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Editor / Translator:
Martin Lister (1639–1712), who served as physician to Queen Anne, was a prominent Fellow of the Royal Society (F.R.S.), and he was made an honorary M.D. by Oxford in 1684.The first scientific arachnologist and conchologist, and a major benefactor of the Ashmolean Museum, he corresponded regularly on natural history and medicine with its first and second keepers, Robert Plot (1640–1696) and Edward Lhwyd (1660–1709). Lister’s unpublished papers were among the largest of his donations to Oxford’s fledgling museum of science. In the mid–nineteenth century, these collections passed from the Ashmolean to the Bodleian Library. They contain the bulk of his correspondence, though sizeable quantities of his outgoing letters are held elsewhere, chiefly in the Royal Society, the Natural History Museum and the British Library’s collection of Sloane Manuscripts. This volume is a critical edition of this correspondence from 1678 to 1694, encompassing the years he established a medical practice in London and completed his major works on conchology.
This volume is a comprehensive analysis of the Atlas of the Principality of Polatsk (1580), one of the oldest cartographic representations of the military conflict between Russia (Muscovy) and the Western world.
Its author, the Polish royal cartographer Stanisław Pachołowiecki, drew the maps at the beginning of the Livonian War (1579–1582) when the Polish-Lithuanian army liberated the Lithuanian and Livonian lands from Muscovian occupation.
The Mapping of a Russian War focuses on the military aspects of the maps, their political and propaganda use and the Early Modern construction of the past through maps.
The authors present an innovative approach to these maps, rarely examined by the international research community.
The Fall of Man in the Early Modern Art and Literature of Germany and the Low-Countries
Author:
This book looks at early modern representations, both pictorial and literary, of the animals surrounding Adam and Eve in the Garden of Eden at the dramatic moment of the Fall. Beginning with Albrecht Dürer's engraving Adam and Eve (1504) and ending with Rembrandt's etching Adam and Eve (1637), it explores the many manifestations of this theme at the intersection of painting, literature, and natural history. Artists such as Lucas Cranach and Jan Brueghel, and poets such as Guillaume Du Bartas and Joost van den Vondel, as well as many others, mainly from Germany and the Netherlands, are discussed.