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Epilogue and General Index
Author:
This extensive index on all five volumes of The History of the Library in Western Civilization will identify all proper names, places and subjects covered in this comprehensive and scholarly series. Also, as one of the most definitive bibliographies on books about library history, it will list more than 6.000 entries.
Epilogue and General Index
Author:
This extensive index on all five volumes of The History of the Library in Western Civilization will identify all proper names, places and subjects covered in this comprehensive and scholarly series. Also, as one of the most definitive bibliographies on books about library history, it will list more than 6.000 entries.
Iulius exclusus e coelis
Editor:
The dialogue Iulius exclusus e coelis – a violent attack on Pope Julius II (1503-1513) and a lucid analysis of papal power regarded as an anti-apostolic institution – has been the object of a centuries-long debate. Applying the methods of philology and bibliology, which the scholarly debate has hitherto overlooked, this edition reconstructs for the first time in documented and verifiable fashion the pamphlet's origin and early circulation. Erasmus emerges from this study not only as the dialogue's author, but also as responsible for its first circulation in print. The portrait of the humanist sketched in the introductory essay – that of an impassioned political observer and an intransigent critic of both ecclesiastical and secular power – is a radical revision of the saccharine and hagiographical image of Erasmus that has been systematically built up by 20th-century historiography. The volume also contains the short dialogue Conflictus Thaliae et Barbariei, making fun of bad Latin, and De civilitate morum puerilium, an essential treatise in Erasmus’ pedagogical œuvre as well as in the history of education in general.
Iulius exclusus e coelis
Editor:
The dialogue Iulius exclusus e coelis – a violent attack on Pope Julius II (1503-1513) and a lucid analysis of papal power regarded as an anti-apostolic institution – has been the object of a centuries-long debate. Applying the methods of philology and bibliology, which the scholarly debate has hitherto overlooked, this edition reconstructs for the first time in documented and verifiable fashion the pamphlet's origin and early circulation. Erasmus emerges from this study not only as the dialogue's author, but also as responsible for its first circulation in print. The portrait of the humanist sketched in the introductory essay – that of an impassioned political observer and an intransigent critic of both ecclesiastical and secular power – is a radical revision of the saccharine and hagiographical image of Erasmus that has been systematically built up by 20th-century historiography. The volume also contains the short dialogue Conflictus Thaliae et Barbariei, making fun of bad Latin, and De civilitate morum puerilium, an essential treatise in Erasmus’ pedagogical œuvre as well as in the history of education in general.
A History of the Development of Manual Intaglio Printmaking Processes
Author:
This book surveys the history of the techniques of engraving, etching and plate printing – i.e. that of manual intaglio printmaking processes – from its beginning in the 1430s until today. These developments are observed in the light of the coherence between the technique of the intaglio print (such as its materials and methods of production); the 'style' or outward appearance of the print; the creator of the print; and the fashion typical of a particular social group, place and time. Economic, educational and social aspects are discussed, as well as the worldwide dissemination of the trade of intaglio printmaking.
The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonisation. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanised graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today.
This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources it will be an essential resource for collectors, curators, conservators, printmakers and students of technical art history.
The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonisation. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanised graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today.
This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources it will be an essential resource for collectors, curators, conservators, printmakers and students of technical art history.
A History of the Development of Manual Intaglio Printmaking Processes
Author:
This book surveys the history of the techniques of engraving, etching and plate printing – i.e. that of manual intaglio printmaking processes – from its beginning in the 1430s until today. These developments are observed in the light of the coherence between the technique of the intaglio print (such as its materials and methods of production); the 'style' or outward appearance of the print; the creator of the print; and the fashion typical of a particular social group, place and time. Economic, educational and social aspects are discussed, as well as the worldwide dissemination of the trade of intaglio printmaking.
The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonisation. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanised graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today.
This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources it will be an essential resource for collectors, curators, conservators, printmakers and students of technical art history.
The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonisation. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanised graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today.
This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources it will be an essential resource for collectors, curators, conservators, printmakers and students of technical art history.
Gender Politics and Folklore Performance in Serbia
Author:
Ana Hofman examines the negotiation of the gender performances in Serbian rural areas as a result of the socialist gender policy and creation of the new “femininity” in the public sphere. She focuses on the stage performances of female amateur groups at the Village Gatherings, state-sponsored events held from the 1970s through the mid-1990s in the southeastern Serbian region of Niško Polje. Offering a multifaceted picture of the personal experiences of the socialist ideology of gender equality, Staging Socialist Femininity investigates the complex relationships between personal, interpersonal and political levels in socialism. By showing the interplay between ideology, representational and social practices in the realm of musical performance, it challenges the strong division in scholarly narratives between ideology and practice in socialist societies.
Gender Politics and Folklore Performance in Serbia
Author:
Ana Hofman examines the negotiation of the gender performances in Serbian rural areas as a result of the socialist gender policy and creation of the new “femininity” in the public sphere. She focuses on the stage performances of female amateur groups at the Village Gatherings, state-sponsored events held from the 1970s through the mid-1990s in the southeastern Serbian region of Niško Polje. Offering a multifaceted picture of the personal experiences of the socialist ideology of gender equality, Staging Socialist Femininity investigates the complex relationships between personal, interpersonal and political levels in socialism. By showing the interplay between ideology, representational and social practices in the realm of musical performance, it challenges the strong division in scholarly narratives between ideology and practice in socialist societies.
beleuchtet anhand eines Rundgangs durchdie Meyrink-Sammlung der Bibliotheca Philosophica Hermetica, Amsterdam, unter Verwendung weiterer Sammlungen
Author:
This study describes the collection of Gustav Meyrink’s correspondence, autographs and printed editions in the Bibliotheca Philosophica Hermetica, with reference to other important Meyrink collections. The book offers brief introductions to various contexts and themes relevant to an understanding of this German author of fantastical and esoteric literature as well as a bibliographical description of the collection.
beleuchtet anhand eines Rundgangs durchdie Meyrink-Sammlung der Bibliotheca Philosophica Hermetica, Amsterdam, unter Verwendung weiterer Sammlungen
Author:
This study describes the collection of Gustav Meyrink’s correspondence, autographs and printed editions in the Bibliotheca Philosophica Hermetica, with reference to other important Meyrink collections. The book offers brief introductions to various contexts and themes relevant to an understanding of this German author of fantastical and esoteric literature as well as a bibliographical description of the collection.
A Comparative Study of the Latin and Anglo-Norman Versions
Series:
The Northern World, Volume: 39
Author:
The Legend of St Brendan is a study of two accounts of a voyage undertaken by Brendan, a sixth-century Irish saint. The immense popularity of the Latin version encouraged many vernacular translations, including a twelfth-century Anglo-Norman reworking of the narrative which excises much of the devotional material seen in the ninth-century Navigatio Sancti Brendani abbatis and changes the emphasis, leaving a recognisably secular narrative. The vernacular version focuses on marvellous imagery and the trials and tribulations of a long sea-voyage. Together the two versions demonstrate a movement away from hagiography towards adventure.
Studies of the two versions rarely discuss the elements of the fantastic. Following a summary of authorship, audiences and sources, this comparative study adopts a structural approach to the two versions of the Brendan narrative. It considers what the fantastic imagery achieves and addresses issues raised with respect to theological parallels.
Studies of the two versions rarely discuss the elements of the fantastic. Following a summary of authorship, audiences and sources, this comparative study adopts a structural approach to the two versions of the Brendan narrative. It considers what the fantastic imagery achieves and addresses issues raised with respect to theological parallels.
A Comparative Study of the Latin and Anglo-Norman Versions
Series:
The Northern World, Volume: 39
Author:
The Legend of St Brendan is a study of two accounts of a voyage undertaken by Brendan, a sixth-century Irish saint. The immense popularity of the Latin version encouraged many vernacular translations, including a twelfth-century Anglo-Norman reworking of the narrative which excises much of the devotional material seen in the ninth-century Navigatio Sancti Brendani abbatis and changes the emphasis, leaving a recognisably secular narrative. The vernacular version focuses on marvellous imagery and the trials and tribulations of a long sea-voyage. Together the two versions demonstrate a movement away from hagiography towards adventure.
Studies of the two versions rarely discuss the elements of the fantastic. Following a summary of authorship, audiences and sources, this comparative study adopts a structural approach to the two versions of the Brendan narrative. It considers what the fantastic imagery achieves and addresses issues raised with respect to theological parallels.
Studies of the two versions rarely discuss the elements of the fantastic. Following a summary of authorship, audiences and sources, this comparative study adopts a structural approach to the two versions of the Brendan narrative. It considers what the fantastic imagery achieves and addresses issues raised with respect to theological parallels.
Author:
This book deals with the De Bry collection of voyages, one of the most monumental publications of Early Modern Europe. It analyzes the textual and iconographic changes the De Bry publishing family made to travel accounts describing Asia, Africa and the New World. It discusses this editorial strategy in the context of the publishing industry around 1600, investigating the biography of the De Brys, the publications of the Frankfurt firm, and the making of the collection, as well as its reception by Iberian inquisitors and seventeenth-century readers across the Old World. The book draws on a wide variety of primary sources, and is hence important for historians, book historians, and art historians interested in the development of Europe's overseas empires.
Author:
This book deals with the De Bry collection of voyages, one of the most monumental publications of Early Modern Europe. It analyzes the textual and iconographic changes the De Bry publishing family made to travel accounts describing Asia, Africa and the New World. It discusses this editorial strategy in the context of the publishing industry around 1600, investigating the biography of the De Brys, the publications of the Frankfurt firm, and the making of the collection, as well as its reception by Iberian inquisitors and seventeenth-century readers across the Old World. The book draws on a wide variety of primary sources, and is hence important for historians, book historians, and art historians interested in the development of Europe's overseas empires.
Fourteen Hard Questions and Straight Answers about a Baltic Country
Author:
What do we know about Latvia and the Latvians? A Baltic (not Balkan) nation that emerged from fifty years under the Soviet Union – interrupted by a brief but brutal Nazi-German occupation and a devastating war – now a member of the European Union and NATO. Yes, but what else? Relentless accusations keep appearing, especially in Russian media, often repeated in the West: “Latvian soldiers single-handedly saved Lenin’s revolution in 1917”, “Latvians killed Tsar Nikolai II and the Royal family”, “Latvia was a thoroughly anti-Semitic country and Latvians started killing Jews even before the Germans arrived in 1941”, “Nazi revival is rampant in today's Latvia”, “The Russian minority is persecuted in Latvia...”
True, false or in-between? The Finnish journalist and author Jukka Rislakki examines charges like these and provides an outline of Latvia's recent history while attempting to separate documented historical fact from misinformation and deliberate disinformation. His analysis helps to explain why the Baltic States (population 7 million) consistently top the enemy lists in public opinion polls of Russia (143 million). His knowledge of the Baltic languages allows him to make use of local sources and up-to-date historical research. He is a former Baltic States correspondent for Finland's largest daily newspaper Helsingin Sanomat and the author of several books on Finnish and Latvian history. As a neutral, experienced and often critical observer, Rislakki is uniquely qualified for the task of separating truth from fiction.
True, false or in-between? The Finnish journalist and author Jukka Rislakki examines charges like these and provides an outline of Latvia's recent history while attempting to separate documented historical fact from misinformation and deliberate disinformation. His analysis helps to explain why the Baltic States (population 7 million) consistently top the enemy lists in public opinion polls of Russia (143 million). His knowledge of the Baltic languages allows him to make use of local sources and up-to-date historical research. He is a former Baltic States correspondent for Finland's largest daily newspaper Helsingin Sanomat and the author of several books on Finnish and Latvian history. As a neutral, experienced and often critical observer, Rislakki is uniquely qualified for the task of separating truth from fiction.
Fourteen Hard Questions and Straight Answers about a Baltic Country
Author:
What do we know about Latvia and the Latvians? A Baltic (not Balkan) nation that emerged from fifty years under the Soviet Union – interrupted by a brief but brutal Nazi-German occupation and a devastating war – now a member of the European Union and NATO. Yes, but what else? Relentless accusations keep appearing, especially in Russian media, often repeated in the West: “Latvian soldiers single-handedly saved Lenin’s revolution in 1917”, “Latvians killed Tsar Nikolai II and the Royal family”, “Latvia was a thoroughly anti-Semitic country and Latvians started killing Jews even before the Germans arrived in 1941”, “Nazi revival is rampant in today's Latvia”, “The Russian minority is persecuted in Latvia...”
True, false or in-between? The Finnish journalist and author Jukka Rislakki examines charges like these and provides an outline of Latvia's recent history while attempting to separate documented historical fact from misinformation and deliberate disinformation. His analysis helps to explain why the Baltic States (population 7 million) consistently top the enemy lists in public opinion polls of Russia (143 million). His knowledge of the Baltic languages allows him to make use of local sources and up-to-date historical research. He is a former Baltic States correspondent for Finland's largest daily newspaper Helsingin Sanomat and the author of several books on Finnish and Latvian history. As a neutral, experienced and often critical observer, Rislakki is uniquely qualified for the task of separating truth from fiction.
True, false or in-between? The Finnish journalist and author Jukka Rislakki examines charges like these and provides an outline of Latvia's recent history while attempting to separate documented historical fact from misinformation and deliberate disinformation. His analysis helps to explain why the Baltic States (population 7 million) consistently top the enemy lists in public opinion polls of Russia (143 million). His knowledge of the Baltic languages allows him to make use of local sources and up-to-date historical research. He is a former Baltic States correspondent for Finland's largest daily newspaper Helsingin Sanomat and the author of several books on Finnish and Latvian history. As a neutral, experienced and often critical observer, Rislakki is uniquely qualified for the task of separating truth from fiction.
Emperor Maximilian I, the Search for Islands and the Transformation of the European World Picture, c. 1500
Author:
In this work Kleinschmidt is tracing the political implications of the transformation of the European world picture in the age of Emperor Maximilian I. It is relevant for Renaissance political and cultural history. At closer inspection Maximilian turns out to have been a crucial though much underestimated figure in the context of the changes of the world picture during his time. Not only was he continuously and persistently involved in activities through which these changes were provoked. He also issued and authorized the most comprehensive sources relevant to the impact that the changes of the world picture had on politics and international relations. This work describes the exploration travels around the world, ordered by Maximilian, among which were the Portuguese expeditions to Ethiopia and India.
The study proceeds chronologically in three parts, describing first (A) in brief the aspects of the emerging structure of territorial rule, concepts of universalism attached to the Roman Empire and the world picture during the Middle Ages, followed by part B which examines the changes of the world picture and Maximilian's role (the Portuguese and Spanish Expeditions) in it. The last section (C) surveys the emerging of the new world order, the transformation of the Roman Empire as an institution of universal rule and the consolidation of territorial politics during the first half of the sixteenth century.
The study proceeds chronologically in three parts, describing first (A) in brief the aspects of the emerging structure of territorial rule, concepts of universalism attached to the Roman Empire and the world picture during the Middle Ages, followed by part B which examines the changes of the world picture and Maximilian's role (the Portuguese and Spanish Expeditions) in it. The last section (C) surveys the emerging of the new world order, the transformation of the Roman Empire as an institution of universal rule and the consolidation of territorial politics during the first half of the sixteenth century.
Emperor Maximilian I, the Search for Islands and the Transformation of the European World Picture, c. 1500
Author:
In this work Kleinschmidt is tracing the political implications of the transformation of the European world picture in the age of Emperor Maximilian I. It is relevant for Renaissance political and cultural history. At closer inspection Maximilian turns out to have been a crucial though much underestimated figure in the context of the changes of the world picture during his time. Not only was he continuously and persistently involved in activities through which these changes were provoked. He also issued and authorized the most comprehensive sources relevant to the impact that the changes of the world picture had on politics and international relations. This work describes the exploration travels around the world, ordered by Maximilian, among which were the Portuguese expeditions to Ethiopia and India.
The study proceeds chronologically in three parts, describing first (A) in brief the aspects of the emerging structure of territorial rule, concepts of universalism attached to the Roman Empire and the world picture during the Middle Ages, followed by part B which examines the changes of the world picture and Maximilian's role (the Portuguese and Spanish Expeditions) in it. The last section (C) surveys the emerging of the new world order, the transformation of the Roman Empire as an institution of universal rule and the consolidation of territorial politics during the first half of the sixteenth century.
The study proceeds chronologically in three parts, describing first (A) in brief the aspects of the emerging structure of territorial rule, concepts of universalism attached to the Roman Empire and the world picture during the Middle Ages, followed by part B which examines the changes of the world picture and Maximilian's role (the Portuguese and Spanish Expeditions) in it. The last section (C) surveys the emerging of the new world order, the transformation of the Roman Empire as an institution of universal rule and the consolidation of territorial politics during the first half of the sixteenth century.
The Supplemental Volumes (Ergänzungsbände). Descriptive Catalogue of the Four Supplemental Volumes to the Atlas
A complete descriptive and illustrated catalogue of one of the largest and finest atlases ever assembled. Now housed in the Österreichische Nationalbibliothek in Vienna, the 46-volume atlas is an expanded version of Joan Blaeu's Atlas Maior or 'Great Atlas', published in Amsterdam between 1660 and 1663. Though the core of the atlas consists of the several hundred maps issued by Blaeu, the original owner of the atlas, Laurens van der Hem (1621-1678), added other maps, views, and drawings of his own choice, including four volumes of manuscript maps of Africa and Asia made for the Dutch East India Company (VOC). The practice of augmenting atlases was common in the seventeenth century, but few of these personalized atlases have survived the centuries. The catalogue in 7 volumes (plus a volume about the making of the facsimile) will include all the sheets in the atlas reproduced in black-and-white, with cartographical historical and arthistorical descriptions by P. van der Krogt and E. de Groot. Each volume will contain approximately 16 full-colour illustrations.
I. Spain, Portugal and France (vols. 1-8). 1996. With about 700 illustrations. 632 pp. ISBN 978 90 6194 278 8
II. Italy, Malta, Switzerland and the Netherlands (vols. 9-17). 1999. With about 700 illustrations. 732 pp. ISBN 978 90 6194 348 8
III. British Isles, northern and eastern Europe (vols. 18-24). 2002. With about 700 illustrations. 552 pp. ISBN 978 90 6194 189 7
IV. German Empire, Hungary and Greece,including Asia Minor. Descriptive catalogue of the vols. 25-34 of the Atlas. 2004. Sm.folio. Cloth. With about 800 illustrations, including 16 in colour. 708 pp. ISBN 978 90 6194 179 8
V. Africa, Asia and America, including the "Secret" Atlas of the Dutch East India Company (VOC). Descriptive catalogue of volumes 35-46 of the Atlas. 2005. Sm. folio. Cloth. With about 700 illustrations, including 17 in colour. 640 pp. ISBN 978 90 6194 199 6
VI. Descriptive catalogue of volumes 47-50 (E1-E4) of the Atlas and general indices. 2008. Sm. Folio. Cloth. With about 300 illustrations. Approx. 500 pp. ISBN 978 90 6194 439 3
VII. Groot, E. de. The world of a seventeenth-century collector. The Atlas Blaeu-Van der Hem. 2006. Sm. folio. Cloth, with full colour dustjacket. With 150 black & white and 16 colour illustrations. 395 pp. ISBN 978 90 6194 359 4
VIII. The Atlas Blaeu-Van der Hem. The history of the Atlas and the making of the facsimile. An accompanying publication with background information on the Atlas Blaeu-Van der Hem and the production of the facsimile.
Cloth with full colour dust jacket. 244 pp. 137 full colour illustrations. ISBN 978 90 6194 300 6.
I. Spain, Portugal and France (vols. 1-8). 1996. With about 700 illustrations. 632 pp. ISBN 978 90 6194 278 8
II. Italy, Malta, Switzerland and the Netherlands (vols. 9-17). 1999. With about 700 illustrations. 732 pp. ISBN 978 90 6194 348 8
III. British Isles, northern and eastern Europe (vols. 18-24). 2002. With about 700 illustrations. 552 pp. ISBN 978 90 6194 189 7
IV. German Empire, Hungary and Greece,including Asia Minor. Descriptive catalogue of the vols. 25-34 of the Atlas. 2004. Sm.folio. Cloth. With about 800 illustrations, including 16 in colour. 708 pp. ISBN 978 90 6194 179 8
V. Africa, Asia and America, including the "Secret" Atlas of the Dutch East India Company (VOC). Descriptive catalogue of volumes 35-46 of the Atlas. 2005. Sm. folio. Cloth. With about 700 illustrations, including 17 in colour. 640 pp. ISBN 978 90 6194 199 6
VI. Descriptive catalogue of volumes 47-50 (E1-E4) of the Atlas and general indices. 2008. Sm. Folio. Cloth. With about 300 illustrations. Approx. 500 pp. ISBN 978 90 6194 439 3
VII. Groot, E. de. The world of a seventeenth-century collector. The Atlas Blaeu-Van der Hem. 2006. Sm. folio. Cloth, with full colour dustjacket. With 150 black & white and 16 colour illustrations. 395 pp. ISBN 978 90 6194 359 4
VIII. The Atlas Blaeu-Van der Hem. The history of the Atlas and the making of the facsimile. An accompanying publication with background information on the Atlas Blaeu-Van der Hem and the production of the facsimile.
Cloth with full colour dust jacket. 244 pp. 137 full colour illustrations. ISBN 978 90 6194 300 6.