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Critical Edition and Notes Volume 2
Contributor:
For more than a millennium, Kālidāsa’s poem “Lineage of the Raghus” (Raghuvaṃśa) has been acknowledged as one of the masterpieces of Sanskrit literature. Thousands of manuscripts transmit it, and dozens of pre-modern commentaries expound the text.
This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later.
Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.
This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later.
Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.
Critical Edition and Notes Volume 2
For more than a millennium, Kālidāsa’s poem “Lineage of the Raghus” (Raghuvaṃśa) has been acknowledged as one of the masterpieces of Sanskrit literature. Thousands of manuscripts transmit it, and dozens of pre-modern commentaries expound the text.
This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later.
Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.
This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later.
Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.
Apophthegmata (Liber V)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata (Liber V)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata (Liber VI)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata (Liber VI)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata I (Libri VII-VIII)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata I (Libri VII-VIII)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Newly edited with a transcription faithful to the original manuscript and provided with an Introduction
Translator:
This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
Newly edited with a transcription faithful to the original manuscript and provided with an Introduction
This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
The Contemporary Sources for the Study of the Council of Nicaea (304–337)
Editor:
“Fontes Nicaenae Synodi” is a sourcebook that provides the original text with an English translation and footnotes of the contemporary sources for the study of the Council of Nicaea (325). These sourc