Browse results

You are looking at 1 - 5 of 5 items for :

  • Online Primary Source x
  • Primary Source Collection x
  • Primary Language: Spanish x
Clear All

Classic Mexican Cinema Online

From the Archives of the Filmoteca of the Universidad Nacional Autónoma de México (UNAM)

• Number of images: ca. 40,000 (full color)
• MARC21 catalog records are available
Location of originals: Filmoteca, Universidad Nacional Autónoma de México (UNAM)

Mexican cinema, from its beginnings in the late 1890s to its Golden Age (1930s to 1960), was consistently the largest and most important of all the Spanish-speaking countries. During its heyday, the Mexican film industry produced an average of one hundred films annually and supplied screen entertainment to both domestic audiences and international markets in Latin America, the United States, and Europe. The Golden Age of Mexican cinema is illuminated in this collection of popular movie periodicals. Not only does it include chief magazines such as Cinema Reporter (1943-1965) and Cine Mundial (1951-1955), it also features two extremely rare issues of El Cine Gráfico from 1935 and copies of the weekly El Mundo Ilustrado (1902-1910), an arts magazine that also contained notes on movies. The true extent of the popularity of Mexican film is illustrated by Cinelandia (1931-1947), which was published in Hollywood both in Spanish and in English. This collection also includes some fifty rare lobby cards, which were used to advertise a film. Finally, for the first time this collection gives access to the personal scrap book of Fernando de Fuentes (1894-1958), one of the leading Latin-American filmmakers to this day. It contains reviews, movie stills, programs, and advertisements, shedding a unique light on the career of this pioneering director.

The sources in this collection, heretofore only accessible in the archives of the Filmoteca de la UNAM in Mexico City, will be invaluable to researchers and students working on Film and Media Studies, Latin American Studies, and many other aspects of the historical, social, and political impact of cinema.

Cuban Culture and Cultural Relations, 1959-

The Vertical Archive of the Casa de las Américas, Part 1: “Casa y Cultura”

• Unique access to 45,000 documents
• Covering almost 60 years of cultural relations between Revolutionary Cuba and abroad
• Full-text search functionality
• Including MARC21 catalog records

Casa de las Américas in Havana, Cuba, ranks among the most renowned cultural institutions in Latin America and the Caribbean. Ever since its creation in 1959, it has been a host to thousands of writers and artists from throughout the region. It has published countless books and articles, organized conferences, concerts, expositions, theatre productions and numerous cultural contests. Founded just three months after the Cuban Revolution, it quickly became a fundamental link between the cultural vanguard in Latin America and the Caribbean on the one hand and a diplomatically isolated Cuba on the other. Over the course of almost six decades it has amassed a vast amount of information, thus creating a unique record to study the history of both the institution itself as a cultural hub, but also that of the protagonists of a remarkable era.

Much of the information is preserved in the present “Casa y Cultura” section of the so-called Archivo Vertical at Casa de las Américas library. This section contains some 45,000 documents organized in 545 folders, covering such diverse materials as articles, newspaper clippings, cable messages, interviews, conference memorabilia, etc., collected from 1959 onward. Together they document the activities of the institution both in Cuba and beyond, bearing testimony to the conflicts and passions of a turbulent time. Conferences and controversies, manifestos and open letters combine to shed a light on a vibrant cultural history, which is now accessible for the first time from new and unexpected angles.

Beginnings
The archive’s genesis was somewhat random; it started out collecting newspaper clippings (an external agency was in charge of compiling them) in order to keep track of the various activities of the Casa de las Américas. Gradually the collection began to grow as donors and librarians from different countries sent press clippings and other documents to the institute. Employees and researchers at the Casa itself contributed as well. Much of this constitutes ephemeral material, difficult to obtain as it derived from non-indexed sources (e.g. newspaper clippings) or consisted of unpublished articles (e.g. press dispatches). The employees at Casa de las Américas would use these documents for their own information or they would serve as promotional material for the different departments within the institute. Once they had served their purpose they would be sent to the library to be archived. In some cases there are notes in the margins or senders’ requests, an interesting aspect when we consider the importance of some of its authors.

Writers and artists
Among the many documents, the programs of the monthly events at Casa de las Américas stand out ( Programa del Mes). They allow us to establish a record of all public activities organized by the Casa since its founding. Other documents give insight in the plethora of colloquiums, meetings and conferences where intellectuals and artists from across Latin America and the Caribbean met. Here we find information about such illustrious figures as Miguel Angel Asturias, Alejo Carpentier, Fernando Benitez, Carlos Fuentes, Miguel Otero Silva, Simone de Beauvoir, Jean-Paul Sartre, Dario Fo and Mercedes Sosa, to name but a few. We also find information about the different departments of the institute: Theatre, Music, Visual Arts, Centre for Literary Research, Centre for Research on the Caribbean and Study Guides (on women, Latinos in the United States, cultures of Latin America and people of Afro-American descent). Also highly significant are the extensive files on the famous literary prize of the Casa de las Américas: the Premio Literario Casa de las Americas, which is by far the oldest and most ambitious one in the region.

Finally, the present section of the Archivo Vertical contains records about Haydee Santamaría, one of the most renowned women of the Cuban Revolution and the founder and president (until her death in 1980) of Casa de las Américas.

Jorge Fornet, Havana

Cuban Culture and Cultural Relations, 1959-

The Vertical Archive of the Casa de las Américas, Part 2: Writers

• More than 63,800 digital files
• Records on 1,046 writers and artists
• Full-text search functionality
• Including MARC21 catalog records

Founded in Havana in 1959, only a few months after the Revolution, Casa de las Américas quickly developed into one of the most prestigious cultural centers in Latin America and the Caribbean. To a large extent its success and survival are the result of its capacity to establish a remarkable intellectual network around a common vision. When during the early years of the Revolution many foreign embassies closed their doors, Casa de las Américas offered a space for progressive minds to exchange information and discuss new ideas. Here, writers and artists from Latin America, the Caribbean and other parts of the world met and gave lectures, organized concerts and exhibitions, staged theater shows, conducted research, and found a place to publish their writings. The record of their activities, which continue to this day, are preserved in Casa de las Américas’ archive, presented here in digital format for the first time.

The Vertical Archive
Casa de las Américas is home to a large library specializing in Latin American and Caribbean humanities and social sciences. Throughout its almost six decades of existence, this library has amassed and preserved an unparalleled archival collection known as “the Vertical Archive.” Organized in five parts, the present part, Writers, offers a unique insight into the activities of the more than a thousand writers and artists who visited La Casa.

Writers
Famous writers from the twentieth century form the core of the collection. Here one encounters such luminaries as Jorge Amado, Mario Benedetti, Roberto Bolaño, María Luisa Bombal, Jorge Luis Borges, Alejo Carpentier, Aimé Césaire, Julio Cortázar, Roque Dalton and Gabriel García Márquez, to name but a few. Some of the leading writers from the nineteenth century are also represented, including José Martí and the pioneer Brazilian novelist Machado de Assis. These world-renowned figures are accompanied by hundreds of their arguably less illustrious peers, who are nevertheless equally essential to illustrate the cultural climate and history of the era.

Artists
In addition to writers, the archive includes files on painters, such as Roberto Matta and David Alfaro Siqueiros, filmmakers, such as Santiago Álvarez and Glauber Rocha, and musicians, such as Chilean singer-songwriter and political activist Víctor Jara.

International avant-garde
The intellectual climate of Havana and the Casa de las Américas attracted thinkers and artists from all over the world. As a result, the documents in the Vertical Archive allow students and researchers to discover new information on various members of the international intellectual and cultural avant-garde, such as Rafael Alberti, Vicente Aleixandre, Max Aub, Luis Buñuel, Italo Calvino, Allen Ginsberg and Jean-Paul Sartre.

Materials
A large part of the collection consists of press clippings, sent to Casa de las Américas by donors and librarians from abroad or hand-delivered by visitors. The institution’s own researchers added to the collection by preserving all sorts of records; to a large extent, this concerns ephemeral documentation that is virtually impossible to find elsewhere, as much of it derives from non-indexed sources or even cable wires and never appeared in the press.

The Writers section of the Vertical Archive bears testimony to a vibrant culture, seen through the eyes of its protagonists. This online edition offers the user unprecedented access to the primary sources documenting a pivotal time in Cuban cultural history.

Jorge Fornet, Havana
This collection contains the periodicals that have been accumulated by the Austrian anarchist, historian and collector Max Nettlau (1865-1944), together with a number of later additions, held at the International Institute of Social History (IISH) in Amsterdam. It contains numerous rare, and in many cases unique, titles. The collection of the IISH provides a richness of documentation pertaining explicitly to the formative anarchist and anarcho-syndicalist episode (1890-1920) in the history of Latin American labor movements. Included are the Argentine periodicals La Protesta, La Vanguardia and Acción Obrera; the Brazilian O Exempio. Jornal do Povo and Battaglia; the Chilean Voz del Mar; and the Mexican Ariete, Redención Obrera, Revolución Social and El Sindicalista. This collection consists of 971 Latin American anarchist and labor periodicals. The periodicals in this collection have been organized by country. In addition, each series has been subdivided into periodicals with and periodicals without a known (corporate) author. The arrangement is alphabetical throughout. An EAD finding aid is available. In addition, a set of 971 MARC21 records is available which provides a detailed description of each individual periodical in this collection. These MARC21 records have been created at the University of Michigan University Library, Harvard College Library, Cornell University Library and The General Libraries of The University of Texas at Austin. Also available on microfilm (180 reels).

The Guatemala Collection

Government and Church Documents for Sacatepéquez (1587-1991)

Populated predominantly by indígenas (indigenous peoples) who speak Kaqchikel-Maya, Sacatepéquez department offers an excellent window into Latin American and Native American history. Located in the central highlands of Guatemala, it was home to two colonial capitals and is contiguous with the nation’s contemporary capital. Throughout the colonial and national eras, indigenous people farmed to feed themselves and the regions (and capitals) that surrounded them. Through arduous and often corvée labor, they also built much of the infrastructure in their communities and nation. Crucial to Guatemala’s colonial and national development, indígenas were largely discounted and denigrated. Despite such discrimination and disadvantages, many found ways to survive and thrive. Often converging at the nexus of modernization and tradition, the documents in this collection convey the complicated hybrid history of a nation striving to present itself as progressive and civilized in an Atlantic world that seldom associated those qualities with indigeneity. Penned primarily by non-indigenous elites, authorities, and scribes, the documents in this collection explore complex ethnic, racial, class, and gender relations and how they changed over time.

Spanning more than four hundred years, The Guatemala Collection: Government and Church Documents for Sacatepéquez (1587-1991) concentrates primarily on the national era, particularly 1824-1948. The vast majority of the documents—correspondence, annual reports, statistics, letters, litigation—found within The Guatemala Collection are copies from the Archivo General de Centroamérica and the Archivo Histórico Arquidiocesano “Francisco de Paula García Peláez” (formerly known as Archivo Eclesiástico de Guatemala) in Guatemala City. In recent years, the latter has seldom been opened to the public. Colonial documents mainly come from the Archivo General de Indias in Seville, Spain. A few of the documents and transcripts come from the Centro de Investigaciones Regionales de Mesoamérica (CIRMA) in Antigua. In general, the documents are organized by place, theme, and chronology.

The Guatemala Collection comprises ten series. Eight of the series are titled after the department or municipality to which the documents correspond. The remaining two series—Colonial Documents and Secondary Sources—are titled descriptively. Although they also present findings and information concerning Sacatepéquez and its municipalities, for reasons of chronology and the nature of the documents, these series have been set apart from the main collection. The secondary source documents, which were authored primarily by the donor and historian Christopher Lutz, scholar and researcher Héctor Concohá, historian Wendy Kramer, and anthropologist Sheldon Annis, are notes, commentaries, descriptions, indexes, syntheses, and analyses of materials included in the collection itself or from the archives. Across these ten series, the documents of the collection are organized into fifty-seven distinct classifications that include such themes as economy, agriculture, forced labor, complaints, crime, annual reports, natural disasters, municipal affairs, education, elections, military, public works, religion, public health, lands and estates, development, resignations and solicitations, regulations, festivities, and maps. The majority of the documents are labeled by Concohá as to their years and subject matter.

Although Lutz initially was explicit in his research requests, after his exile from Guatemala in 1980, the project took on a life of its own as Concohá continuously widened the parameters of the research. Consequently, The Guatemala Collection houses a rich array of government, church, and civil documents that bear testimony to an indigenous population’s struggle and success with the changing social, economic, political, and religious dynamics of colonial and independent rule.

Image artwork: Caroline Salvin, Dueñas de la puerta de la casa, octubre de 1873 ( Dueñas from the house door, October 1873; watercolor)