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This book presents nuanced small-scale studies and reflective essays, and is about voices of contemporary grandparents and grandchildren living in the State of Hawai'i which is rapidly going through economic, social, educational, and cultural transformation ushered in by forces of globalization and McDonaldization of society.

Hawai‘i is generally known as a great tourist destination that is no less than an imagined paradise. Hawai‘i is more than solely a site for tourism; it has a culturally and socially diverse population, and has a contested social history. In this context, in a deeper sense, the book gives the reader glimpses of family members at the level of intimacy among themselves in their place based situated interactions in today’s Hawai‘i. In its real essence, this book is an authentic collection of research papers, short stories, anecdotes, memories and reminiscences; of aloha (love, compassion, kindness) and mahalo (thanks, respect, and praise); of longing and search for legacy by diasporic elders, immigrants, settlers, American citizens, hyphenated Americans, Native Hawaiians and Pacific Islanders; by grandparents and grandchildren of diverse and multiple ethnicities, cultures, and races who have struggled hard through many decades to make Hawai‘i their permanent and beloved home and place, or long-term residence to live and raise their families.

The set of self-narratives in this book may have significant implications for understanding the process of aging in the State of Hawai'i; for social aging is both an individual and a social process in the sense that an individual’s biography is intimately related to her/his society’s biography. For “doing” roles such as being grandparents and grandchildren are heavily defined and structured by prevailing social and cultural processes.

The book may be useful for educators and students who are working and studying in areas such as education, sociology of family, social work, local and global social change, indigenous cultures and societies, alternative modernities and indigenizing social movements, race and ethnic relations, settler societies, social justice, health care, social gerontology, diaspora and immigration studies, and those working with youth in communities.
N.B. The Publisher notifies the readers that Voices of Social Justice and Diversity in a Hawai’i Context: Grandparents, Grandchildren, Schools, Communities, and Churches, edited by Amarjit Singh, M. Luafata Simanu-Klutz and Mike Devine, published in print in hardback, paperback and electronically on September 26, 2019, has been retracted as of March 12, 2020. On December 23, 2019, the Human Studies Program (HSP) of the University of Hawai’i (UH) notified the Publisher about alleged research misconduct by one of the editors and that a for-cause audit had been initiated on December 11, 2019. On February 27, 2020, the UH HSP shared the audit’s findings with the Publisher. The UH Social & Behavorial Institutional Review Board (IRB) identified research protocol violations by two of the editors, which constitute Serious Non-Compliance. Based on the audit’s findings, the Publisher has decided to withdraw both print and electronic versions of the book out of consideration for the research subjects and in view of irregularities identified by IRB.
Form, Technique and Function
This study presents an overview of the wooden furniture that has come to light since the rediscovery of Herculaneum in the 18th century, with an emphasis on the form, function and the techniques employed. The combination of comments in the excavation reports with the information derived from the surviving pieces of furniture and fittings made of other materials as well as indications for the presence of furniture in the architecture and decoration of the houses, offers a representative idea of the role of wooden furniture in the interior arrangements of the houses at Herculaneum.
This book offers a synoptic introduction to an important chapter of Polish 20th century philosophy, by introducing the studies of Kazimierz Twardowski, Tadeusz Czeżowski, Tadeusz Kotarbiński, Władysław Tatarkiewicz, Roman Ingarden, Henryk Elzenberg, Maria Ossowska, and Józef Maria Bocheński and how they contributed to value theory, ethics and aesthetics. These philosophers differed in their more definite interests, methodological approaches, and main results and yet their investigations share a number of characteristic features. Questions of value, considered as extremely vital, are treated with care and precision. In spite of the richness of their insights and an impressive number of detailed results these philosophers refrain from hasty conclusions, trying here, as elsewhere, to conduct their studies in an intellectually and morally responsible way.
Codex Amrensis 1, the first volume of the series Documenta Coranica contains images and Arabic texts of four sets of fragments (seventy-five sheets) of the Qurʾān codex, once kept in the ʿAmr ibn al-ʿĀṣ Mosque at Al-Fusṭāṭ, and now in the collections of the National Library of Russia, the Bibliothèque Nationale de France, The Museum of Islamic Art, Doha and the Nasser D. Khalili Collection of Islamic Art. It includes an extensive introduction, the facsimile of the original, and the full text with annotations.The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% of the letters, without any signs for short vowels. It varies from today’s reference editions of the Qurʾān in verse numbering and has a different orthography. Essential reading for students and scholars of the history of the Qurʾān and its written transmission.

Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.


Der Band veranschaulicht in 13 systematisch angelegten Beiträgen aus unterschiedlichen wissenschaftlichen Disziplinen,wie sehr Robert Walsers Schreiben von vaszillierenden Erscheinungsformen des Ambivalenten geprägt ist. Er bildet ein besonderes Kompendium zu seinem Werk und soll außerdem zu einem differenzierten Verständnis eines kulturwissenschaftlich zentralen Begriffs beitragen.
Schon Walter Benjamin erkannte bei Robert Walser den produktiven Widerspruch von »Geschwätzigkeit« und »Sprachscham« und dass »jeder Satz nur die Aufgabe hat, den vorigen vergessen zu machen«. Im Rückblick erscheint Walsers Werk als literarische Umschreibung des »Endes der Eindeutigkeit« (Zygmunt Bauman) und damit letztlich als eine Positionsbestimmung der Moderne. Im Gegensatz zu dialektischen Denkmustern, die Entscheidung oder Synthese anstreben, entwickelt dieser Schriftsteller beweglich-gleitende Ausdrucksweisen. Seine Figuren, oftmals widerspenstig und unterwürfi g, verkörpern das Vage und Brüchige persönlicher Identität.