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The Construction of the Feminine Voice in Early Medieval Chinese Literature
This book studies the formation of the male-constructed conventional voice of women in Chinese literature from the 3rd to 6th century.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
The Construction of the Feminine Voice in Early Medieval Chinese Literature
This book studies the formation of the male-constructed conventional voice of women in Chinese literature from the 3rd to 6th century.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
A Facsimile Edition and Annotated English Translation
Oliver Kahl and Henrietta Sharp Cockrell present a facsimile edition of a newly discovered medieval medical text attributed to the famous physician Abū Bakr Muḥammad ibn Zakariyyāʾ al-Rāzī (Rhazes, d. 925 CE). This unique Arabic manuscript comprises a work in the health regimen genre titled “Book of the Crown” (Kitāb al-Iklīl). Copied in 1220 CE and bound parallel to the text (flip-bound), it is highly unusual, both in terms of physical appearance and topical choices. The edition is accompanied by an annotated English translation en regard, a detailed introduction including a codicological study, and bilingual indices.
A Facsimile Edition and Annotated English Translation
Oliver Kahl and Henrietta Sharp Cockrell present a facsimile edition of a newly discovered medieval medical text attributed to the famous physician Abū Bakr Muḥammad ibn Zakariyyāʾ al-Rāzī (Rhazes, d. 925 CE). This unique Arabic manuscript comprises a work in the health regimen genre titled “Book of the Crown” (Kitāb al-Iklīl). Copied in 1220 CE and bound parallel to the text (flip-bound), it is highly unusual, both in terms of physical appearance and topical choices. The edition is accompanied by an annotated English translation en regard, a detailed introduction including a codicological study, and bilingual indices.
The Buddhist Thought and Practice of Sheng’an Shixian (1686–1734) and Other Patriarchs
Series:
Numen Book Series, Volume: 175
This vigorously-researched publication for advanced graduate students and fellow scholars of the Chinese Pure Land tradition (Jingtu famen) in the wider context of Chinese Buddhism extends the horizon opened up by recent leading scholars to reconstruct a more insightful understanding of the Jingtu famen and the notion of zong. Focusing on previously unstudied writings of Shixian and other patriarchs, the findings support the argument that the Jingtu famen is an advanced form of Mahāyānist meditation rooted in the Mādhyamika and Yogācāra traditions. The original English translation of Master Shixian’s writings provided also paves the way for other researchers to conduct new and extended studies.
The Buddhist Thought and Practice of Sheng’an Shixian (1686–1734) and Other Patriarchs
Series:
Numen Book Series, Volume: 175
This vigorously-researched publication for advanced graduate students and fellow scholars of the Chinese Pure Land tradition (Jingtu famen) in the wider context of Chinese Buddhism extends the horizon opened up by recent leading scholars to reconstruct a more insightful understanding of the Jingtu famen and the notion of zong. Focusing on previously unstudied writings of Shixian and other patriarchs, the findings support the argument that the Jingtu famen is an advanced form of Mahāyānist meditation rooted in the Mādhyamika and Yogācāra traditions. The original English translation of Master Shixian’s writings provided also paves the way for other researchers to conduct new and extended studies.
In Honour of the 80th Birthday of Henk S. Versnel