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The Skandapurāṇa Project
Series Editor:
The Skandapurāṇa offers an unprecedented glimpse into the development of Śiva worship and his mythology. This Sanskrit Purāṇa, long considered lost, was known only obliquely from testimonia in digests of Brahminical customs and social regulations. Transmitted to us in several palm leaf manuscripts from Nepal—including the oldest known dated Purāṇa manuscript (810 CE)—as well as paper manuscripts from North India, now at last this seminal text for the understanding of Indian religious traditions is made available in the superb and definitive critical text edition of the Skandapurāṇa Project.
The edition allows far-reaching new insights into the geographical expansion of the earliest community of Śiva devotees called the ‘Pāśupatas’ (the name derived from one of Śiva’s many epithets, Paśupati, ‘Lord of Creatures’) amidst the development of other religious communities in early India, and especially, the cultivation of somatic and mental techniques (yoga), the salvific potential of pilgrimage to Śiva’s many shrines, as well as the worship of his iconic emblem (liṅga), all of which practices were to become definitive features of the devotional repertoire of medieval—and today's—Śiva worshippers. The Skandapurāṇa is also a vital source for the history of the mythology of Viṣṇu and the Goddess.
Firmly grounded in the scholarly methods that are the hallmark of classical Indology—philology, textual criticism, and the meticulous study of manuscript sources—the Skandapurāṇa Critical Text Edition comes with an annotated English synopsis of this important, rich, but also entertaining text.
‘The Skandapurāṇa, dating in all probability from the seventh century and preserved in manuscript evidence from Nepal that postdates its creation by no more than about two centuries, provides a uniquely clear window into the world of lay Śaiva devotion and its supporting mythologies during the seminal period when the Śaiva ascetic orders were moving with the support of the laity to the centre of Indian religion. The project to produce a critical edition and analysis of the whole of this rich and lucid text is among the most important in current Indological research. The volumes published so far are of very high quality both in the scholarship of their authors and the interest of their contents. The completion of the project will be a major landmark in Indological research.’ - Alexis Sanderson
The edition allows far-reaching new insights into the geographical expansion of the earliest community of Śiva devotees called the ‘Pāśupatas’ (the name derived from one of Śiva’s many epithets, Paśupati, ‘Lord of Creatures’) amidst the development of other religious communities in early India, and especially, the cultivation of somatic and mental techniques (yoga), the salvific potential of pilgrimage to Śiva’s many shrines, as well as the worship of his iconic emblem (liṅga), all of which practices were to become definitive features of the devotional repertoire of medieval—and today's—Śiva worshippers. The Skandapurāṇa is also a vital source for the history of the mythology of Viṣṇu and the Goddess.
Firmly grounded in the scholarly methods that are the hallmark of classical Indology—philology, textual criticism, and the meticulous study of manuscript sources—the Skandapurāṇa Critical Text Edition comes with an annotated English synopsis of this important, rich, but also entertaining text.
‘The Skandapurāṇa, dating in all probability from the seventh century and preserved in manuscript evidence from Nepal that postdates its creation by no more than about two centuries, provides a uniquely clear window into the world of lay Śaiva devotion and its supporting mythologies during the seminal period when the Śaiva ascetic orders were moving with the support of the laity to the centre of Indian religion. The project to produce a critical edition and analysis of the whole of this rich and lucid text is among the most important in current Indological research. The volumes published so far are of very high quality both in the scholarship of their authors and the interest of their contents. The completion of the project will be a major landmark in Indological research.’ - Alexis Sanderson
First English Translation, with Introduction and Commentary
Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
First English Translation, with Introduction and Commentary
Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
A Study and Edition of Lawāmiʿ al-Naẓar fī Taḥqīq Maʿānī al-Mukhtaṣar
Editor:
Lawāmiʿ al-Naẓar fī Taḥqīq Maʿānī al-Mukhtaṣar is Aḥmad b. Yaʿqūb al-Wallālī's (d. 1128/1716) commentary on al-Sanūsī's (d. 895/1490) compendium of logic, al-Mukhtaṣar. Al-Wallālī was the first commentator on al-Sanūsī's compendium after the author's autocommentary. In this publication, Ibrahim Safri offers a critical edition of this work, together with a study of the author's life and oeuvre.
Safri also tries to show the indirect influence of Avicennism on logic in the Maghribī tradition in the seventeenth and eighteenth centuries. On the basis of his writings on logic and philosophical theology, al-Wallālī was considered a master of rational sciences by his contemporaries.
Safri also tries to show the indirect influence of Avicennism on logic in the Maghribī tradition in the seventeenth and eighteenth centuries. On the basis of his writings on logic and philosophical theology, al-Wallālī was considered a master of rational sciences by his contemporaries.
A Study and Edition of Lawāmiʿ al-Naẓar fī Taḥqīq Maʿānī al-Mukhtaṣar
Editor:
Lawāmiʿ al-Naẓar fī Taḥqīq Maʿānī al-Mukhtaṣar is Aḥmad b. Yaʿqūb al-Wallālī's (d. 1128/1716) commentary on al-Sanūsī's (d. 895/1490) compendium of logic, al-Mukhtaṣar. Al-Wallālī was the first commentator on al-Sanūsī's compendium after the author's autocommentary. In this publication, Ibrahim Safri offers a critical edition of this work, together with a study of the author's life and oeuvre.
Safri also tries to show the indirect influence of Avicennism on logic in the Maghribī tradition in the seventeenth and eighteenth centuries. On the basis of his writings on logic and philosophical theology, al-Wallālī was considered a master of rational sciences by his contemporaries.
Safri also tries to show the indirect influence of Avicennism on logic in the Maghribī tradition in the seventeenth and eighteenth centuries. On the basis of his writings on logic and philosophical theology, al-Wallālī was considered a master of rational sciences by his contemporaries.
Vol. V, Section 4: Persia and Its Kings, Part II
Al-Maqrīzī's (d. 845/1442) last work, al-Ḫabar ʿan al-bašar, was completed a year before his death. This volume, edited by Jaakko Hämeen-Anttila, covers the history of pre-Islamic Iran during the Sasanian period and the conquest. Al-Maqrīzī's work shows how Arab historians integrated Iran into world history and how they harmonised various currents of historiography (Middle Persian historiography, Islamic sacred history, Greek and Latin historiography).
This part harmonises the versions of Miskawayh's Tağārib, al-Ṭabarī’s Taʾrīḫ, and several other sources, producing a fluent narrative of Iran from the early 3rd century until 651. It also includes the complete text of ʿAhd Ardašīr, here translated for the first time into English.
This part harmonises the versions of Miskawayh's Tağārib, al-Ṭabarī’s Taʾrīḫ, and several other sources, producing a fluent narrative of Iran from the early 3rd century until 651. It also includes the complete text of ʿAhd Ardašīr, here translated for the first time into English.
Vol. V, Section 4: Persia and Its Kings, Part II
Al-Maqrīzī's (d. 845/1442) last work, al-Ḫabar ʿan al-bašar, was completed a year before his death. This volume, edited by Jaakko Hämeen-Anttila, covers the history of pre-Islamic Iran during the Sasanian period and the conquest. Al-Maqrīzī's work shows how Arab historians integrated Iran into world history and how they harmonised various currents of historiography (Middle Persian historiography, Islamic sacred history, Greek and Latin historiography).
This part harmonises the versions of Miskawayh's Tağārib, al-Ṭabarī’s Taʾrīḫ, and several other sources, producing a fluent narrative of Iran from the early 3rd century until 651. It also includes the complete text of ʿAhd Ardašīr, here translated for the first time into English.
This part harmonises the versions of Miskawayh's Tağārib, al-Ṭabarī’s Taʾrīḫ, and several other sources, producing a fluent narrative of Iran from the early 3rd century until 651. It also includes the complete text of ʿAhd Ardašīr, here translated for the first time into English.
The Avestan Text of Yasna 28–30 and Its Tradition
At the center of this book stands a text-critical edition of three chapters of the Gāthās, exemplifying the editorial methodology developed by the “Multimedia Yasna” (MUYA) project and its application to the Old Avestan parts of the Yasna liturgy.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.
The Avestan Text of Yasna 28–30 and Its Tradition
At the center of this book stands a text-critical edition of three chapters of the Gāthās, exemplifying the editorial methodology developed by the “Multimedia Yasna” (MUYA) project and its application to the Old Avestan parts of the Yasna liturgy.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.
A new edition of the Arabic text and first-time English translation
Editor / Translator:
ʿAlī ibn Sahl Rabban aṭ-Ṭabarī's Indian Books, completed in the year 850 CE as an appendix to his medico-philosophical chef-d'œuvre "Paradise of Wisdom", belong to the most remarkable texts in Arabic scientific literature. The Indian Books offer a unique, interpretative summary of the main tenets of Ayurvedic medicine, as understood by Arabic-speaking scholars on the basis of now lost translations from Sanskrit. The present book centres around a critical edition and annotated translation of this crucial text, framed by a detailed introduction and extensive glossaries of terms. Ṭabarī's learned exposé of Ayurveda also throws a more nuanced light on the allegedly uncontested supremacy of Greek humoralism in 9th-century Arabic medicine.
A new edition of the Arabic text and first-time English translation
ʿAlī ibn Sahl Rabban aṭ-Ṭabarī's Indian Books, completed in the year 850 CE as an appendix to his medico-philosophical chef-d'œuvre "Paradise of Wisdom", belong to the most remarkable texts in Arabic scientific literature. The Indian Books offer a unique, interpretative summary of the main tenets of Ayurvedic medicine, as understood by Arabic-speaking scholars on the basis of now lost translations from Sanskrit. The present book centres around a critical edition and annotated translation of this crucial text, framed by a detailed introduction and extensive glossaries of terms. Ṭabarī's learned exposé of Ayurveda also throws a more nuanced light on the allegedly uncontested supremacy of Greek humoralism in 9th-century Arabic medicine.
The Fatimid Egyptian Convert Who Shaped Christian Views of Islam
Series:
Arabic Christianity, Volume: 4
Būluṣ ibn Rajāʾ (ca. 955–ca. 1020) was a celebrated writer of Coptic Christianity from Fatimid Egypt. Born to an influential Muslim family in Cairo, Ibn Rajāʾ later converted to Christianity and composed The Truthful Exposer (Kitāb al-Wāḍiḥ bi-l-Ḥaqq) outlining his skepticism regarding Islam. His ideas circulated across the Middle East and the Mediterranean in the medieval period, shaping the Christian understanding of the Qurʾan’s origins, Muḥammad’s life, the practice of Islamic law, and Muslim political history. This book includes a study of Ibn Rajāʾ’s life, along with an Arabic edition and English translation of The Truthful Exposer.
The Fatimid Egyptian Convert Who Shaped Christian Views of Islam
Series:
Arabic Christianity, Volume: 4
Būluṣ ibn Rajāʾ (ca. 955–ca. 1020) was a celebrated writer of Coptic Christianity from Fatimid Egypt. Born to an influential Muslim family in Cairo, Ibn Rajāʾ later converted to Christianity and composed The Truthful Exposer (Kitāb al-Wāḍiḥ bi-l-Ḥaqq) outlining his skepticism regarding Islam. His ideas circulated across the Middle East and the Mediterranean in the medieval period, shaping the Christian understanding of the Qurʾan’s origins, Muḥammad’s life, the practice of Islamic law, and Muslim political history. This book includes a study of Ibn Rajāʾ’s life, along with an Arabic edition and English translation of The Truthful Exposer.