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Edited by Stratos Constantinidis

The Reception of Aeschylus' Plays through Shifting Models and Frontiers addresses the need for an integrated approach to the study and staging of Aeschylus’ plays. It offers an invigorating discussion about the transmission and reception of his plays and explores the interrelated tasks of editing, translating, adapting and remaking them for the page and the stage. The volume seeks to reshape current debates about the place of his tragedies in the curriculum and the repertory in a scholarly manner that is accessible and innovative. Each chapter makes a significant and original contribution to its selected topic, but the collective strength of the volume rests on its simultaneous appeal to readers in theatre studies, classical studies, performance studies, comparative studies, translation studies, adaptation studies, and, naturally, reception studies.

Personification

Embodying Meaning and Emotion

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Edited by Walter Melion and Bart Ramakers

Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.

Ancient Concepts of the Hippocratic

Papers Presented at the XIIIth International Hippocrates Colloquium, Austin, Texas, August 2008 

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Edited by Lesley Dean-Jones and Ralph M. Rosen

In Ancient Concepts of the Hippocratic, Lesley Dean-Jones and Ralph Rosen have gathered 19 international authorities in ancient medicine to identify commonalities among the treatises of the Hippocratic Corpus which led scholars of antiquity to group them under the single name of Hippocrates. Most recent scholarship has drawn attention to the divergences between individual treatises and groups of treatises, emphasizing the agonistic facet of the ancient medical profession. In contrast, in this volume contributors look to find points of agreement between the writings that go beyond claims of rationality. Topics considered include ontological claims about the discipline of medicine itself, the view of the patient as a perceiving unity, theories on the function of glands and the importance of regimen.

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Shami Ghosh

Writing the Barbarian Past examines the presentation of the non-Roman, pre-Christian past in Latin and vernacular historical narratives composed between c.550 and c.1000: the Gothic histories of Jordanes and Isidore of Seville, the Fredegar chronicle, the Liber Historiae Francorum, Paul the Deacon’s Historia Langobardorum, Waltharius, and Beowulf; it also examines the evidence for an oral vernacular tradition of historical narrative in this period.
In this book, Shami Ghosh analyses the relative significance granted to the Roman and non-Roman inheritances in narratives of the distant past, and what the use of this past reveals about the historical consciousness of early medieval elites, and demonstrates that for them, cultural identity was conceived of in less binary terms than in most modern scholarship.

Jerónimo Nadal (1507-1580) und der „verschriftlichte“ Ignatius

Die Konstruktion einer individuellen und kollektiven Identität

Series:

Ignacio Ramos Riera

Deutsch
Niemand ist mehr verantwortlich für die Entstehung jenes Denksystems, das auf Ignatius von Loyola (1491-1556) und seinen Exerzitien basiert, als Jerónimo Nadal. Ignacio Ramos legt in seiner Studie Jerónimo Nadal (1507-1580) und der „verschriftlichte“ Ignatius: Die Konstruktion einer individuellen und kollektiven Identität die ursprünglichen Konturen der sogenannten „ignatianischen“ Spiritualität dar. Es wird deutlich, wieviel Einfluss Nadal auf die Herausbildung des „Ignatianischen“ hatte.

Anhand Nadals lange verkannten Selbstzeugnisses (Chronicon Natalis) wird hermeneutisch herausgearbeitet, wie der gequälte Reifeprozess von Nadal originales Denken erzeugte – insbesondere in Bezug auf Ignatius.

An diese europäische Schlüsselgestalt des jungen Jesuitenordens heranzutreten, gewährt einen existentiell vermittelten Einblick in manche der gesellschaftlichen und philosophischen Spannungen (converso-Frage, Rolle der Vermittlungen...) z. Zt. des Humanismus und der großen Reformen.

English
Jerónimo Nadal plays a key role in the creation of the tradition of thought based on the person of Ignatius of Loyola (1491-1556) and his Spiritual Exercises. Ignacio Ramos’ book Jerónimo Nadal (1507-1580) und der „verschriftlichte“ Ignatius unveils the large percentage of too often overlooked “Nadalian” moments in the origins of “Ignatian” Spirituality.

Leaning on Nadal’s autobiographical account ( Chronicon Natalis, fully translated) the author deploys a hermeneutical method to show how Nadal´s stressful maturation process became a source of original thought, especially regarding Ignatius.

The reader will gain an existentially mediated insight into some of the social and philosophical hot spots (converso question, role of mediations...) of Humanism and the reformation era.

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Edited by Lisa Maurice

Greece and Rome have long featured in books for children and teens, whether through the genres of historical fiction, fantasy, mystery stories or mythological compendiums. These depictions and adaptations of the Ancient World have varied at different times, however, in accordance with changes in societies and cultures. This book investigates the varying receptions and ideological manipulations of the classical world in children’s literature. Its subtitle, Heroes and Eagles, reflects the two most common ways in which this reception appears, namely in the forms of the portrayal of the Greek heroic world of classical mythology on the one hand, and of the Roman imperial presence on the other. Both of these are ideologically loaded approaches intended to educate the young reader.

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Edited by Andrew Faulkner and Owen Hodkinson

Ancient Greek hymns traditionally include a narrative section describing episodes from the hymned deity’s life. These narratives developed in parallel with epic and other narrative genres, and their study provides a different perspective on ancient Greek narrative. Within the hymn genre, the place and function of the narrative section changed over time and with different kinds of hymn (literary or cultic; religious, philosophical or magical). Hymnic Narrative and the Narratology of Greek Hymns traces developments in narrative in the hymn genre from the Homeric Hymns via Hellenistic and Imperial hymns to those in the Orphic tradition and in magical papyri, analysing them in narratological terms in order to place them in the wider context of ancient Greek narrative literature.

Terence between Late Antiquity and the Age of Printing

Illustration, Commentary and Performance

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Edited by Giulia Torello Hill and Andrew Turner

Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages.

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Cosetta Cadau

This first monograph in English on Colluthus situates this late antique author within his cultural context and offers a new appraisal of his hexameter poem The Abduction of Helen, the end-point of the pagan Greek epic tradition, which was composed in the Christianised Egyptian Thebaid. The book evaluates the poem’s connections with long-established and contemporary literary and artistic genres and with Neoplatonic philosophy, and analyzes the poet’s re-negotiation of traditional material to suit the expectations of a late fifth-century AD audience. It explores Colluthus' interpretation of the contemporary fascination with visuality, identifies new connections between Colluthus and Claudian, and shows how the author’s engagement with the poetry of Nonnus goes much further than previously shown.

Proba the Prophet

The Christian Virgilian Cento of Faltonia Betitia Proba

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Sigrid Schottenius Cullhed

In Proba the Prophet: The Christian Virgilian Cento of Faltonia Betitia Proba Sigrid Schottenius Cullhed offers an in-depth study and reappraisal of the Cento of Proba and its reception. Proba's poem belongs to the few extant Latin texts from Antiquity penned by a woman writer, and one of the oldest Christian Latin poems. Schottenius Cullhed surveys and challenges common preconceptions and biographical constructions of the poem's author and early readers, and examines their impact on interpretations and evaluations of the text. The author also develops and puts to use an alternative model for understanding the poem and convincingly shows how the Virgilian source texts form a complex net of internal and external biblical typologies within the Cento.