The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers, Morita Shiryū, Inoue Yūichi, Eguchi Sōgen, Nakamura Bokushi, and Sekiya Yoshimichi. The avant-garde calligraphy movement they launched aspired to raise calligraphy to the same level of international prominence as abstract painting. To realize this vision, the Bokujinkai established creative collaborations with artists from European Art Informel and American Abstract Expressionism, and soon began sharing exhibition spaces with them in New York, Paris, Tokyo, and beyond. By focusing on this exceptional moment in the history of Japanese calligraphy, I show how the Bokujinkai rerouted the trajectory of global abstract art and attuned foreign audiences to calligraphic visualities and narratives.
Robert L. Rankin was a seminal figure in late 20th and early 21st centuries in the field of Siouan linguistics. His knowledge, like the papers he produced, was voluminous. We have gathered here a representation of his work that spans over thirty years. The papers presented here focus on both the languages Rankin studied in depth (Quapaw, Kansa, Biloxi, Ofo, and Tutelo) and comparative historical work on the Siouan language family in general. While many of the papers included have been previously published, one third of them have never before been made public including a grammatical sketch and dictionary of Ofo and his final paper on the place of Mandan in the larger Siouan family.