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The Journal of Japonisme is a multi-disciplinary, global publication and dedicated to all aspects of the Japonisme movement from the first appearance of the name in France in the 1870s until the 21st century. The journal is open to new ideas and findings from wherever they might be found. Submitted manuscripts coming from the most wide ranging disciplines of the humanities: history, visual culture including the history of art and design, the decorative arts, painting and the graphic arts, architecture, fashion, film, literature, aesthetics, art criticism, and music, will be considered if they show how Japanese art and culture influenced and permeated Western society and culture from the opening of Japan to the West in the 1850s until the 21st century. Additionally, articles addressing Japanese art and artistic cross-cultural relations within the Asian region may also be submitted. Articles on various collectors of Japanese art in the West, either specific museums or individuals, will be strongly considered, as it was through these collections that Western artists gained a broad familiarity with works that they could study.
While Japonisme has long been seen as a significant influence on Western culture, there has never been an international journal that would specifically examine all aspects of this cultural phenomenon from a variety of disciplines and angles, ánd in a global perspective. This is one of the principal reasons why the emergence of this publication is so essential. The increasing awareness of Japonisme among scholars, and now the general public, make it essential that a publication is initiated so that various viewpoints can be shared. This is now a field of scholarly consideration that must be examined in depth through a journal solely dedicated to this type of exchange of ideas.
The journal will be published annually in English; there will be ca. 4 to 5 essays and book or exhibition reviews. All articles will be submitted in English; they will be peer reviewed by a distinguished committee of advisors and/or other reviewers signifying the importance of the work before it can be included in the Journal. Each article will be illustrated with no more than ten images. These will be reproduced (mainly) in black and white in the paper version and in color in the electronic edition. Each essay will be no longer than 8,000-10,000 words, including notes.

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NOW AVAILABLE - Online submission: Articles for publication in the Journal of Japonisme can be submitted online through Editorial Manager, please click here.

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Edited by Andrew J. Fleck

Explorations in Renaissance Culture is a biannual, multidisciplinary scholarly journal devoted to all disciplines of study in the early-modern/Renaissance period: literature, history, art and iconography, music, cultural studies, etc. Articles are published in English and are fully refereed, using a double-blind review process. ERC is published in cooperation with the South-Central Renaissance Conference.
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Aziatische Kunst is het tijdschrift van de Koninklijke Vereniging van Vrienden der Aziatische Kunst (KVVAK) en verschijnt 3 keer per jaar. De artikelen zijn van de hand van de conservatoren van het Rijksmuseum en gerenommeerde wetenschappers op het gebied van Aziatische kunst in binnen- en buitenland. Indien u het tijdschrift in print wenst te ontvangen, gelieve contact op te nemen met de KVVAK: info@vvak.nl Aziatische Kunst is the journal of the Royal Society of Friends of Asian Art (KVVAK) and is published in 3 issues per year. The articles are written by the curators of the Rijksmuseum and renowned international specialists in the field of Asian art. When you want to receive the journal in print, please contact the KVVAK: info@vvak.nl
The interdisciplinary English language journal Art and Law aims to gather outstanding contributions to the fascinating debate at the intersection of art and law. The focus of the journal involves all the aspects (philosophical, juridical, sociological, technological and cultural) characterizing the relationship between art and law. Each issue will be intended as a monographic volume devoted to a specific topic.


As from 2018 the journal is published in 4 issues a year.

Issues:

2017
1.1 Peter Goodrich (Cardozo School of Law). Imago Decidendi. On the Common Law of Images (appeared August 2017)
1.2 Tiziana Andina (University of Turin). What is Art? The Question of Definition Reloaded (appeared November 2017)

2018
2.1 Angela Condello (University of Turin). Between Ordinary and Extraordinary. The Normativity of the Singular Case in Art and Law
2.2 Adam Andrzejewski and Mateusz Salwa (University of Warsaw). Law and TV Series
2.3 Andrea Baldini (Nanjing University). I Fought the Law and the Law Swanned: Art and Law in the Post-Graffiti Era
2.4 Maurizio Ferraris (University of Turin). The Laws of the Aesthetic

Editor-in-Chief Diane Apostolos-Cappadona

Brill Research Perspectives in Religion and the Arts presents extended reference articles on topics within the comprehensive field of world religions and the arts, from the traditional fine arts to newer fields of visual culture and material culture. References will be hyperlinked to original source materials when possible, offering both scholars and students the opportunity to stay current with the literature or to begin their research. Written as a single-author monograph with accompanying critical bibliography, each 50 to 100 page article provides an overview of the specific topic, its history within the larger discipline of religion and the arts, recent innovations in scholarship, critical commentary, and the unique analysis of the author's perspectives.

Experiment

A Journal of Russian Culture

Experiment, an annual journal devoted to Russian culture, focuses on the movements of the early twentieth century. These include both traditional and non-traditional avenues of academic enquiry, such as studio painting and graffiti, sculpture and ballroom dancing, architecture and commercial advertising. It is hoped that broader examination of such disciplines within critical discourse will provide a stronger and more precise definition of Russia's cultural accomplishment. Supervised by an editorial board of international stature, Experiment emphasizes an interdisciplinary approach, drawing upon archival sources while promoting and documenting the history of the Russian arts. The journal recognizes the achievements both of Imperial and Soviet Russia and of the diaspora.

Prepared by a guest editor or editors, each volume of Experiment consists of essays treating a particular theme or idea. Experiment is published under the auspices of the Institute of Modern Russian Culture at the University of Southern California.

Theme issues to date:
Vol. 23 - In Memoriam: Dmitry Vladimirovich Sarabyanov
Vol. 22 - A Stitch in Time: A Century of Russian Needlework and Fashion
Vol. 21 - СОХРАНИВШИЕСЯ ЧУДОМ: Письма из архива Ирины Миллер (1940-1947)
Vol. 20 - Kinetic Los Angeles: Russian Émigrés in the City of Self-Transformation
Vol. 19 - Demonocracy: The Satirical Journals of the 1905 Russian Revolution
Vol. 18 - Russian Sculpture
Vol. 17 - Sergei Diaghilev and the Ballets Russes
Vol. 16 - Leningrad Avant-garde
Vol. 15 - Siberian Modernism
Vol. 14 - The Wanderers
Vol. 13 - Vera Sudeikina
Vol. 12 - Cabaret
Vol. 11 - Pavel Filonov
Vol. 10 - Performing Arts and the Avant-garde
Vols. 8-9 - Vasilii Kandinsky
Vol. 7 - Art Nouveau
Vol. 6 - Organica
Vol. 5 - Khardzhiev Archive
Vol. 4 -The Apocalypse
Vol. 3 - The Russian Academy of Artistic Sciences
Vol. 2 - Artistic Movement in Russia in the 1910s and 1920s
Vol. 1 - Russian Avant-garde

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Editor-in-Chief Eleonora Rocconi

Greek and Roman Musical Studies is the first and, at present, the only specialist periodical in the fields of ancient Greek and Roman music. It publishes papers offering cultural, historical, theoretical, archaeological, iconographical and other perspectives on music in Classical antiquity, and on its reception in later times (especially the Middle Ages and the Renaissance, but also more recent periods). The Editorial Board will also consider contributions on music elsewhere in the Mediterranean region, including Egypt, Syria, Palestine and Mesopotamia. Cross-disciplinary approaches will be particularly appreciated.
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NOW AVAILABLE - Online submission: Articles for publication in Greek and Roman Musical Studies can be submitted online through Editorial Manager, please click here
The Journal of African Archaeology is an international peer-reviewed periodical. It publishes original papers addressing recent research and developments in African archaeology and related disciplines. The journal's main purpose is to provide scholars and students with a new pan-African forum for discussing relevant topics on the cultural dynamics of past African societies.

Issues from volumes 1-14 can be ordered through the previous publisher: Africa Magna Verlag (Altkönigblick 83, 60437 Frankfurt/M, Germany) Tel.: +49 6101 9958120 Email: info@africamagna.de

NOW AVAILABLE - Online submission: Articles for publication in the Journal of African Archaeology can be submitted online through Editorial Manager, please click here.

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Editor-in-Chief Tim Conley, Éva Forgács, Bojan Jović and Béatrice Joyeux-Prunel

Published twice annually, the Journal of Avant-Garde Studies is an interdisciplinary forum for critical discussion of the experimental, the outrageous, and the unclassifiable in the arts and literature, from the heyday of modernism to today. The perspective is global, the theoretical approaches are diverse, and the eligible subjects range from the famous to the forgotten.
JAGS seeks to broaden and enrich our history of the vanguard.

Muqarnas Online

An Annual on the Visual Cultures of the Islamic World

Editor-in-Chief Gülru Necipoğlu

Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

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