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Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya: A New Manuscript of ʿAbd al-Wahhāb al-Shaʿrānī's (d. 973 H/1565 CE) Work
Author:
كتاب الأنوار القدسية في بيان آداب العبودية هو نسخة من النص العربي للمتصوف المصري عبد الوهاب الشعراني الذي يعود إلى القرن السادس عشر. يعتبر النص من نواحٍ عديدة مقدمة للعديد من الموضوعات المركزية لآراء الشعراني ومدرسته الصوفية الكبيرة، حول موضوعات مثل النظرية الشرعية، والعلاقة بين الشرع والتصوف، وعلاقة المريد بالشيخ، وأخلاق كل منهما، وما إلى ذلك. فهو يوضح لنا تطور أفكار الشعراني في وقت مبكر نسبيًا، قبل أن يتم التوسع فيها في أعمال لاحقة.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya is an edition of the Arabic text of an early work of the sixteenth century Egyptian Sufi ʿAbd al-Wahhāb al-Shaʿrānī (d. 973 H/1565 CE). The text can be considered as an introduction to many of the central themes of his large corpus on subjects like legal theory, the relationship between law and Sufism, the master-shaykh relationship, and ethics. It shows us the development of al-Shaʿrānī's ideas in his early careeer, before building on them in later works.
The editor has discovered another manuscript that provides a more correct reading of the text, resolving a number of problems in the previously published versions. Using this new manuscript as the base text along with other existing witnesses, this critical edition provides the first comprehensive and complete version of this important text.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya: A New Manuscript of ʿAbd al-Wahhāb al-Shaʿrānī's (d. 973 H/1565 CE) Work
Author:
كتاب الأنوار القدسية في بيان آداب العبودية هو نسخة من النص العربي للمتصوف المصري عبد الوهاب الشعراني الذي يعود إلى القرن السادس عشر. يعتبر النص من نواحٍ عديدة مقدمة للعديد من الموضوعات المركزية لآراء الشعراني ومدرسته الصوفية الكبيرة، حول موضوعات مثل النظرية الشرعية، والعلاقة بين الشرع والتصوف، وعلاقة المريد بالشيخ، وأخلاق كل منهما، وما إلى ذلك. فهو يوضح لنا تطور أفكار الشعراني في وقت مبكر نسبيًا، قبل أن يتم التوسع فيها في أعمال لاحقة.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
اكتشف المحرر مخطوطة جديدة توفر قراءة أكثر صحة للنص، وتحل عددًا من المشاكل في النسخ المنشورة سابقًا، وباستخدام هذه المخطوطة كنص أساسي، بالإضافة إلى النسخ الأخرى الموجودة، أعاد المحرر تحرير هذا العمل بهدف توفير نسخة متفوقة وصحيحة من الكتاب للمرة الأولى.
Al-Anwār al-Qudsiyya fī Bayān Ādāb al-ʿUbūdiyya is an edition of the Arabic text of an early work of the sixteenth century Egyptian Sufi ʿAbd al-Wahhāb al-Shaʿrānī (d. 973 H/1565 CE). The text can be considered as an introduction to many of the central themes of his large corpus on subjects like legal theory, the relationship between law and Sufism, the master-shaykh relationship, and ethics. It shows us the development of al-Shaʿrānī's ideas in his early careeer, before building on them in later works.
The editor has discovered another manuscript that provides a more correct reading of the text, resolving a number of problems in the previously published versions. Using this new manuscript as the base text along with other existing witnesses, this critical edition provides the first comprehensive and complete version of this important text.
The series Documenta Coranica is dedicated to the study of history of the Qurʾānic text as manifested in manuscripts and other sources. Documenta Coranica publishes witnesses of the Qurʾān from the early period in the shape of facsimile, accompanied by transcription and a commentary. The series makes codices on parchment, papyri, inscriptions, variant readings and other relevant sources for the history of the Qurʾān, accessible to the academic public. The first volumes contain manuscript fragments from Sanaa (DAM 01-25.1, DAM 01-27.1, DAM 01-29.1), the manuscript Ma VI 165 (Tübingen), and the codex Or. 2165 of the British Library.
The series comprises two sections: Manuscripta contains facsimile editions of Qurʾānic manuscripts with a line-by-line transcript in Modern Arabic script on the opposite page and a commentary about codicology, paleography, variant readings and verse numbering explaining content and characteristics of each manuscript. Testimonia et Studia contains studies about material evidence for the history of the Qurʾān, as manifested on papyrus, stone and rock inscriptions etc., as well in exegetical, narrative and philological sources.
Documenta Coranica inscribes itself into a German-French cooperation: in the framework of the research project Coranica, 2011-2014, and Paleocoran 2015-2018, both funded by the Deutsche Forschungsgemeinschaft and the Agence Nationale de la Recherche.
The series comprises two sections: Manuscripta contains facsimile editions of Qurʾānic manuscripts with a line-by-line transcript in Modern Arabic script on the opposite page and a commentary about codicology, paleography, variant readings and verse numbering explaining content and characteristics of each manuscript. Testimonia et Studia contains studies about material evidence for the history of the Qurʾān, as manifested on papyrus, stone and rock inscriptions etc., as well in exegetical, narrative and philological sources.
Documenta Coranica inscribes itself into a German-French cooperation: in the framework of the research project Coranica, 2011-2014, and Paleocoran 2015-2018, both funded by the Deutsche Forschungsgemeinschaft and the Agence Nationale de la Recherche.
A Critical Edition and Translation of Evagrius Ponticus’ Kephalaia Gnostika in Arabic
Series:
Arabic Christianity, Volume: 5
Author:
In the late fourth century, the early Christian monk and author Evagrius Ponticus wrote his magnum opus in Greek—entitled Kephalaia Gnostika (“Gnostic Chapters”)—a spiritual treatise on ascetic contemplation and unity with God. After Evagrius’ death, however, his theology attracted controversy, and many of his writings were suppressed or destroyed. As a result, complete copies of this important work principally survived only in Syriac translations and an Armenian adaptation, until the recent discovery of two Arabic copies at the so-called Monastery of the Syrians in Egypt. The present volume represents the first-ever critical edition and translation of the Kephalaia Gnostika in that language.
A Critical Edition and Translation of Evagrius Ponticus’ Kephalaia Gnostika in Arabic
Series:
Arabic Christianity, Volume: 5
Author:
In the late fourth century, the early Christian monk and author Evagrius Ponticus wrote his magnum opus in Greek—entitled Kephalaia Gnostika (“Gnostic Chapters”)—a spiritual treatise on ascetic contemplation and unity with God. After Evagrius’ death, however, his theology attracted controversy, and many of his writings were suppressed or destroyed. As a result, complete copies of this important work principally survived only in Syriac translations and an Armenian adaptation, until the recent discovery of two Arabic copies at the so-called Monastery of the Syrians in Egypt. The present volume represents the first-ever critical edition and translation of the Kephalaia Gnostika in that language.
A Descriptive Bibliography of the Works Published in the Seventeenth Century
Author:
In Printing Spinoza Jeroen van de Ven systematically examines all seventeenth-century printed editions of Spinoza’s writings, published between 1663 and 1694, as well as their variant ‘issues’. In focus are Spinoza’s 1663 adumbration of René Descartes’s ‘Principles of Philosophy’ with his own ‘Metaphysical Thoughts’, the ‘Theological-Political Treatise’ (1670), and the posthumous writings (1677), including the famously-known ‘Ethics’.
Van de Ven’s descriptive bibliography studies, contextualizes, and records all aspects of the publication history of Spinoza’s writings from manuscript to print and assesses their immediate reception. It discusses the printed books’ codicology, philology, typographical and textual relationships, illustration programmes, as well as their dissemination in early Enlightenment Europe, in view of the physical aspects of 1,246 extant copies and their provenance.
Van de Ven’s descriptive bibliography studies, contextualizes, and records all aspects of the publication history of Spinoza’s writings from manuscript to print and assesses their immediate reception. It discusses the printed books’ codicology, philology, typographical and textual relationships, illustration programmes, as well as their dissemination in early Enlightenment Europe, in view of the physical aspects of 1,246 extant copies and their provenance.
A Descriptive Bibliography of the Works Published in the Seventeenth Century
Author:
In Printing Spinoza Jeroen van de Ven systematically examines all seventeenth-century printed editions of Spinoza’s writings, published between 1663 and 1694, as well as their variant ‘issues’. In focus are Spinoza’s 1663 adumbration of René Descartes’s ‘Principles of Philosophy’ with his own ‘Metaphysical Thoughts’, the ‘Theological-Political Treatise’ (1670), and the posthumous writings (1677), including the famously-known ‘Ethics’.
Van de Ven’s descriptive bibliography studies, contextualizes, and records all aspects of the publication history of Spinoza’s writings from manuscript to print and assesses their immediate reception. It discusses the printed books’ codicology, philology, typographical and textual relationships, illustration programmes, as well as their dissemination in early Enlightenment Europe, in view of the physical aspects of 1,246 extant copies and their provenance.
Van de Ven’s descriptive bibliography studies, contextualizes, and records all aspects of the publication history of Spinoza’s writings from manuscript to print and assesses their immediate reception. It discusses the printed books’ codicology, philology, typographical and textual relationships, illustration programmes, as well as their dissemination in early Enlightenment Europe, in view of the physical aspects of 1,246 extant copies and their provenance.
Author:
The Yahuda Collection was bequeathed to the National Library of Israel by one of the twentieth century's most knowledgeable and important collectors, Abraham Shalom Yahuda (d. 1951). The rich and multifaceted collection of 1,186 manuscripts, spanning ten centuries, includes works representing the major Islamic disciplines and literary traditions. Highlights include illuminated manuscripts from Mamluk, Mughal, and Ottoman court libraries; rare, early copies of medieval scholarly treatises; and early modern autograph copies.
In this groundbreaking Arabic catalogue, Efraim Wust synthesizes the Islamic and Western manuscript traditions to enrich our understanding of the manuscripts and their compositions. His combined treatment of Arabic, Persian, and Turkish manuscripts preserves the integrity of the collection and honors the multicultural history of the Islamic intellectual traditions.
In this groundbreaking Arabic catalogue, Efraim Wust synthesizes the Islamic and Western manuscript traditions to enrich our understanding of the manuscripts and their compositions. His combined treatment of Arabic, Persian, and Turkish manuscripts preserves the integrity of the collection and honors the multicultural history of the Islamic intellectual traditions.
Author:
The Yahuda Collection was bequeathed to the National Library of Israel by one of the twentieth century's most knowledgeable and important collectors, Abraham Shalom Yahuda (d. 1951). The rich and multifaceted collection of 1,186 manuscripts, spanning ten centuries, includes works representing the major Islamic disciplines and literary traditions. Highlights include illuminated manuscripts from Mamluk, Mughal, and Ottoman court libraries; rare, early copies of medieval scholarly treatises; and early modern autograph copies.
In this groundbreaking Arabic catalogue, Efraim Wust synthesizes the Islamic and Western manuscript traditions to enrich our understanding of the manuscripts and their compositions. His combined treatment of Arabic, Persian, and Turkish manuscripts preserves the integrity of the collection and honors the multicultural history of the Islamic intellectual traditions.
In this groundbreaking Arabic catalogue, Efraim Wust synthesizes the Islamic and Western manuscript traditions to enrich our understanding of the manuscripts and their compositions. His combined treatment of Arabic, Persian, and Turkish manuscripts preserves the integrity of the collection and honors the multicultural history of the Islamic intellectual traditions.
A Biographical Profile and Catalogue of His Editions
Author:
In Johann Froben, Printer of Basel, Valentina Sebastiani offers a comprehensive account of the life and printing production of Froben, a major representative of early modern Europe’s most refined printing traditions. Some five centuries after they first appeared in print, Sebastiani provides a bibliography of the 329 Froben editions published in Basel between 1491 and 1527 (including an analysis of some 2,500 copies held in more than twenty-five libraries worldwide), listing the paratextual and visual elements that distinguish Froben’s books as well as economic, technical, and editorial details related to their production and distribution. Sebastiani’s study sheds new light on Froben’s family and career, his involvement in the editing and publication of Erasmus’ works, and the strategies he adopted to market them successfully.
A Biographical Profile and Catalogue of His Editions
Author:
In Johann Froben, Printer of Basel, Valentina Sebastiani offers a comprehensive account of the life and printing production of Froben, a major representative of early modern Europe’s most refined printing traditions. Some five centuries after they first appeared in print, Sebastiani provides a bibliography of the 329 Froben editions published in Basel between 1491 and 1527 (including an analysis of some 2,500 copies held in more than twenty-five libraries worldwide), listing the paratextual and visual elements that distinguish Froben’s books as well as economic, technical, and editorial details related to their production and distribution. Sebastiani’s study sheds new light on Froben’s family and career, his involvement in the editing and publication of Erasmus’ works, and the strategies he adopted to market them successfully.
Author:
In this bibliography of the exact sciences in the Low Countries, Klaas Hoogendoorn gives a detailed analytical description by autopsy of all printed books published by scientists associated with the Low Countries from ca. 1470 to the Golden Age (1700). The books' locations are given, along with secondary bibliographical sources and concise biographies of the authors. Includes indexes of the editions by subject, printer/publisher and person.
Along with books on subjects including mathematics, physics, military science and navigation, the second part describes all known almanacs and prognostications for the period, providing the most complete survey yet available. It is a thoroughly revised and expanded update of D. Bierens de Haan’s Bibliographie néerlandaise historique-scientifique … (Rome, 1883) up to about 1700.
Along with books on subjects including mathematics, physics, military science and navigation, the second part describes all known almanacs and prognostications for the period, providing the most complete survey yet available. It is a thoroughly revised and expanded update of D. Bierens de Haan’s Bibliographie néerlandaise historique-scientifique … (Rome, 1883) up to about 1700.
Author:
In this bibliography of the exact sciences in the Low Countries, Klaas Hoogendoorn gives a detailed analytical description by autopsy of all printed books published by scientists associated with the Low Countries from ca. 1470 to the Golden Age (1700). The books' locations are given, along with secondary bibliographical sources and concise biographies of the authors. Includes indexes of the editions by subject, printer/publisher and person.
Along with books on subjects including mathematics, physics, military science and navigation, the second part describes all known almanacs and prognostications for the period, providing the most complete survey yet available. It is a thoroughly revised and expanded update of D. Bierens de Haan’s Bibliographie néerlandaise historique-scientifique … (Rome, 1883) up to about 1700.
Along with books on subjects including mathematics, physics, military science and navigation, the second part describes all known almanacs and prognostications for the period, providing the most complete survey yet available. It is a thoroughly revised and expanded update of D. Bierens de Haan’s Bibliographie néerlandaise historique-scientifique … (Rome, 1883) up to about 1700.
A Critical Edition, English Translation, Commentary, and Introduction
Author:
Editor:
This is the first work by Giovanni Caroli (1428–1503) to appear in print. Caroli was one of the leading theologians in Florence during the last decades of the fifteenth century, a man who lived between the two great traditions of his time: the scholastic and the humanist. The volume contains a critical edition of the Latin text, entitled The Book of My Days in Lucca, an English translation, commentary notes and an introduction. Caroli presents us with his powerful personal reaction to the institutional crisis regarding the required reform in the Dominican Order, yet even here we already notice the pervasive influence of his classical education, and especially his acquaintance with authors such as Cicero, Livy, Tacitus, and especially Virgil.
A Critical Edition, English Translation, Commentary, and Introduction
Editor:
Author:
This is the first work by Giovanni Caroli (1428–1503) to appear in print. Caroli was one of the leading theologians in Florence during the last decades of the fifteenth century, a man who lived between the two great traditions of his time: the scholastic and the humanist. The volume contains a critical edition of the Latin text, entitled The Book of My Days in Lucca, an English translation, commentary notes and an introduction. Caroli presents us with his powerful personal reaction to the institutional crisis regarding the required reform in the Dominican Order, yet even here we already notice the pervasive influence of his classical education, and especially his acquaintance with authors such as Cicero, Livy, Tacitus, and especially Virgil.
Author:
Codex Amrensis 1, the first volume of the series Documenta Coranica contains images and Arabic texts of four sets of fragments (seventy-five sheets) of the Qurʾān codex, once kept in the ʿAmr ibn al-ʿĀṣ Mosque at Al-Fusṭāṭ, and now in the collections of the National Library of Russia, the Bibliothèque Nationale de France, The Museum of Islamic Art, Doha and the Nasser D. Khalili Collection of Islamic Art. It includes an extensive introduction, the facsimile of the original, and the full text with annotations.The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% of the letters, without any signs for short vowels. It varies from today’s reference editions of the Qurʾān in verse numbering and has a different orthography. Essential reading for students and scholars of the history of the Qurʾān and its written transmission.
Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
Series:
Documenta Coranica, Volume: 1
Author:
Codex Amrensis 1, the first volume of the series Documenta Coranica contains images and Arabic texts of four sets of fragments (seventy-five sheets) of the Qurʾān codex, once kept in the ʿAmr ibn al-ʿĀṣ Mosque at Al-Fusṭāṭ, and now in the collections of the National Library of Russia, the Bibliothèque Nationale de France, The Museum of Islamic Art, Doha and the Nasser D. Khalili Collection of Islamic Art. It includes an extensive introduction, the facsimile of the original, and the full text with annotations.The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% of the letters, without any signs for short vowels. It varies from today’s reference editions of the Qurʾān in verse numbering and has a different orthography. Essential reading for students and scholars of the history of the Qurʾān and its written transmission.
Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1, qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
A Bibliography
Author:
Denis Janot is the prime example of a vernacular printer espousing the highest standards of French Renaissance printing, highly influential in the adoption of roman type to the printing of vernacular material, and a key figure in the development of book illustration.
This bibliography, a comprehensive revison of the author’s Warwick Ph.D. thesis of 1976, listing 391 editions (41 more than the original version), is based firmly on the description of Janot’s books. Some 1300 copies have been examined, about 80% of the known total. Alongside the bibliography there is an description of Janot’s printing material (including an index of more than 1000 woodcuts), and some analysis of the subjects of his publications.
This bibliography, a comprehensive revison of the author’s Warwick Ph.D. thesis of 1976, listing 391 editions (41 more than the original version), is based firmly on the description of Janot’s books. Some 1300 copies have been examined, about 80% of the known total. Alongside the bibliography there is an description of Janot’s printing material (including an index of more than 1000 woodcuts), and some analysis of the subjects of his publications.
A Bibliography
Author:
Denis Janot is the prime example of a vernacular printer espousing the highest standards of French Renaissance printing, highly influential in the adoption of roman type to the printing of vernacular material, and a key figure in the development of book illustration.
This bibliography, a comprehensive revison of the author’s Warwick Ph.D. thesis of 1976, listing 391 editions (41 more than the original version), is based firmly on the description of Janot’s books. Some 1300 copies have been examined, about 80% of the known total. Alongside the bibliography there is an description of Janot’s printing material (including an index of more than 1000 woodcuts), and some analysis of the subjects of his publications.
This bibliography, a comprehensive revison of the author’s Warwick Ph.D. thesis of 1976, listing 391 editions (41 more than the original version), is based firmly on the description of Janot’s books. Some 1300 copies have been examined, about 80% of the known total. Alongside the bibliography there is an description of Janot’s printing material (including an index of more than 1000 woodcuts), and some analysis of the subjects of his publications.
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