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The Vulgate Recension. From Adam to the End of the Achaemenids
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When the 13th-century Coptic official al-Makīn Ibn al-ʿAmīd was thrown into prison by Sultan Baybars, he set out to compile a summary of Biblical, Graeco-Roman, and Islamic history for his own consolation. His work, which drew from a vast array of sources, enjoyed enduring success among various readerships: Oriental Christians, in Arabic-speaking communities but also in Ethiopia; Mamluk historians, including Ibn Ḫaldūn and al-Maqrīzī; and early modern Europe. A major instance of Christian-Muslim interaction in the pre-modern era, Ibn al-ʿAmīd’s chronography is still unpublished in its pre-Islamic part. This volume edits, analyzes, and translates the section from Adam to the Achaemenids.
The Brill Exegetical Commentary Series delivers critical commentaries on the books of the New Testament. Each volume presents detailed comments organized in four major sections: textual criticism, linguistically informed exegesis, history, and theology. This structure intentionally highlights the unique contribution of each area, with the overall focus always placed upon exegesis that pays attention to the language of the text. Commentators bring the latest research to bear and seek to inform readers about the particular biblical book, rather than provide a compendium of the opinions of others. Each commentary is designed to make a substantial contribution to New Testament scholarship in its several different important facets, but particularly in its attention to the Greek text as the center of the commentary task. The Brill Exegetical Commentary Series will be an essential resources for all advanced students and scholars of the New Testament.
The Case of the Chants of the So-Called Missa Graeca
This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.