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Series:

Edited by Harri Veivo, Petra James and Dorota Walczak-Delanois

Beat Literature in Europe offers twelve in-depth analyses of how European authors and intellectuals on both sides of the Iron Curtain read, translated and appropriated American Beat literature. The chapters combine textual analysis with discussions on the role Beat had in popular music, art, and different subcultures.
The book participates in the transnational turn that has gained in importance during the past years in literary studies, looking at transatlantic connections through the eyes of European authors, artists and intellectuals, and showing how Beat became a cluster of texts, images, and discussions with global scope. At the same time, it provides vivid examples of how national literary fields in Europe evolved during the cold war era.

Contributors are: Thomas Antonic, Franca Bellarsi, Frida Forsgren, Santiago Rodriguez Guerrero-Strachan, József Havasréti, Tiit Hennoste, Benedikt Hjartarson, Petra James, Nuno Neves, Maria Nikopoulou, Harri Veivo, Dorota Walczak-Delanois, Gregory Watson.

Holy Organ or Unholy Idol?

The Sacred Heart in the Art, Religion, and Politics of New Spain

Series:

Lauren G. Kilroy-Ewbank

Holy Organ or Unholy Idol? focuses on the significance of the cult of the Sacred Heart of Jesus and its accompanying imagery in eighteenth-century New Spain. Lauren G. Kilroy-Ewbank considers paintings, prints, devotional texts, and archival sources within the Mexican context alongside issues and debates occurring in Europe to situate the New Spanish cult within local and global developments. She examines the iconography of these religious images and frames them within broader socio-political and religious discourses related to the Eucharist, the sun, the Jesuits, scientific and anatomical ideas, and mysticism. Images of the Heart helped to champion the cult’s validity as it was attacked by religious reformers.

Bartolomé de las Casas, O.P.

History, Philosophy, and Theology in the Age of European Expansion

Series:

Edited by David Thomas Orique O.P. and Rady Roldán-Figueroa

Bartolomé de las Casas, O.P.: History, Philosophy, and Theology in the Age of European Expansion marks a critical point in Lascasian scholarship. The result of the collaborative work of seventeen prominent scholars, contributions span the fields of history, Latin American studies, literary criticism, philosophy and theology. The volume offers to specialists and non-specialists alike access to a rich and thoughtful overview of nascent colonial Latin American and early modern Iberian studies in a single text.

Contributors: Rolena Adorno; Matthew Restall; David Thomas Orique, O.P.; Rady Roldán-Figueroa; Carlos A. Jáuregui; David Solodkow; Alicia Mayer; Claus Dierksmeier; Daniel R. Brunstetter; Víctor Zorrilla; Luis Fernando Restrepo; David Lantigua; Ramón Darío Valdivia Giménez; Eyda M. Merediz; Laura Dierksmeier; Guillaume Candela, and Armando Lampe.

Marie Vieux Chauvet’s Theatres

Thought, Form, and Performance of Revolt

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Edited by Christian Flaugh and Lena Taub Robles

Marie Vieux Chauvet’s Theatres: Thought, Form, and Performance of Revolt at once reflects and acts upon the praxis of theatre that inspired Haitian writer Marie Vieux Chauvet, while at the same time provides incisively new cultural studies readings about revolt in her theatre and prose. Chauvet – like many free-minded women of the Caribbean and the African diaspora – was banned from the public sphere, leaving her work largely ignored for decades. Following on a renewed interest in Chauvet, this collection makes essential contributions to Africana Studies, Theatre Studies, Performance Studies, Postcolonial Studies, and Global South Feminisms.

Contributors are: Alessandra Benedicty-Kokken, Stéphanie Bérard, Christian Flaugh, Gabrielle Gallo, Jeremy Matthew Glick, Kaiama L. Glover, Régine Michelle Jean-Charles, Cae Joseph-Massena, Nehanda Loiseau, Judith G. Miller, Lizabeth Paravisini-Gebert, Anthony Phelps, Ioana Pribiag, Charlee M. Redman Bezilla, Guy Régis Jr, and Lena Taub Robles.

This collection is a beautiful gathering of voices exploring Chauvet’s theatrical work, along with the role of theatre in her novels. The richly textured and evocatively written essays offer many new and necessary insights into the work of one of Haiti’s greatest writers.
— Laurent Dubois, Marcello Lotti Professor of Romance Studies and History, Duke University. Author of Haiti: The Aftershocks of History

This collection draws necessary critical attention to how theatre and performance animate the work of a key figure in Caribbean fiction and drama. Using an innovative scholarly and artistic approach, the collection incorporates leading and new voices in Haitian studies and Francophone studies on Chauvet’s depictions of revolt.
— Soyica Diggs Colbert, Professor of African American Studies and Theater & Performance Studies, Georgetown University. Author of Black Movements: Performance and Cultural Politics

Mesoamerican Manuscripts

New Scientific Approaches and Interpretations

Series:

Edited by Maarten Jansen, Virginia M. Lladó-Buisán and Ludo Snijders

Mesoamerican Manuscripts: New Scientific Approaches and Interpretations brings together a wide range of modern approaches to the study of pre-colonial and early colonial Mesoamerican manuscripts. This includes innovative studies of materiality through the application of non-invasive spectroscopy and imaging techniques, as well as new insights into the meaning of these manuscripts and related visual art, stemming from a post-colonial indigenous perspective.

This cross- and interdisciplinary work shows on the one hand the value of collaboration of specialists in different field, but also the multiple viewpoints that are possible when these types of complex cultural expressions are approached from varied cultural and scientific backgrounds.

Contributors are: Omar Aguilar Sánchez, Paul van den Akker, Maria Isabel Álvarez Icaza Longoria, Frances F. Berdan, David Buti, Laura Cartechini, Davide Domenici, Laura Filloy Nadal, Alessia Frassani, Francesca Gabrieli, Maarten E.R.G.N. Jansen, Rosemary A. Joyce, Jorge Gómez Tejada, Chiara Grazia, David Howell, Virginia M. Lladó-Buisán, Leonardo López Luján, Raul Macuil Martínez, Manuel May Castillo, Costanza Miliani, María Olvido Moreno Guzmán, Gabina Aurora Pérez Jiménez, Araceli Rojas, Aldo Romani, Francesca Rosi, Antonio Sgamellotti, Ludo Snijders, and Tim Zaman.

Kanade, di Goldene Medine?

Perspectives on Canadian-Jewish Literature and Culture / Perspectives sur la littérature et la culture juives canadiennes

Series:

Edited by Krzysztof Majer, Justyna Fruzińska, Józef Kwaterko and Norman Ravvin

Kanade, di Goldene Medine offers a broad study of its field, with equal attention to English- and French-language materials and contexts. The volume’s essays highlight the fundamental link between the culture and life of Canadian Jews and their Polish roots. This focus brings Yiddish to the fore, in essays focusing on the history of Canadian Yiddish literature, and the relevance of the language for contemporary Canadian Chasidic communities. However, essays in this volume also highlight the writings of contemporary authors, working both in French and English. Thus, the collection explores culture at the borderlands of three languages, with an eye for the link between New Worlds and Old.

Kanade, di Goldene Medine apporte une contribution importante à l’étude de la littérature et la culture juives canadiennes, tout en étant attentif aux textes et contextes anglophone et francophone ainsi qu’à l’univers particulier des juifs hassidiques de Montréal. Le volume tient également compte du lien fondamental entre la créativité des juifs canadiens et leurs racines est-européennes, en particulier polonaises, et de la présence de la langue yiddish − ou de son imaginaire − dans leurs textes sous forme de traduction ou autotraduction. Le lecteur pourra cerner dans ce livre des perspectives transversales qui mettent en relation des itinéraires multiples et diversifiés noués entre le Nouveau Monde et le Vieux.

Picturing America

Photography and the Sense of Place

Series:

Edited by Kerstin Schmidt and Julia Isabel Faisst

Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future.

Series:

Anthony D'Andrea

Reflexive Religion: The New Age in Brazil and Beyond examines the rise of alternative spiritualities in contemporary Brazil. Masterfully combining late modern theory with multi-site ethnographies of the New Age, it explains how traditional religion is being transformed by processes of reflexivity, globalization and individualism. The book unveils how the New Age has entered Brazil, was adapted to local Catholic, Spiritist and psychology cultures, and more recently how the Brazilian Nova Era re-enters transnational circuits of spiritual practice. It closely examines Paulo Coelho (spiritualist novels), Projectiology (astral projection) and Santo Daime (neo-shamanism) to understand the broader “new agerization” of Christianity and Spiritualism. Reflexive Religion offers a compelling account of how the religious field is being updated under late modern conditions.

Eleanor Smith's Hull House Songs

The Music of Protest and Hope in Jane Addams's Chicago

Series:

Graham Cassano, Rima Lunin Schultz and Jessica Payette

In Eleanor Smith’s Hull House Songs : The Music of Protest and Hope in Jane Addams’s Chicago, the authors republish Hull House Songs (1916), together with critical commentary. Hull-House Songs contains five politically engaged compositions written by the Hull-House music educator, Eleanor Smith. The commentary that accompanies the folio includes an examination of Smith’s poetic sources and musical influences; a study of Jane Addams’s aesthetic theories; and a complete history of the arts at Hull-House. Through this focus upon aesthetic and cultural programs at Hull-House, the authors identify the external, and internalized, forces of domination (class position, racial identity, patriarchal disenfranchisement) that limited the work of the Hull-House women, while also recovering the sometimes hidden emancipatory possibilities of their legacy.

With an afterword by Jocelyn Zelasko.

Maroon Cosmopolitics

Personhood, Creativity and Incorporation

Series:

Edited by Olívia Maria Gomes da Cunha

Maroon Cosmopolitics: Personhood, Creativity and Incorporation sheds further light on the contemporary modes of Maroon circulation and presence in Suriname and in the French Guiana. The contributors assembled in the volume look to describe Maroon ways of inhabiting, transforming and circulating through different localities in the Guianas, as well as their modes of creating and incorporating knowledge and artefacts into their social relations and spaces. By bringing together authors with diverse perspectives on the situation of the Guianese Maroon at the twenty-first century, the volume contributes to the anthropological literature on Maroon societies, providing ethnographic, and historical depth and legitimacy to the contemporary lives of the descendants of those who fled from slavery in the Americas.