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[Ṣalāḥ al-Dīn: A Translation of Daivd Nicolle's Work on Saladin with Commentary]
Author:
ولكون ديفيد نيكول، مُؤرِّخًا عسكريًّا إنكليزيًّا، له كِتاباتٌ ثِقَالُ الوَطْأَة في الغرب، تتَّسمُ بالموضوعيَّة إلى حدٍّ كبيرٍ، ويأتي في سَنَام أعْماله هذا الكِتاب الذي نحنُ في رِحابه نتجوَّلُ وعمَّا قريبٍ سنقطفُ من ثماره اليُنْع؛ إذ يتناوَلُ الجانِبَ القياديَّ والإستراتيجيَّ والصِّراعيَّ من مسيرة صلاح الدِّين على نحوٍ أَخَصَّ، ومن ثَمَّ وقع عليه اخْتِياري. فالمُؤلِّف يتَّخذُ موقفَ بينَ بينَ من صلاح الدِّين، مُتجنِّبًا التَّفريط والإفْراط: فلا هو بالمُؤيِّد القُحِّ، ولا هو بالمُتحامِل الإدِّ، وإنْ كان إلى الحِياد أقرب
Saladin lived at a time when the Islamic world was going through profound changes. Since the later 11th century Turkish ruling elites had dominated most of the IslamicMiddle East. In military terms Arabs and Persians were being pushed aside, though they continued to dominate the religious, cultural and commercial elites.Meanwhile Kurds had only limited and localized importance, which makes the rise of a man of Kurdish origins like Saladin all the more unusual.
[Ṣalāḥ al-Dīn: A Translation of Daivd Nicolle's Work on Saladin with Commentary]
Author:
ولكون ديفيد نيكول، مُؤرِّخًا عسكريًّا إنكليزيًّا، له كِتاباتٌ ثِقَالُ الوَطْأَة في الغرب، تتَّسمُ بالموضوعيَّة إلى حدٍّ كبيرٍ، ويأتي في سَنَام أعْماله هذا الكِتاب الذي نحنُ في رِحابه نتجوَّلُ وعمَّا قريبٍ سنقطفُ من ثماره اليُنْع؛ إذ يتناوَلُ الجانِبَ القياديَّ والإستراتيجيَّ والصِّراعيَّ من مسيرة صلاح الدِّين على نحوٍ أَخَصَّ، ومن ثَمَّ وقع عليه اخْتِياري. فالمُؤلِّف يتَّخذُ موقفَ بينَ بينَ من صلاح الدِّين، مُتجنِّبًا التَّفريط والإفْراط: فلا هو بالمُؤيِّد القُحِّ، ولا هو بالمُتحامِل الإدِّ، وإنْ كان إلى الحِياد أقرب
Saladin lived at a time when the Islamic world was going through profound changes. Since the later 11th century Turkish ruling elites had dominated most of the IslamicMiddle East. In military terms Arabs and Persians were being pushed aside, though they continued to dominate the religious, cultural and commercial elites.Meanwhile Kurds had only limited and localized importance, which makes the rise of a man of Kurdish origins like Saladin all the more unusual.
Editor-in-Chief:
This is a peer-reviewed, inclusive, non-Eurocentric, multi-disciplinary book series devoted to the study of ancient civilizations from all continents.
- ALAC has multiple sponsors: Volumes 1, 2, 3, 5 have been funded by the “Research Centre for History and Culture” of Beijing Normal University (Zhuhai) and of the BNU-HKBU United International College. Volume 4 has been funded by the ERC project “Pre-classical Anatolian Languages in Contact” (European Union’s Horizon 2020 research and innovation program, grant agreement nº757299). Volumes 6, 7, 8, 9, 10 are funded by the Jao Tsung-I Academy of Sinology at Hong Kong Baptist University. All volumes are published under a CC BY-NC-ND license.
- Proposals must present original work and must have been submitted exclusively to ALAC. Both monographs and collective volumes are welcome.
- Submissions may regard any civilizations from any continents, developed between prehistory and the 15th century AD, that is, the fall of the Eastern Roman Empire.
- Submissions may regard any aspects of Antiquity: history, archaeology, art and architecture, philology, linguistics, literature, philosophy, religion studies, sociology, anthropology, etc.
- ALAC also considers studies of oral literature, such as proverbs and folklore, as well as field work on endangered languages, which represent the legacy of ancient traditions verbally transmitted from generation to generation.
Authors are cordially invited to submit proposals and full manuscripts by email to the Series Editors: Professor CHEN Zhi , Professor Carlotta Viti , and Professor WANG Xiang (Shawn Wang) .
- ALAC's sponspor Jao Tsung-I Academy of Sinology at Hong Kong Baptist University may provide financial support for the Book Publishing Costs.
- ALAC has multiple sponsors: Volumes 1, 2, 3, 5 have been funded by the “Research Centre for History and Culture” of Beijing Normal University (Zhuhai) and of the BNU-HKBU United International College. Volume 4 has been funded by the ERC project “Pre-classical Anatolian Languages in Contact” (European Union’s Horizon 2020 research and innovation program, grant agreement nº757299). Volumes 6, 7, 8, 9, 10 are funded by the Jao Tsung-I Academy of Sinology at Hong Kong Baptist University. All volumes are published under a CC BY-NC-ND license.
- Proposals must present original work and must have been submitted exclusively to ALAC. Both monographs and collective volumes are welcome.
- Submissions may regard any civilizations from any continents, developed between prehistory and the 15th century AD, that is, the fall of the Eastern Roman Empire.
- Submissions may regard any aspects of Antiquity: history, archaeology, art and architecture, philology, linguistics, literature, philosophy, religion studies, sociology, anthropology, etc.
- ALAC also considers studies of oral literature, such as proverbs and folklore, as well as field work on endangered languages, which represent the legacy of ancient traditions verbally transmitted from generation to generation.
Authors are cordially invited to submit proposals and full manuscripts by email to the Series Editors: Professor CHEN Zhi , Professor Carlotta Viti , and Professor WANG Xiang (Shawn Wang) .
- ALAC's sponspor Jao Tsung-I Academy of Sinology at Hong Kong Baptist University may provide financial support for the Book Publishing Costs.
The series Architecture – Technology – Culture provides a publishing environment for cutting-edge research in the three areas where modern technology effected major and lasting changes: architecture and space, visual culture and the media, literature and the arts in general. While our prime focus is on the theory, history, and politics of technology, both architecture and, the broader, accompanying field of culture are in many ways directly related to and influenced by technological changes. Thus one can look at architecture as a technology of spatial organization, a technical system of signs or, in Nobert Wiener's terms, a "technique" of the time that reflects the aesthetic and intellectual order of a given society. Literature and the arts, on the other hand, are crucial in negotiating the tensions that arise from the introduction of new technologies, of new means of production and communication. By making technological progress palatable for a larger public or by questioning its safety and its potential negative consequences for the future, the arts are i