dilemma of the Russian Jews. In the wake of the military setbacks, hopes were mixed with feelings of fear and despair, all expressed in fictional as well as in nonfictional form.

On the Fringes of Literature and Digital Media Culture

Perspectives from Eastern and Western Europe

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Edited by Irena Barbara Kalla, Patrycja Poniatowska and Dorota Michułka

On the Fringes of Literature and Digital Media Culture offers a polyphonic account of mutual interpenetrations of literature and new media. Shifting its focus from the personal to the communal and back again, the volume addresses such individual experiences as immersion and emotional reading, offers insights into collective processes of commercialisation and consumption of new media products and explores the experience and mechanisms of interactivity, convergence culture and participatory culture. Crucially, the volume also shows convincingly that, though without doubt global, digital culture and new media have their varied, specifically local facets and manifestations shaped by national contingencies. The interplay of the common subtext and local colour is discussed by the contributors from Eastern Europe and the Western world.

Contributors are: Justyna Fruzińska, Dirk de Geest, Maciej Jakubowiak, Michael Joyce, Kinga Kasperek, Barbara Kaszowska-Wandor, Aleksandra Małecka, Piotr Marecki, Łukasz Mirocha, Aleksandra Mochocka, Emilya Ohar, Mariusz Pisarski, Anna Ślósarz, Dawn Stobbart, Jean Webb, Indrė Žakevičienė, Agata Zarzycka.

Old Russian Birchbark Letters

A Pragmatic Approach

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Simeon Dekker

This study is devoted to a corpus of Old Russian letters, written on pieces of birchbark. These unique texts from Novgorod and surroundings give us an exceptional impression of everyday life in medieval Russian society. In this study, the birchbark letters are addressed from a pragmatic angle. Linguistic parameters are identified that shed light on the degree to which literacy had gained ground in communicative processes. It is demonstrated that the birchbark letters occupy an intermediate position between orality and literacy. On the one hand, oral habits of communication persisted, as reflected in how the birchbark letters are phrased; on the other hand, literate modes of expression emerged, as seen in the development of normative conventions and literate formulae.

A History of Russian Law

From Ancient Times to the Council Code (Ulozhenie) of Tsar Aleksei Mikhailovich of 1649

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Ferdinand J.M. Feldbrugge

The beginnings of Russian law are documented by the Russo-Byzantine treaties of the 10th century and the oldest Russian law, the Russkaia Pravda. The tempestuous developments of the following centuries (the incessant wars among the princes, the Mongol invasion, the rise of the Novgorod republic) all left their marks on the legal system until the princes of Muscovy succeeded in reuniting the country. This resulted in the creation of major legislative monuments, such as the Codes of Ivan the Great of 1497 and of Ivan the Terrible of 1550. After the Time of Troubles the Council Code of the second Romanov Tsar, Aleksei, of 1649 became the starting point for the comprehensive Russian codification of the 19th century.




Another Place

Identity, Space, and Transcultural Signification in Goli Taraqqi's Fiction

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Goulia Ghardashkhani

In Another Place: Identity, Space, and Transcultural Signification in Goli Taraqqi's Fiction, Goulia Ghardashkhani examines the narrative process of the struggle for identification in the short stories of one of the well-established figures of Iranian contemporary prose literature. Goli Taraqqi's narratives of displacement and emigration are approached through a theoretical lens that foregrounds the significance of space and the role of retrospective self-narration in acts of cultural representation.
Ghardashkhani studies Taraqqi's autobiographical narratives with an emphasis on the unstable meanings of homeland and Farang (a culturally constructed term signifying the West) and, thereby, accounts for Taraqqi's ironical style of narration in her memories of homeland recollected in exile.

Vladimir Nabokov’s Lectures on Literature

Portraits of the Artist as Reader and Teacher

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Edited by Ben Dhooge and Jürgen Pieters

This volume offers insight into Vladimir Nabokov as a reader and a teacher, and sheds new light on the relationship of his views on literary aesthetics to the development of his own oeuvre. The essays included focus on the lectures on European and Russian literature that Nabokov gave at a number of American universities in the years between his arrival in the United States and the publication of Lolita. Nabokov’s treatment of literary masterpieces by Austen, Cervantes, Chekhov, Dickens, Flaubert, Gogol, Kafka, Joyce, Proust and Stevenson is assessed by experts on these authors.

Contributors are: Lara Delage-Toriel, Ben Dhooge, Yannicke Chupin, Roy Groen, Luc Herman, Flora Keersmaekers, Arthur Langeveld, Geert Lernout, Vivian Liska, Ilse Logie, Jürgen Pieters, Gerard de Vries.

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Jay Jasanoff

The Prehistory of the Balto-Slavic Accent has been written to fill a gap. The interested non-specialist can easily learn about the complex accent systems of the individual Baltic and Slavic languages and how they relate to each other. But the reader interested in the Proto-Balto-Slavic parent system, and how it evolved from the very different system of Proto-Indo-European, has few reliable places to turn. The goal of this book is to provide an accentological interface between Indo-European and Balto-Slavic—to identify and explain the accent shifts and other early changes that give the earliest stages of Baltic and Slavic their distinctive prosodic cast.

Edited by Sijmen Tol and René Genis

Within international linguistics, the study of Slavic languages enjoys considerable interest. The extensive coverage of Slavic languages in the Linguistic Bibliography is evidence of this. The Bibliography of Slavic Linguistics, 2000-2014 brings together the details of over 67,000 unique publications, carefully selected, classified, cross-referenced and indexed by professional bibliographers: it gives a complete overview of the field of studies since the beginning of this century. All contributing bibliographers are specialized Slavists themselves, guaranteeing the quality of the descriptions and annotations. The selection includes over thirty publication languages including publications in Finnish, Estonian, Greek, Albanian, Dutch, English, German, Japanese, Hebrew as well as other languages. Marc L. Greenberg’s Introduction gives an overview of the state of scholarship in Slavic linguistics and the directions in which the field is headed. The 3 volumes are thematically and geographically ordered in the sections General, Slavic, South Slavic, West Slavic and East Slavic. All references are classified according to a sophisticated classification scheme (over 100 subject classes), refined with an extensive language and subject keyword index.
Key features:
• Over 67,000 records;
• Covering all Slavic languages including minor and even extinct ones e.g. Bosnian, Pomeranian, Rusyn, High and Low Sorbian as well as Church Slavonic;
• Titles are given in their original languages, with translations provided whenever relevant;
• Titles in Cyrillic script are uniformly transcribed in Latin script according to current scientific standards.