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The Literary Reception of Herman Hugo's "Pia Desideria" in the Polish-Lithuanian Commonwealth
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This book is available in Open Access thanks to the generous support of the Adam Mickiewicz University, Poznań
This is the first monographic study of the reception of Herman Hugo's emblematic book "Pia desideria" (1624) in the Polish-Lithuanian Commonwealth. It discusses ten different translations and adaptations, showing how the engravings, elegies and exegetical extracts of the original volume were used by Polish-speaking authors (a little space is also devoted to the painting reception of the engravings). The author examines too the reasons for the phenomenon of the volume's popularity, proving that it was determined by the interest of women who did not know Latin, who constituted the most important target group for these numerous and varied Polish adaptations.
This is the first monographic study of the reception of Herman Hugo's emblematic book "Pia desideria" (1624) in the Polish-Lithuanian Commonwealth. It discusses ten different translations and adaptations, showing how the engravings, elegies and exegetical extracts of the original volume were used by Polish-speaking authors (a little space is also devoted to the painting reception of the engravings). The author examines too the reasons for the phenomenon of the volume's popularity, proving that it was determined by the interest of women who did not know Latin, who constituted the most important target group for these numerous and varied Polish adaptations.
The Literary Reception of Herman Hugo's "Pia Desideria" in the Polish-Lithuanian Commonwealth
Author:
This book is available in Open Access thanks to the generous support of the Adam Mickiewicz University, Poznań
This is the first monographic study of the reception of Herman Hugo's emblematic book "Pia desideria" (1624) in the Polish-Lithuanian Commonwealth. It discusses ten different translations and adaptations, showing how the engravings, elegies and exegetical extracts of the original volume were used by Polish-speaking authors (a little space is also devoted to the painting reception of the engravings). The author examines too the reasons for the phenomenon of the volume's popularity, proving that it was determined by the interest of women who did not know Latin, who constituted the most important target group for these numerous and varied Polish adaptations.
This is the first monographic study of the reception of Herman Hugo's emblematic book "Pia desideria" (1624) in the Polish-Lithuanian Commonwealth. It discusses ten different translations and adaptations, showing how the engravings, elegies and exegetical extracts of the original volume were used by Polish-speaking authors (a little space is also devoted to the painting reception of the engravings). The author examines too the reasons for the phenomenon of the volume's popularity, proving that it was determined by the interest of women who did not know Latin, who constituted the most important target group for these numerous and varied Polish adaptations.
Author:
Latin love elegy’s flourishing concurrent with Rome’s transition from Republic to Principate has remained an issue central to scholarship on the genre since the turn of the last millennium. This book addresses the Greco-Roman literary inheritance and Augustan socio-political context that paved the way for that flourishing, while examining the genre’s key elements and characters as illustrated in the poetry of Propertius, Tibullus, Ovid, and Sulpicia. Special attention is paid to the gendered dynamics that govern the relationship between “poet-lover” (amator) and beloved and to the role of the poet as artist and creator of a “written girl” (scripta puella).
Author:
Latin love elegy’s flourishing concurrent with Rome’s transition from Republic to Principate has remained an issue central to scholarship on the genre since the turn of the last millennium. This book addresses the Greco-Roman literary inheritance and Augustan socio-political context that paved the way for that flourishing, while examining the genre’s key elements and characters as illustrated in the poetry of Propertius, Tibullus, Ovid, and Sulpicia. Special attention is paid to the gendered dynamics that govern the relationship between “poet-lover” (amator) and beloved and to the role of the poet as artist and creator of a “written girl” (scripta puella).
This book is available in Open Access thanks to the generous support of the Adam Mickiewicz University, Poznań
Defining the Identity of the Younger Europe launches an eye-opening journey into emerging cultures and civilizations of the “Younger Europe” — Byzantine-Slavic and Scandinavian territories — from the fall of Constantinople (1453) to the dawn of the Industrial Age.
Defining the Identity of the Younger Europe gathers studies that shed new light on the rich tapestry of early modern “Younger Europe” — Byzantine-Slavic and Scandinavian territories. It unearths the multi-dimensional aspects of the period, revealing the formation and transformation of nations that shared common threads, the establishment of political systems, and the enduring legacies of religious movements. Immersive, enlightening, and thought-provoking, the book promises to be an indispensable resource for anyone interested in the complexities of early modern Europe. This collection does not just retell history; it provokes readers to rethink it.
Contributors include: Giovanna Brogi, Piotr Chmiel,Karin Friedrich, Anna Grześkowiak-Krwawicz, Mirosława Hanusiewicz-Lavallee, Robert Aleksander Maryks, Tadhg Ó hAnnracháin, Maciej Ptaszyński, Paul Shore, and Frank E. Sysyn.
Defining the Identity of the Younger Europe launches an eye-opening journey into emerging cultures and civilizations of the “Younger Europe” — Byzantine-Slavic and Scandinavian territories — from the fall of Constantinople (1453) to the dawn of the Industrial Age.
Defining the Identity of the Younger Europe gathers studies that shed new light on the rich tapestry of early modern “Younger Europe” — Byzantine-Slavic and Scandinavian territories. It unearths the multi-dimensional aspects of the period, revealing the formation and transformation of nations that shared common threads, the establishment of political systems, and the enduring legacies of religious movements. Immersive, enlightening, and thought-provoking, the book promises to be an indispensable resource for anyone interested in the complexities of early modern Europe. This collection does not just retell history; it provokes readers to rethink it.
Contributors include: Giovanna Brogi, Piotr Chmiel,Karin Friedrich, Anna Grześkowiak-Krwawicz, Mirosława Hanusiewicz-Lavallee, Robert Aleksander Maryks, Tadhg Ó hAnnracháin, Maciej Ptaszyński, Paul Shore, and Frank E. Sysyn.
This book is available in Open Access thanks to the generous support of the Adam Mickiewicz University, Poznań
Defining the Identity of the Younger Europe launches an eye-opening journey into emerging cultures and civilizations of the “Younger Europe” — Byzantine-Slavic and Scandinavian territories — from the fall of Constantinople (1453) to the dawn of the Industrial Age.
Defining the Identity of the Younger Europe gathers studies that shed new light on the rich tapestry of early modern “Younger Europe” — Byzantine-Slavic and Scandinavian territories. It unearths the multi-dimensional aspects of the period, revealing the formation and transformation of nations that shared common threads, the establishment of political systems, and the enduring legacies of religious movements. Immersive, enlightening, and thought-provoking, the book promises to be an indispensable resource for anyone interested in the complexities of early modern Europe. This collection does not just retell history; it provokes readers to rethink it.
Contributors include: Giovanna Brogi, Piotr Chmiel,Karin Friedrich, Anna Grześkowiak-Krwawicz, Mirosława Hanusiewicz-Lavallee, Robert Aleksander Maryks, Tadhg Ó hAnnracháin, Maciej Ptaszyński, Paul Shore, and Frank E. Sysyn.
Defining the Identity of the Younger Europe launches an eye-opening journey into emerging cultures and civilizations of the “Younger Europe” — Byzantine-Slavic and Scandinavian territories — from the fall of Constantinople (1453) to the dawn of the Industrial Age.
Defining the Identity of the Younger Europe gathers studies that shed new light on the rich tapestry of early modern “Younger Europe” — Byzantine-Slavic and Scandinavian territories. It unearths the multi-dimensional aspects of the period, revealing the formation and transformation of nations that shared common threads, the establishment of political systems, and the enduring legacies of religious movements. Immersive, enlightening, and thought-provoking, the book promises to be an indispensable resource for anyone interested in the complexities of early modern Europe. This collection does not just retell history; it provokes readers to rethink it.
Contributors include: Giovanna Brogi, Piotr Chmiel,Karin Friedrich, Anna Grześkowiak-Krwawicz, Mirosława Hanusiewicz-Lavallee, Robert Aleksander Maryks, Tadhg Ó hAnnracháin, Maciej Ptaszyński, Paul Shore, and Frank E. Sysyn.
Exotismus ist ein Habitus, der sich durch eine aufgeschlossene Einstellung gegenüber dem Fremden auszeichnet. Das Konzept ist im angelsächsischen Postkolonialismus als die Ästhetik des Imperialismus in die Kritik geraten. Die frankofone Debatte hingegen stellt im Anschluss an Victor Segalen auch die Frage nach einer exotistischen Lebenskunst, die auf eine postkoloniale Poetik des Diversen vorausweist. Die Beiträge in diesem Sammelband loten die Chancen und Grenzen der ambivalenten Konzeption verschiedener Exotismen aus, die ethnozentrischen und rassistischen Vorstellungen in der Fremdwahrnehmung Vorschub leisten können, aber auch kulturellen Kontakt auf Augenhöhe zu begünstigen vermögen.