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Arik Sadan

This volume consists of an edition of the Arabic translation and commentary on the book of Job by one of the preeminent litterateurs of the Karaite “Golden Age” (10th–11th centuries), Yefet ben ‘Eli ha-Levi. Yefet’s complete translation and commentary on Job, published for the first time, provides fascinating insight into the history and development of exegetical thought on this book, both among the Karaites as well as the Rabbanites. In preparing this edition, all extant twenty-five manuscripts have been consulted, most of them from the Firkovitch Collection. Their length varies from 1 to 340 folios and in total they contain ca. 2,850 folios.

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Edited by Marc Maufort and Jessica Maufort

In the years that followed the end of Apartheid, South African theatre was characterized by a remarkable productivity, which resulted in a process of constant aesthetic reinvention. After 1994, the “protest” theatre template of the Apartheid years morphed into a wealth of diverse forms of stage idioms, detectable in the works of Greg Homann, Mike van Graan, Craig Higginson, Lara Foot, Omphile Molusi, Nadia Davids, Magnet Theatre, Rehane Abrahams, Amy Jephta, and Reza de Wet, to cite only a few prominent examples. Marc and Jessica Maufort’s multivocal edited volume documents some of the various ways in which the “rainbow” nation has forged these innovative stage idioms. This book’s underlying assumption is that creolization reflects the processes of identity renegotiation in contemporary South Africa and their multi-faceted theatrical representations.

Contributors: Veronica Baxter, Marcia Blumberg, Vicki Briault Manus, Petrus du Preez, Paula Fourie, Craig Higginson, Greg Homann, Jessica Maufort, Marc Maufort, Omphile Molusi, Jessica Murray, Jill Planche, Ksenia Robbe, Mathilde Rogez, Chris Thurman, Mike van Graan, and Ralph Yarrow

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Edited by Florian Lippert and Marcel Schmid

Self-reflection is fundamental for human thinking on many levels. Philosophy has described the mind's capacity to observe itself as a core element of human existence. Political and social sciences have shown how modern democracies depend on society's ability to critically reflect on their own values and practices. And literature of all ages has proven self-reflexivity to be a crucial trait of cultural production. This volume provides the first diachronic panorama of genres, forms, and functions of literary self-reflection and their connections with social, political and philosophical discourses from the 17th century to the present. Far beyond the usual focus on postmodernist opacity, these contributions present a rich tradition of critical transparency: Literary texts that show us what is behind and beyond them.

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Edited by Norbert Bachleitner, Achim Hölter and John A. McCarthy

In this 200th volume of Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft the editors Norbert Bachleitner, Achim H. Hölter and John A. McCarthy ‘take stock’ of the discipline. It focuses on recurrent questions in the field of Comparative Literature: What is literature? What is meant by ‘comparative’? Or by ‘world’? What constitute ‘transgressions’ or ‘refractions’? What, ultimately, does being at home in the world imply? When we combine the answers to these individual questions, we might ultimately reach an intriguing proposition: Comparative Literature contributes to a sense of being at home in a world that is heterogeneous and fractured, rather than affirming a monolithic canon marked by territory and homogeneity. The volume unites essays on world literature, literature in the context of the history of ideas, comparative women and gender studies, aesthetics and textual analysis, and literary translation and tradition.

Abenteuer

Erzählmuster, Formprinzip, Genre

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Edited by Martin von Koppenfels and Manuel Mühlbacher

Nicht alle textuellen Formen eignen sich gleichermaßen, um Abenteuer zu erzählen. Das Abenteuer weist Affinitäten zu einer Reihe literarischer Gattungen auf, es lässt sich jedoch mit keiner identifizieren. Sein Verhältnis zu formalen Prinzipien ist komplex und historisch variabel.
Der von Martin von Koppenfels und Manuel Mühlbacher herausgegebene Band untersucht die bisher kaum beachteten Wechselwirkungen zwischen Abenteuer und narrativer Form aus einer dezidiert literaturwissenschaftlichen Perspektive. Berücksichtigt werden dabei sowohl das literarische Erzählen selbst als auch die theoretische Reflexion darüber: vom antiken Epos bis zum zeitgenössischen Roman und von der italienischen Renaissancepoetik bis zum russischen Formalismus.

Poetik der Nation

Englishness in der englischen Romantik

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Ulrike Kristina Köhler

This comparative study focuses on the manifestations of Englishness in various literary genres of English Romanticism. Political essays, travelogues, the Gothic novel and balladry are scrutinized from a production-oriented and context-sensitive perspective and through an imagological lens. This book centres around the interplay between national stereotypes and genre-specific (and nationally unspecific) tropes and conventions. Attention is given to the implied reader, cultural knowledge, the narrative situation and to focalization, as well as lyric-specific elements. The book demonstrates how narratology, cultural memory studies, reception theory, rhetoric and text linguistics can be integrated more effectively into the toolkit of imagology. This will allow national images to be deconstructed in a more fine-grained manner.

Diese vergleichende Fallstudie richtet den Blick auf die Erscheinungsformen von Englishness in Gattungen der englischen Romantik. Aus einer produktionsästhetischen wie kontextbewussten Perspektive legt sie den politischen Essay, den Reisebericht, die Gothic novel und die Ballade unter das imagologische Mikroskop. Dabei gilt das Interesse dem Zusammenspiel von nationalen Stereotypen und Topoi mit Gattungselementen ohne nationale Konnotation. Der Adressat, kulturelles Wissen, Erzählsituation und Fokalisierung sowie lyrikspezifische Elemente stehen dabei im Fokus. In theoretischer Hinsicht zeigt dieses Buch, wie sich das Handwerkszeug der Narratologie, der kulturwissenschaftlichen Gedächtnisforschung, der Rezeptionsästhetik, der Rhetorik und der Textlinguistik weit stärker als bisher gewinnbringend in das Analyseinstrumentarium der Imagologie integrieren lässt. So lassen sich nationenbezogene Bilder zukünftig nuancierter nachzeichnen und im Zuge dessen besser dekonstruieren.

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Edited by Jay Paul Gates and Brian T. O'Camb

This volume of essays focuses on how individuals living in the late tenth through fifteenth centuries engaged with the authorizing culture of the Anglo-Saxons. Drawing from a reservoir of undertreated early English documents and texts, each contributor shows how individual poets, ecclesiasts, legists, and institutions claimed Anglo-Saxon predecessors for rhetorical purposes in response to social, cultural, and linguistic change. Contributors trouble simple definitions of identity and period, exploring how medieval authors looked to earlier periods of history to define social identities and make claims for their present moment based on the political fiction of an imagined community of a single, distinct nation unified in identity by descent and religion.
Contributors are Cynthia Turner Camp, Irina Dumitrescu, Jay Paul Gates, Erin Michelle Goeres, Mary Kate Hurley, Maren Clegg Hyer, Nicole Marafioti, Brian O’Camb, Kathleen Smith, Carla María Thomas, Larissa Tracy, and Eric Weiskott.

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Ágnes Heller and Riccardo Mazzeo

In Wind and Whirlwind the great philosopher Ágnes Heller and social scientist Riccardo Mazzeo explain the pros and cons of utopias and dystopias as they are described in literary works and their relevance to understand the world we live in and the hidden consequences of apparently appealing life trajectories.

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Edited by Joel Kuortti, Kaisa Ilmonen, Elina Valovirta and Janne Korkka

What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between stepsiblings, the program of a political party, and everyday shopping in poetry. The book argues that by engaging with that which is perceived as ordinary we also gain understanding of how otherness becomes defined and constituted. The volume seeks new ways to access that which might lie in-between or beyond the opposition between exploitation and emancipation, and contests the hegemonic logic of revealing oppression and rebuilding liberation in contemporary critical theory to create new ways of knowing which grow out of the ordinary.

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Edited by David Thomas and John A. Chesworth

Christian-Muslim Relations, a Bibliographical History Volume 13 (CMR 13) covering Western Europe in the period 1700-1800 is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 13, along with the other volumes in this series, is intended as a basic tool for research in Christian-Muslim relations.

Section editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Karoline Cook, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Emma Gaze Loghin, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Mehdi Sajid, Cornelia Soldat, Karel Steenbrink, Ann Thomson, Carsten Walbiner.