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The author moves beyond traditional boundaries of Egyptological and Papyrological research by means of an innovative and interdisciplinary methodology – zigzagging back and forth between archaeological field survey, close reading of ancient texts, formal methods of Social Network Analysis (SNA) and explanatory theories and concepts borrowed from economics and other social sciences.
This is volume 1 of a two-volume set.
The author moves beyond traditional boundaries of Egyptological and Papyrological research by means of an innovative and interdisciplinary methodology – zigzagging back and forth between archaeological field survey, close reading of ancient texts, formal methods of Social Network Analysis (SNA) and explanatory theories and concepts borrowed from economics and other social sciences.
This is volume 1 of a two-volume set.
The author moves beyond traditional boundaries of Egyptological and Papyrological research by means of an innovative and interdisciplinary methodology – zigzagging back and forth between archaeological field survey, close reading of ancient texts, formal methods of Social Network Analysis (SNA) and explanatory theories and concepts borrowed from economics and other social sciences.
This is volume 2 of a two-volume set.
The author moves beyond traditional boundaries of Egyptological and Papyrological research by means of an innovative and interdisciplinary methodology – zigzagging back and forth between archaeological field survey, close reading of ancient texts, formal methods of Social Network Analysis (SNA) and explanatory theories and concepts borrowed from economics and other social sciences.
This is volume 2 of a two-volume set.
This publication is also the first thorough art historical treatment of the ostraca and papyri. The drawings’ iconography and aesthetic value are carefully examined, providing further nuance to our understanding of ancient Egyptian art.
This publication is also the first thorough art historical treatment of the ostraca and papyri. The drawings’ iconography and aesthetic value are carefully examined, providing further nuance to our understanding of ancient Egyptian art.
To view supplementary material from the volume go here.
To view supplementary material from the volume go here.
Together, these scholars participate in a dynamic historical enterprise, each one positioning themself along a Middle Eastern spatial-temporal continuum stretching from the Old Babylonian to the Persian periods. Each contributor attempts to touch a sliver of ancient history, whether a particular person or community, a text or visual image or scribal process. They do so through a diversity of methods and disciplines, which together reflect the possibilities and promises for history writing.
The Harvard Semitic Studies series publishes volumes from the Harvard Semitic Museum. Other series offered by Brill that publish volumes from the Museum include Studies in the Archaeology and History of the Levant and Harvard Semitic Monographs, https://semiticmuseum.fas.harvard.edu/publications.
Together, these scholars participate in a dynamic historical enterprise, each one positioning themself along a Middle Eastern spatial-temporal continuum stretching from the Old Babylonian to the Persian periods. Each contributor attempts to touch a sliver of ancient history, whether a particular person or community, a text or visual image or scribal process. They do so through a diversity of methods and disciplines, which together reflect the possibilities and promises for history writing.
The Harvard Semitic Studies series publishes volumes from the Harvard Semitic Museum. Other series offered by Brill that publish volumes from the Museum include Studies in the Archaeology and History of the Levant and Harvard Semitic Monographs, https://semiticmuseum.fas.harvard.edu/publications.