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An Edition and Annotated Translation of Mālinīślokavārttika I, 1-399
The first part of the ‘Versified Commentary on the Mālinītantra’ (Mālinīślokvārttika) by the tenth-century theologian Abhinavagupta, which is translated here for the first time, presents a philosophy of Śaiva revelation, conceived of as a descent of the highest non-dual form of knowledge, through the different levels of speech, into the knowledge embodied in the canon of Tantras or Agamas on which the Śaiva religion is based. The aim of the text is to demonstrate the logic behind the claim of the monistic Tantric schools on which Abhinavagupta bases his philosophy.
The present volume deals in its introduction with the scriptural background of the Śaiva religion because that is a prerequisite for understanding many of the arguments in the text. The translation is accompanied by a re-edition of the Sanskrit text with the help of two manuscripts not consulted before, and a running commentary. A fragment of the Śrīkaṇṭī, which is probably the source for some of Abhinavaguptas theories of the Śaiva canon, is transcribed in an appendix.
The present volume deals in its introduction with the scriptural background of the Śaiva religion because that is a prerequisite for understanding many of the arguments in the text. The translation is accompanied by a re-edition of the Sanskrit text with the help of two manuscripts not consulted before, and a running commentary. A fragment of the Śrīkaṇṭī, which is probably the source for some of Abhinavaguptas theories of the Śaiva canon, is transcribed in an appendix.
An Edition and Annotated Translation of Mālinīślokavārttika I, 1-399
The first part of the ‘Versified Commentary on the Mālinītantra’ (Mālinīślokvārttika) by the tenth-century theologian Abhinavagupta, which is translated here for the first time, presents a philosophy of Śaiva revelation, conceived of as a descent of the highest non-dual form of knowledge, through the different levels of speech, into the knowledge embodied in the canon of Tantras or Agamas on which the Śaiva religion is based. The aim of the text is to demonstrate the logic behind the claim of the monistic Tantric schools on which Abhinavagupta bases his philosophy.
The present volume deals in its introduction with the scriptural background of the Śaiva religion because that is a prerequisite for understanding many of the arguments in the text. The translation is accompanied by a re-edition of the Sanskrit text with the help of two manuscripts not consulted before, and a running commentary. A fragment of the Śrīkaṇṭī, which is probably the source for some of Abhinavaguptas theories of the Śaiva canon, is transcribed in an appendix.
The present volume deals in its introduction with the scriptural background of the Śaiva religion because that is a prerequisite for understanding many of the arguments in the text. The translation is accompanied by a re-edition of the Sanskrit text with the help of two manuscripts not consulted before, and a running commentary. A fragment of the Śrīkaṇṭī, which is probably the source for some of Abhinavaguptas theories of the Śaiva canon, is transcribed in an appendix.
New edition and complete translation of the sixteenth-century Javanese Muslim text “The Admonitions of Seh Bari”. In his introduction, Drewes discusses the manuscript, script, spelling, punctuation, author, contents of the work, main ideas of the work, the Catechism drawn from this text, and a comparison of the Catechism with the main text.
Series:
Biblioteca Indonesica, Volume: 4
New edition and complete translation of the sixteenth-century Javanese Muslim text “The Admonitions of Seh Bari”. In his introduction, Drewes discusses the manuscript, script, spelling, punctuation, author, contents of the work, main ideas of the work, the Catechism drawn from this text, and a comparison of the Catechism with the main text.
Introduction, Translation, Commentary, and Chinese Text. Second Revised and Expanded Edition
In the early 14th century, a court nutritionist called Hu Sihui wrote his
Yinshan Zhengyao, a dietary and nutritional manual for the Chinese Mongol Empire. Hu Sihui, a man apparently with a Turkic linguistic background, included recipes, descriptions of food items, and dietary medical lore including selections from ancient texts, and thus reveals to us the full extent of an amazing cross-cultural dietary; here recipes can be found from as far as Arabia, Iran, India and elsewhere, next to those of course from Mongolia and China. Although the medical theories are largely Chinese, they clearly show Near Eastern and Central Asian influence.
This long-awaited expanded and revised edition of the much-acclaimed A Soup for the Qan sheds (yet) new light on our knowledge of west Asian influence on China during the medieval period, and on the Mongol Empire in general.
This long-awaited expanded and revised edition of the much-acclaimed A Soup for the Qan sheds (yet) new light on our knowledge of west Asian influence on China during the medieval period, and on the Mongol Empire in general.
Introduction, Translation, Commentary, and Chinese Text. Second Revised and Expanded Edition
In the early 14th century, a court nutritionist called Hu Sihui wrote his
Yinshan Zhengyao, a dietary and nutritional manual for the Chinese Mongol Empire. Hu Sihui, a man apparently with a Turkic linguistic background, included recipes, descriptions of food items, and dietary medical lore including selections from ancient texts, and thus reveals to us the full extent of an amazing cross-cultural dietary; here recipes can be found from as far as Arabia, Iran, India and elsewhere, next to those of course from Mongolia and China. Although the medical theories are largely Chinese, they clearly show Near Eastern and Central Asian influence.
This long-awaited expanded and revised edition of the much-acclaimed A Soup for the Qan sheds (yet) new light on our knowledge of west Asian influence on China during the medieval period, and on the Mongol Empire in general.
This long-awaited expanded and revised edition of the much-acclaimed A Soup for the Qan sheds (yet) new light on our knowledge of west Asian influence on China during the medieval period, and on the Mongol Empire in general.
Epic and the Writing of Northern Kirghiz History
Editor / Translator:
Daniel Prior
In
The Šabdan Baatır Codex, Daniel Prior presents the first complete edition, translation, and interpretation of a unique manuscript of early twentieth-century Kirghiz poetry, which includes detailed accounts of nineteenth-century warfare. Dedicated to the chief Šabdan Baatır, the Codex occupies an illuminating position in a network of oral and written genres that encompassed epic poetry and genealogy, panegyric and steppe oral historiography; that echoed oral performance and aspired to print publishing. The Codex’s fresh articulation of concepts of Kirghiz self-identification was incipiently national, yet remained couched in traditional forms. The Codex thus bridges the interval, often glossed over in cultural histories, between a supposedly archaic state of oral epic tradition and the “afterlife” of epics in modern ethno-nationalist projects.
Epic and the Writing of Northern Kirghiz History
In
The Šabdan Baatır Codex, Daniel Prior presents the first complete edition, translation, and interpretation of a unique manuscript of early twentieth-century Kirghiz poetry, which includes detailed accounts of nineteenth-century warfare. Dedicated to the chief Šabdan Baatır, the Codex occupies an illuminating position in a network of oral and written genres that encompassed epic poetry and genealogy, panegyric and steppe oral historiography; that echoed oral performance and aspired to print publishing. The Codex’s fresh articulation of concepts of Kirghiz self-identification was incipiently national, yet remained couched in traditional forms. The Codex thus bridges the interval, often glossed over in cultural histories, between a supposedly archaic state of oral epic tradition and the “afterlife” of epics in modern ethno-nationalist projects.
An Old Javanese Epic Poem, its Indian Source and Balinese Illustrations
Mpu Monaguṇa's early thirteenth century epic poem
Sumanasāntaka is a vernacular rendering of Kālidāsa's story of Prince Aja and Princess Indumatī told in the Raghuvaṃśa. In it the poet exploits his source narrative to describe and comment on the Javanese world of his times.
In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
An Old Javanese Epic Poem, its Indian Source and Balinese Illustrations
Mpu Monaguṇa's early thirteenth century epic poem
Sumanasāntaka is a vernacular rendering of Kālidāsa's story of Prince Aja and Princess Indumatī told in the Raghuvaṃśa. In it the poet exploits his source narrative to describe and comment on the Javanese world of his times.
In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
The Prophet Muḥammad’s Nocturnal Journey to Heaven and Hell. Text and Translation of Cod. Or. 1713 in the Library of Leiden University
Texts about the nocturnal journey of the Prophet Muḥammad (Mi‘rāj) abound in the Muslim world and outside. International attention has never been afforded to any version of text in any language of the Indonesian archipelago. One old version of the text from the area, the Malay
Hikayat Mir’āj Nabi Muḥammad is presented here in Malay and English translation. The introductory chapters place the text in a wider context in Indonesian literatures while the manuscript of the text (Cod.Or. Leiden 1713) is described in detail. The text and translation purport to enhance interest in this important text in the Muslim world as seen from the Malay/Indonesian perspective.
The Prophet Muḥammad’s Nocturnal Journey to Heaven and Hell. Text and Translation of Cod. Or. 1713 in the Library of Leiden University
Texts about the nocturnal journey of the Prophet Muḥammad (Mi‘rāj) abound in the Muslim world and outside. International attention has never been afforded to any version of text in any language of the Indonesian archipelago. One old version of the text from the area, the Malay
Hikayat Mir’āj Nabi Muḥammad is presented here in Malay and English translation. The introductory chapters place the text in a wider context in Indonesian literatures while the manuscript of the text (Cod.Or. Leiden 1713) is described in detail. The text and translation purport to enhance interest in this important text in the Muslim world as seen from the Malay/Indonesian perspective.
A Mongolian Epic Chronicle of the Thirteenth Century
Volume Three of Igor de Rachewiltz’s annotated translation of the
Secret History of the Mongols (Brill 2004, 2006), now regarded as the standard English version of this epic biography of Činggis Qan, is both a complement and a supplement to the first two volumes. On the one hand it revises and updates the work to the end of 2012, and on the other it introduces new interpretations and ideas about both the identity of its anonymous author and the date of its composition. It is, therefore, an indispensable companion volume for all readers and users of the earliest Mongolian literary production which contains, in the words of Arthur Waley, ‘some of the most vivid primitive literature that exists anywhere in the world.’
The Secret History of the Mongols has been selected by Choice as Outstanding Academic Title (2005).
The Secret History of the Mongols has been selected by Choice as Outstanding Academic Title (2005).
A Mongolian Epic Chronicle of the Thirteenth Century
Volume Three of Igor de Rachewiltz’s annotated translation of the
Secret History of the Mongols (Brill 2004, 2006), now regarded as the standard English version of this epic biography of Činggis Qan, is both a complement and a supplement to the first two volumes. On the one hand it revises and updates the work to the end of 2012, and on the other it introduces new interpretations and ideas about both the identity of its anonymous author and the date of its composition. It is, therefore, an indispensable companion volume for all readers and users of the earliest Mongolian literary production which contains, in the words of Arthur Waley, ‘some of the most vivid primitive literature that exists anywhere in the world.’
The Secret History of the Mongols has been selected by Choice as Outstanding Academic Title (2005).
The Secret History of the Mongols has been selected by Choice as Outstanding Academic Title (2005).