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2. Jhd. v. Chr. - 3. Jhd. n. Chr.
Author:
The open access publication of this book has been published with the support of the Swiss National Science Foundation.
Die vorliegende Monographie entwirft eine literaturgeschichtliche Gesamtdarstellung des römischen Antiquarianismus vom 2. Jahrhundert v. Chr. bis zum 3. Jahrhundert n. Chr. Ausgangspunkt ist die begrifflich-konzeptuelle Neuprofilierung des Phänomens. Dieses wird als ein epistemologisches Modell gegenwartsbezogener Vergangenheitsanalyse aufgefasst, die mit den Denkfiguren der Etymologie, Aitiologie und Genealogie operiert, um die hinter der erfahrbaren Lebenswelt liegenden Kausalitäten freizulegen. Anhand der überlieferten Fragmente und Testimonien wird die Entwicklung der heute verlorenen antiquarischen Fachliteratur Roms in ihren unterschiedlichen medialen Formaten, Darstellungsformen und Wirkungskontexten nachgezeichnet.
This volume provides an account of Roman antiquarianism from the 2nd century BC to the 3rd century AD, reconstructing its textual manifestations and analysing the mechanisms of transmission. It is based on a new conceptualisation of antiquarianism as an epistemological mode of understanding the present by uncovering its origins in the past. Etymology, aitiology and genealogy were the tools used to explore the causalities that underpin the perceptible world. Antiquarianism, represented by a wide range of texts and genres throughout antiquity, is traced as an autonomous branch of literature. Fragments and testimonies are used to identify a lost corpus of treatises, lexica and handbooks that formed the scholarly basis of Augustan poets, historiographers and imperial litterateurs.
Die vorliegende Monographie entwirft eine literaturgeschichtliche Gesamtdarstellung des römischen Antiquarianismus vom 2. Jahrhundert v. Chr. bis zum 3. Jahrhundert n. Chr. Ausgangspunkt ist die begrifflich-konzeptuelle Neuprofilierung des Phänomens. Dieses wird als ein epistemologisches Modell gegenwartsbezogener Vergangenheitsanalyse aufgefasst, die mit den Denkfiguren der Etymologie, Aitiologie und Genealogie operiert, um die hinter der erfahrbaren Lebenswelt liegenden Kausalitäten freizulegen. Anhand der überlieferten Fragmente und Testimonien wird die Entwicklung der heute verlorenen antiquarischen Fachliteratur Roms in ihren unterschiedlichen medialen Formaten, Darstellungsformen und Wirkungskontexten nachgezeichnet.
This volume provides an account of Roman antiquarianism from the 2nd century BC to the 3rd century AD, reconstructing its textual manifestations and analysing the mechanisms of transmission. It is based on a new conceptualisation of antiquarianism as an epistemological mode of understanding the present by uncovering its origins in the past. Etymology, aitiology and genealogy were the tools used to explore the causalities that underpin the perceptible world. Antiquarianism, represented by a wide range of texts and genres throughout antiquity, is traced as an autonomous branch of literature. Fragments and testimonies are used to identify a lost corpus of treatises, lexica and handbooks that formed the scholarly basis of Augustan poets, historiographers and imperial litterateurs.
2. Jhd. v. Chr. - 3. Jhd. n. Chr.
Author:
The open access publication of this book has been published with the support of the Swiss National Science Foundation.
Die vorliegende Monographie entwirft eine literaturgeschichtliche Gesamtdarstellung des römischen Antiquarianismus vom 2. Jahrhundert v. Chr. bis zum 3. Jahrhundert n. Chr. Ausgangspunkt ist die begrifflich-konzeptuelle Neuprofilierung des Phänomens. Dieses wird als ein epistemologisches Modell gegenwartsbezogener Vergangenheitsanalyse aufgefasst, die mit den Denkfiguren der Etymologie, Aitiologie und Genealogie operiert, um die hinter der erfahrbaren Lebenswelt liegenden Kausalitäten freizulegen. Anhand der überlieferten Fragmente und Testimonien wird die Entwicklung der heute verlorenen antiquarischen Fachliteratur Roms in ihren unterschiedlichen medialen Formaten, Darstellungsformen und Wirkungskontexten nachgezeichnet.
This volume provides an account of Roman antiquarianism from the 2nd century BC to the 3rd century AD, reconstructing its textual manifestations and analysing the mechanisms of transmission. It is based on a new conceptualisation of antiquarianism as an epistemological mode of understanding the present by uncovering its origins in the past. Etymology, aitiology and genealogy were the tools used to explore the causalities that underpin the perceptible world. Antiquarianism, represented by a wide range of texts and genres throughout antiquity, is traced as an autonomous branch of literature. Fragments and testimonies are used to identify a lost corpus of treatises, lexica and handbooks that formed the scholarly basis of Augustan poets, historiographers and imperial litterateurs.
Die vorliegende Monographie entwirft eine literaturgeschichtliche Gesamtdarstellung des römischen Antiquarianismus vom 2. Jahrhundert v. Chr. bis zum 3. Jahrhundert n. Chr. Ausgangspunkt ist die begrifflich-konzeptuelle Neuprofilierung des Phänomens. Dieses wird als ein epistemologisches Modell gegenwartsbezogener Vergangenheitsanalyse aufgefasst, die mit den Denkfiguren der Etymologie, Aitiologie und Genealogie operiert, um die hinter der erfahrbaren Lebenswelt liegenden Kausalitäten freizulegen. Anhand der überlieferten Fragmente und Testimonien wird die Entwicklung der heute verlorenen antiquarischen Fachliteratur Roms in ihren unterschiedlichen medialen Formaten, Darstellungsformen und Wirkungskontexten nachgezeichnet.
This volume provides an account of Roman antiquarianism from the 2nd century BC to the 3rd century AD, reconstructing its textual manifestations and analysing the mechanisms of transmission. It is based on a new conceptualisation of antiquarianism as an epistemological mode of understanding the present by uncovering its origins in the past. Etymology, aitiology and genealogy were the tools used to explore the causalities that underpin the perceptible world. Antiquarianism, represented by a wide range of texts and genres throughout antiquity, is traced as an autonomous branch of literature. Fragments and testimonies are used to identify a lost corpus of treatises, lexica and handbooks that formed the scholarly basis of Augustan poets, historiographers and imperial litterateurs.
Practices of Reading, Use, and Interaction in Early Modern Dutch Bibles (1522–1546)
Author:
This volume explores how and by whom early modern Dutch Bibles were used. Through a detailed analysis of paratextual features and readers’ traces in over 180 surviving Bible copies, Renske Hoff displays how individuals manifested their faith in owning, reading, and personalising the Bible, in a period characterised by religious turmoil.
From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
Practices of Reading, Use, and Interaction in Early Modern Dutch Bibles (1522–1546)
Author:
This volume explores how and by whom early modern Dutch Bibles were used. Through a detailed analysis of paratextual features and readers’ traces in over 180 surviving Bible copies, Renske Hoff displays how individuals manifested their faith in owning, reading, and personalising the Bible, in a period characterised by religious turmoil.
From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
The literarisation of the early modern Baltic Sea region was a long and complex process with varying trajectories for different vernacular languages. This volume highlights the interaction of local social and cultural settings with wider political and confessional contexts. Using rarely examined materials, such as prints, court protocols, letters and manuscripts in Latin and a range of vernacular languages, including Estonian, Finnish, German, Ingrian, Karelian, Latvian, Lenape, Sami languages and Swedish, the thirteen authors chart the social and literary developments of the area. Wide networks of learned men and officials but also the number of native speakers in the clergy defined the ways the poetic resources of transnational and local literary and oral cultures benefited the nascent literatures.
Contributors include: Eeva-Liisa Bastman, Kati Kallio, Suvi-Päivi Koski, Ulla Koskinen, Miia Kuha, Anu Lahtinen, Tuija Laine, Tuomas M. S. Lehtonen, Ilkka Leskelä, Aivar Põldvee, Sanna Raninen, Kristiina Ross, Taarna Valtonen, and Kristi Viiding.
Contributors include: Eeva-Liisa Bastman, Kati Kallio, Suvi-Päivi Koski, Ulla Koskinen, Miia Kuha, Anu Lahtinen, Tuija Laine, Tuomas M. S. Lehtonen, Ilkka Leskelä, Aivar Põldvee, Sanna Raninen, Kristiina Ross, Taarna Valtonen, and Kristi Viiding.