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Beautifying the Ugly and the Uglifying the Beautiful by Abū Manṣūr al-Thaʿālibī (d. 429/1039)
Author:
Editor / Translator:
In his Beautifying the Ugly and Uglifying the Beautiful (Taḥsīn al-qabīḥ wa-taqbīḥ al-ḥasan) the prolific anthologist al-Thaʿālibī (d. 429/1037) offers a thematically arranged selection of Arabic poems and prose anecdotes or sayings with contrary or paradoxical purport, such as praise of miserliness, boredom, sickness, and death, or condemnation of generosity, intelligence, youth, and music. The book is both enteraining and informative, giving insight in premodern Arab and Islamic culture. It contains a new edition of the Arabic text and a complete English translation (the first in any language) with extensive annotation, preceded by an introduction with the necessary background of the genre.
Beautifying the Ugly and the Uglifying the Beautiful by Abū Manṣūr al-Thaʿālibī (d. 429/1039)
Author:
In his Beautifying the Ugly and Uglifying the Beautiful (Taḥsīn al-qabīḥ wa-taqbīḥ al-ḥasan) the prolific anthologist al-Thaʿālibī (d. 429/1037) offers a thematically arranged selection of Arabic poems and prose anecdotes or sayings with contrary or paradoxical purport, such as praise of miserliness, boredom, sickness, and death, or condemnation of generosity, intelligence, youth, and music. The book is both enteraining and informative, giving insight in premodern Arab and Islamic culture. It contains a new edition of the Arabic text and a complete English translation (the first in any language) with extensive annotation, preceded by an introduction with the necessary background of the genre.
Poetry, until c. 430 AH
Author:
For over sixty years, Professor Fuat Sezgin meticulously documented the literary and scientific writings and achievements of Muslim scholars. His celebrated Geschichte des arabischen Schrifttums (GAS), the largest bio-bibliography for the Arabic literary tradition in general, and the history of science and technology in the Islamic world in particular, is still of utmost importance for the field.
Poetry, until c. 430 AH
Author:
For over sixty years, Professor Fuat Sezgin meticulously documented the literary and scientific writings and achievements of Muslim scholars. His celebrated Geschichte des arabischen Schrifttums (GAS), the largest bio-bibliography for the Arabic literary tradition in general, and the history of science and technology in the Islamic world in particular, is still of utmost importance for the field.
First English Translation, with Introduction and Commentary
Author:
Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
First English Translation, with Introduction and Commentary
Author:
Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
Late-medieval Advice to a Prince
The Contemplacioun of Synnaris, by the Observant Franciscan William Touris, written c.1494 and evidently intended for King James IV of Scotland, is a significant and much copied work of Older Scots, although the earliest surviving witness is the English print by Wynkyn de Worde (1499).
The Contemplacioun was the very first work of Older Scots literature to be translated and to be printed. The poem’s seven sections comprise a course of meditations for Holy Week. Richard Fox, bishop of Durham, commissioned the English print, in which the stanzas were preceded by Latin sententiae, biblical, medieval and ancient. The work retained sufficient interest to re-emerge in separate versions in both Scotland (1568) and England (1578), drastically revised for Protestant readers.
The Contemplacioun was the very first work of Older Scots literature to be translated and to be printed. The poem’s seven sections comprise a course of meditations for Holy Week. Richard Fox, bishop of Durham, commissioned the English print, in which the stanzas were preceded by Latin sententiae, biblical, medieval and ancient. The work retained sufficient interest to re-emerge in separate versions in both Scotland (1568) and England (1578), drastically revised for Protestant readers.
Late-medieval Advice to a Prince
The Contemplacioun of Synnaris, by the Observant Franciscan William Touris, written c.1494 and evidently intended for King James IV of Scotland, is a significant and much copied work of Older Scots, although the earliest surviving witness is the English print by Wynkyn de Worde (1499).
The Contemplacioun was the very first work of Older Scots literature to be translated and to be printed. The poem’s seven sections comprise a course of meditations for Holy Week. Richard Fox, bishop of Durham, commissioned the English print, in which the stanzas were preceded by Latin sententiae, biblical, medieval and ancient. The work retained sufficient interest to re-emerge in separate versions in both Scotland (1568) and England (1578), drastically revised for Protestant readers.
The Contemplacioun was the very first work of Older Scots literature to be translated and to be printed. The poem’s seven sections comprise a course of meditations for Holy Week. Richard Fox, bishop of Durham, commissioned the English print, in which the stanzas were preceded by Latin sententiae, biblical, medieval and ancient. The work retained sufficient interest to re-emerge in separate versions in both Scotland (1568) and England (1578), drastically revised for Protestant readers.
A Critical Edition of Chrysopoeia and Other Alchemical Poems, with an Introduction, English Translation and Commentary
Author:
In Giovanni Aurelio Augurello (1441–1524) and Renaissance Alchemy, Matteo Soranzo offers the first in-depth study of the life and works of Augurello, Italian alchemist, poet and art connoisseur from the time of Giorgione. Analysed, annotated and translated into English for the first time, Augurello’s poetry reveals a unique blend of late medieval alchemical doctrines, Northern Italian antiquarianism and Marsilio Ficino’s Platonism, enriching conventional narratives of Renaissance humanism.
A Critical Edition of Chrysopoeia and Other Alchemical Poems, with an Introduction, English Translation and Commentary
Author:
In Giovanni Aurelio Augurello (1441–1524) and Renaissance Alchemy, Matteo Soranzo offers the first in-depth study of the life and works of Augurello, Italian alchemist, poet and art connoisseur from the time of Giorgione. Analysed, annotated and translated into English for the first time, Augurello’s poetry reveals a unique blend of late medieval alchemical doctrines, Northern Italian antiquarianism and Marsilio Ficino’s Platonism, enriching conventional narratives of Renaissance humanism.
Volume 5: A Veritable Proteus, 1524–1528
Author:
As the University of Erfurt collapsed in the early 1520s, Hessus faced losing his livelihood. To cope, he imagined himself a shape-changing Proteus. Transforming first into a lawyer, then a physician, he finally became a teacher at the Nuremberg academy organized by Philip Melanchthon. Volume 5 traces this story via Hessus's poems of 1524-1528: "Some Rules for Preserving Good Health" (1524; 1531), with attached "Praise of Medicine" and two sets of epigrams; "Three Elegies" (1526), two praising the Nuremberg school and one attacking a criticaster; "Venus Triumphant" (1527), with poems on Joachim Camerarius’s wedding; "Against the Hypocrisy of the Monastic Habit" (1527), with four Psalm paraphrases; and "Seventeen Bucolic Idyls" (1528), updating the "Bucolicon" of 1509 and adding five idyls.
Volume 5: A Veritable Proteus, 1524–1528
Author:
As the University of Erfurt collapsed in the early 1520s, Hessus faced losing his livelihood. To cope, he imagined himself a shape-changing Proteus. Transforming first into a lawyer, then a physician, he finally became a teacher at the Nuremberg academy organized by Philip Melanchthon. Volume 5 traces this story via Hessus's poems of 1524-1528: "Some Rules for Preserving Good Health" (1524; 1531), with attached "Praise of Medicine" and two sets of epigrams; "Three Elegies" (1526), two praising the Nuremberg school and one attacking a criticaster; "Venus Triumphant" (1527), with poems on Joachim Camerarius’s wedding; "Against the Hypocrisy of the Monastic Habit" (1527), with four Psalm paraphrases; and "Seventeen Bucolic Idyls" (1528), updating the "Bucolicon" of 1509 and adding five idyls.
Volume I: Essays / Volume 2-1: Arabic Edition / Volume 2-2: Arabic Edition / Volume 3-1: Annotated English Translation / Volume 3-2: Annotated English Translation, Appendices and Indices
An online, Open Access version of this work is also available from Brill.
A Literary History of Medicine by the Syrian physician Ibn Abī Uṣaybiʿah (d. 1270) is the earliest comprehensive history of medicine. It contains biographies of over 432 physicians, ranging from the ancient Greeks to the author’s contemporaries, describing their training and practice, often as court physicians, and listing their medical works; all this interlaced with poems and anecdotes. These volumes present the first complete and annotated translation along with a new edition of the Arabic text showing the stages in which the author composed the work. Introductory essays provide important background. The reader will find on these pages an Islamic society that worked closely with Christians and Jews, deeply committed to advancing knowledge and applying it to health and wellbeing.
A Literary History of Medicine by the Syrian physician Ibn Abī Uṣaybiʿah (d. 1270) is the earliest comprehensive history of medicine. It contains biographies of over 432 physicians, ranging from the ancient Greeks to the author’s contemporaries, describing their training and practice, often as court physicians, and listing their medical works; all this interlaced with poems and anecdotes. These volumes present the first complete and annotated translation along with a new edition of the Arabic text showing the stages in which the author composed the work. Introductory essays provide important background. The reader will find on these pages an Islamic society that worked closely with Christians and Jews, deeply committed to advancing knowledge and applying it to health and wellbeing.
Volume I: Essays / Volume 2-1: Arabic Edition / Volume 2-2: Arabic Edition / Volume 3-1: Annotated English Translation / Volume 3-2: Annotated English Translation, Appendices and Indices
An online, Open Access version of this work is also available from Brill.
A Literary History of Medicine by the Syrian physician Ibn Abī Uṣaybiʿah (d. 1270) is the earliest comprehensive history of medicine. It contains biographies of over 432 physicians, ranging from the ancient Greeks to the author’s contemporaries, describing their training and practice, often as court physicians, and listing their medical works; all this interlaced with poems and anecdotes. These volumes present the first complete and annotated translation along with a new edition of the Arabic text showing the stages in which the author composed the work. Introductory essays provide important background. The reader will find on these pages an Islamic society that worked closely with Christians and Jews, deeply committed to advancing knowledge and applying it to health and wellbeing.
A Literary History of Medicine by the Syrian physician Ibn Abī Uṣaybiʿah (d. 1270) is the earliest comprehensive history of medicine. It contains biographies of over 432 physicians, ranging from the ancient Greeks to the author’s contemporaries, describing their training and practice, often as court physicians, and listing their medical works; all this interlaced with poems and anecdotes. These volumes present the first complete and annotated translation along with a new edition of the Arabic text showing the stages in which the author composed the work. Introductory essays provide important background. The reader will find on these pages an Islamic society that worked closely with Christians and Jews, deeply committed to advancing knowledge and applying it to health and wellbeing.
Vol. V, Sections 1-2: The Arab Thieves
Editor / Translator:
In The Arab Thieves, Peter Webb critically explores the classic tales of pre-Islamic Arabian outlaws in Arabic Literature. A group of Arabian camel-rustlers became celebrated figures in Muslim memories of pre-Islam, and much poetry ascribed to them and stories about their escapades grew into an outlaw tradition cited across Arabic literature. The ninth/fifteenth-century Egyptian historian al-Maqrīzī arranged biographies of ten outlaws into a chapter on ‘Arab Thieves’ in his wide-ranging history of the world before Muhammad. This volume presents the first critical edition of al-Maqrīzī’s text with a fully annotated English translation, alongside a detailed study that interrogates the outlaw lore to uncover the ways in which Arabic writers constructed outlaw identities and how al-Maqrīzī used the tales to communicate his vision of pre-Islam. Via an exhaustive survey of early Arabic sources about the outlaws and comparative readings with outlaw traditions in other world literatures, The Arab Thieves reveals how Arabic literature crafted lurid narratives about criminality and employed them to tell ancient Arab history.
Vol. V, Sections 1-2: The Arab Thieves
In The Arab Thieves, Peter Webb critically explores the classic tales of pre-Islamic Arabian outlaws in Arabic Literature. A group of Arabian camel-rustlers became celebrated figures in Muslim memories of pre-Islam, and much poetry ascribed to them and stories about their escapades grew into an outlaw tradition cited across Arabic literature. The ninth/fifteenth-century Egyptian historian al-Maqrīzī arranged biographies of ten outlaws into a chapter on ‘Arab Thieves’ in his wide-ranging history of the world before Muhammad. This volume presents the first critical edition of al-Maqrīzī’s text with a fully annotated English translation, alongside a detailed study that interrogates the outlaw lore to uncover the ways in which Arabic writers constructed outlaw identities and how al-Maqrīzī used the tales to communicate his vision of pre-Islam. Via an exhaustive survey of early Arabic sources about the outlaws and comparative readings with outlaw traditions in other world literatures, The Arab Thieves reveals how Arabic literature crafted lurid narratives about criminality and employed them to tell ancient Arab history.
Annotated Translations and Commentaries
Author:
The present volume consists of translated anecdotes, on musicological and socio-cultural topics, from al-Iṣbahānī’s Kitāb al-Aghānī al-Kabīr (The Grand Book of Songs) with annotations and commentaries. It deals with musical rhythmic and melodic modes, technical terms and treatises; music instruments; composition techniques and processes; education and oral/written transmissions; vocal and instrumental performances and their aesthetics; solo and ensemble music; change and its inevitability; musical and textual improvisations; ṭarab and the acute emotions of joy or grief; medieval dances; social status. Though extracts from The Grand Book of Songs have been translated in European languages since 1816, this work presents a much larger and more comprehensive scope that will benefit musicologists, medievalist and Middle Eastern scholars as well as the general reader.
Annotated Translations and Commentaries
Author:
The present volume consists of translated anecdotes, on musicological and socio-cultural topics, from al-Iṣbahānī’s Kitāb al-Aghānī al-Kabīr (The Grand Book of Songs) with annotations and commentaries. It deals with musical rhythmic and melodic modes, technical terms and treatises; music instruments; composition techniques and processes; education and oral/written transmissions; vocal and instrumental performances and their aesthetics; solo and ensemble music; change and its inevitability; musical and textual improvisations; ṭarab and the acute emotions of joy or grief; medieval dances; social status. Though extracts from The Grand Book of Songs have been translated in European languages since 1816, this work presents a much larger and more comprehensive scope that will benefit musicologists, medievalist and Middle Eastern scholars as well as the general reader.
A Literary History of Medicine - The ʿUyūn al-anbāʾ fī ṭabaqāt al-aṭibbāʾ of Ibn Abī Uṣaybiʿah Online offers a complete, annotated translation along with a new edition of the celebrated, informative and entertaining history of medicine – the first of its kind – by the Syrian physician Ibn Abī Uṣaybiʿah (d. 1270), together with several introductory essays.A Literary History of Medicine is the earliest comprehensive history of medicine. It contains biographies of over 432 physicians, ranging from the ancient Greeks to the author’s contemporaries, describing their training and practice, often as court physicians, and listing their medical works; all this interlaced with poems and anecdotes. The reader will find in this work an Islamic society that worked closely with Christians and Jews, deeply committed to advancing knowledge and applying it to health and wellbeing.
Generously funded by the Wellcome Trust, this is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited.
This work is also available as a print set (hardback, 5 volumes).
Generously funded by the Wellcome Trust, this is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited.
This work is also available as a print set (hardback, 5 volumes).
A Literary History of Medicine - The ʿUyūn al-anbāʾ fī ṭabaqāt al-aṭibbāʾ of Ibn Abī Uṣaybiʿah Online offers a complete, annotated translation along with a new edition of the celebrated, informative and entertaining history of medicine – the first of its kind – by the Syrian physician Ibn Abī Uṣaybiʿah (d. 1270), together with several introductory essays.A Literary History of Medicine is the earliest comprehensive history of medicine. It contains biographies of over 432 physicians, ranging from the ancient Greeks to the author’s contemporaries, describing their training and practice, often as court physicians, and listing their medical works; all this interlaced with poems and anecdotes. The reader will find in this work an Islamic society that worked closely with Christians and Jews, deeply committed to advancing knowledge and applying it to health and wellbeing.
Generously funded by the Wellcome Trust, this is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited.
This work is also available as a print set (hardback, 5 volumes).
Generously funded by the Wellcome Trust, this is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited.
This work is also available as a print set (hardback, 5 volumes).