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A Mirror for Princes from the Late 12th Century CE
Editor / Translator:
Oliver Kahl’s book offers a revised Arabic edition and annotated English translation of a politico-ethical treatise or ‘mirror for princes’ from late 12th century CE Cairo. The Arabic text, a masterpiece of classical rhymed prose, interspersed with wisdom sayings and poetry, was written, presumably by ʿAlī ibn Ẓāfir al-Azdī (d. 613/1216), for the Ayyubid ruler of Egypt, al-Malik al-ʿAzīz (d. 595/1198), Saladin’s second son. Being primarily an exponent of adab literature, the treatise is largely free of theoretical expositions, transmitting its message in the form of diverse and highly entertaining parabolic stories. Edition and translation are framed by a detailed introduction and extensive bilingual glossaries which testify to the lexical registry of classical Arabic prose.
A Mirror for Princes from the Late 12th Century CE
Oliver Kahl’s book offers a revised Arabic edition and annotated English translation of a politico-ethical treatise or ‘mirror for princes’ from late 12th century CE Cairo. The Arabic text, a masterpiece of classical rhymed prose, interspersed with wisdom sayings and poetry, was written, presumably by ʿAlī ibn Ẓāfir al-Azdī (d. 613/1216), for the Ayyubid ruler of Egypt, al-Malik al-ʿAzīz (d. 595/1198), Saladin’s second son. Being primarily an exponent of adab literature, the treatise is largely free of theoretical expositions, transmitting its message in the form of diverse and highly entertaining parabolic stories. Edition and translation are framed by a detailed introduction and extensive bilingual glossaries which testify to the lexical registry of classical Arabic prose.
The Sarvadarśanasaṃgraha Translated
Editor / Translator:
The Sarvadarśanasaṃgraha presents sixteen philosophical systems known to its 14th century author. The first and so far only English translation of the whole of the Sarvadarśanasaṃgraha dates from the nineteenth century, when few of the source texts used by its author were accessible.
This new translation will rectify numerous current incorrect interpretations and misunderstandings of the text.
This new translation will rectify numerous current incorrect interpretations and misunderstandings of the text.
The Sarvadarśanasaṃgraha Translated
The Sarvadarśanasaṃgraha presents sixteen philosophical systems known to its 14th century author. The first and so far only English translation of the whole of the Sarvadarśanasaṃgraha dates from the nineteenth century, when few of the source texts used by its author were accessible.
This new translation will rectify numerous current incorrect interpretations and misunderstandings of the text.
This new translation will rectify numerous current incorrect interpretations and misunderstandings of the text.
Three Treatises
The second volume in the Anti-Jesuit Literature series at Brill casts a revealing light on a crucial moment in eighteenth-century France: the suppression of the Jesuits. Through the expert translation of three representative treatises by Jotham Parsons and Patricia M. Ranum, this collection delves into the heart of the conflict, presenting views from Jansenist-Gallican magistrates, conservative clerics, and Enlightenment thinkers. Edited with contextual commentary by Robert A. Maryks and Jotham Parsons, the volume not only navigates the complexities of the Jesuits’ decline but also places it in the context of the broader Enlightenment critique, exploring the intricate interplay between evolving ideas of governance, faith, and intellectual freedom.
Three Treatises
Editor:
The second volume in the Anti-Jesuit Literature series at Brill casts a revealing light on a crucial moment in eighteenth-century France: the suppression of the Jesuits. Through the expert translation of three representative treatises by Jotham Parsons and Patricia M. Ranum, this collection delves into the heart of the conflict, presenting views from Jansenist-Gallican magistrates, conservative clerics, and Enlightenment thinkers. Edited with contextual commentary by Robert A. Maryks and Jotham Parsons, the volume not only navigates the complexities of the Jesuits’ decline but also places it in the context of the broader Enlightenment critique, exploring the intricate interplay between evolving ideas of governance, faith, and intellectual freedom.
Critical Edition and Notes Volume 2
Contributor:
For more than a millennium, Kālidāsa’s poem “Lineage of the Raghus” (Raghuvaṃśa) has been acknowledged as one of the masterpieces of Sanskrit literature. Thousands of manuscripts transmit it, and dozens of pre-modern commentaries expound the text.
This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later.
Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.
This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later.
Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.
Critical Edition and Notes Volume 2
For more than a millennium, Kālidāsa’s poem “Lineage of the Raghus” (Raghuvaṃśa) has been acknowledged as one of the masterpieces of Sanskrit literature. Thousands of manuscripts transmit it, and dozens of pre-modern commentaries expound the text.
This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later.
Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.
This is the second volume (out of three) of the earliest surviving commentary, that of the tenth-century Kashmirian Vallabhadeva. The text that he had before him of Kālidāsa’s poems differs in many places from that printed in other editions, which generally follow the readings of the commentator Mallinātha, who wrote four centuries later.
Notes discuss the text and report the readings of three other hitherto unpublished commentaries that predate Mallinātha, namely those of Śrīnātha, Vaidyaśrīgarbha and Dakṣiṇāvartanātha.
Newly edited with a transcription faithful to the original manuscript and provided with an Introduction
Translator:
This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
Newly edited with a transcription faithful to the original manuscript and provided with an Introduction
This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
The Contemporary Sources for the Study of the Council of Nicaea (304–337)
Editor:
“Fontes Nicaenae Synodi” is a sourcebook that provides the original text with an English translation and footnotes of the contemporary sources for the study of the Council of Nicaea (325). These sources are letters, canons, creeds, imperial documents, and synodal statements that deal with the theological, institutional, and disciplinary issues discussed at Nicaea – not only the “Arian” controversy. The book includes texts that are contemporary with the events, i.e., written between the beginning of the Melitian crisis (ca. 304) and the death of Constantine (337). They were passed on in Greek, Latin, and Syriac. The year 2025 will see a centenary of the synod of Nicaea (325–2025), which will be a promising scenario for discussing the Nicaean Council, a pivotal event in the formation of Western culture.