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Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological analysis of the inscriptions and historical and prosopographical investigation of the individuals portrayed. The emergence of this type of sculpture has been contextualised, both geographically and chronologically, as it belongs to a wider Mediterranean horizon.
The analysis has revealed that eminent members of the Egyptian elite decided to be represented in an innovative way, echoing of portraits of eminent Romans of the Late Republic, whose identity was surely known in Egypt.
Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological analysis of the inscriptions and historical and prosopographical investigation of the individuals portrayed. The emergence of this type of sculpture has been contextualised, both geographically and chronologically, as it belongs to a wider Mediterranean horizon.
The analysis has revealed that eminent members of the Egyptian elite decided to be represented in an innovative way, echoing of portraits of eminent Romans of the Late Republic, whose identity was surely known in Egypt.
The texts shed light on many aspects of life in an Egyptian temple, including the building of the temple, the daily operations of its cult, the organisation and size of the priesthood, types and quantities of offerings, as well as the broader cultural issues of literacy and the transmission of literature.
The texts shed light on many aspects of life in an Egyptian temple, including the building of the temple, the daily operations of its cult, the organisation and size of the priesthood, types and quantities of offerings, as well as the broader cultural issues of literacy and the transmission of literature.