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Die Reihe versammelt Beiträge zu Theorie, Geschichte und Ästhetik der Medien. Im Zentrum sollen dabei die Beziehungen zwischen Medien, Kultur und Gesellschaft in synchroner und diachroner Perspektive stehen: Gefragt wird einerseits nach der kulturellen Formung von Medien sowie ihrer ästhetischen Faktur. In den Blick kommt andererseits das Wechselspiel zwischen Reaktion, Reflexion und Initiierung kultureller und gesellschaftlicher Prozesse in und durch Medien. Grundlage der Auseinandersetzung bildet die Verknüpfung von medien- und kulturwissenschaftlicher Theorie.
Die Reihe ist getragen von der Idee, dass unter dem Begriff der Medienkulturwissenschaft unterschiedliche geisteswissenschaftliche Disziplinen ihr Interesse an der Materialität von Kommunikation und der Medialität ästhetischer Artefakte bündeln können. Das Spektrum der zu analysierenden Medien ist daher bewusst breit gefasst: Es reicht von Film, Fotografie und Fernsehen über Literatur, Musik, Theater und Medienkunst bis zur Internet Art. Studien zu einzelnen Medien, Genres und Künstler:innen sind ebenso willkommen wie kultur- und medienvergleichend angelegte Projekte.
This series publishes contributions on the theory, history and aesthetics of media. Key focal points are the synchronic and diachronic relations between media, culture and society. The cultural formation of media and their aesthetic composition will be explored, whilst at the same time delving into the interplay between reaction, reflection and initiation of cultural and societal processes within and by media. The intersection between media and cultural studies theories serves as the starting point for this approach. The series is based on the idea that different disciplines in the humanities can unite their interest in the materiality of communication and the mediality of aesthetic artifacts under the concept of media cultural studies. The scope of media to be analyzed is deliberately broad by design. It ranges from film and photography through television, music, literature and theater to media and internet art. Studies about single media, genres and artists are just as welcome as projects utilizing a comparative approach to culture and media.
Editor / Translator:
ʿAlī ibn Sahl Rabban aṭ-Ṭabarī's Indian Books, completed in the year 850 CE as an appendix to his medico-philosophical chef-d'œuvre "Paradise of Wisdom", belong to the most remarkable texts in Arabic scientific literature. The Indian Books offer a unique, interpretative summary of the main tenets of Ayurvedic medicine, as understood by Arabic-speaking scholars on the basis of now lost translations from Sanskrit. The present book centres around a critical edition and annotated translation of this crucial text, framed by a detailed introduction and extensive glossaries of terms. Ṭabarī's learned exposé of Ayurveda also throws a more nuanced light on the allegedly uncontested supremacy of Greek humoralism in 9th-century Arabic medicine.
The Fatimid Egyptian Convert Who Shaped Christian Views of Islam
Author:
Būluṣ ibn Rajāʾ (ca. 955–ca. 1020) was a celebrated writer of Coptic Christianity from Fatimid Egypt. Born to an influential Muslim family in Cairo, Ibn Rajāʾ later converted to Christianity and composed The Truthful Exposer (Kitāb al-Wāḍiḥ bi-l-Ḥaqq) outlining his skepticism regarding Islam. His ideas circulated across the Middle East and the Mediterranean in the medieval period, shaping the Christian understanding of the Qurʾan’s origins, Muḥammad’s life, the practice of Islamic law, and Muslim political history. This book includes a study of Ibn Rajāʾ’s life, along with an Arabic edition and English translation of The Truthful Exposer.
In Alfonso de Cartagena’s 'Memoriale virtutum' (1422), María Morrás and Jeremy Lawrance offer a critical edition of an anthology of Aristotle’s Nicomachean Ethics, compiled and significantly altered by the major Castilian intellectual of the day, Bishop Alfonso de Cartagena, and addressed to the heir to the throne of Portugal, Crown Prince Duarte.
The work is a speculum principis, an education of a future king in the virtues suitable to a statesman. Cartagena’s choice of Aristotle was a harbinger of Renaissance ideas. The “memorial” sheds light on a society in transition, setting new ethical guidelines for the ruling class at the crossroads between medieval feudalism and Renaissance absolutism.
Mit einer kritischen Edition des Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn des Aḥmad b. Maḥmūd b. Abī Bakr Nūr ad-Dīn aṣ-Ṣābūnī al-Ḥanafī al-Buḫārī (gest. 580/1184)
Nūr al-Dīn al-Ṣābūnī was a prominent jurist and theologian in Samarqand in the late 6th/12th century. His theological works are in the tradition of the Ḥanafite-Māturīdite current of Sunni kalām. In addition, al-Ṣābūnī’s argumentation reflects the increasing engagement of Māturīdite mutakallimūn with their wide intellectual-historical environment. His discussions with the famous scholar Faḫr al-Dīn al-Rāzī are attested.
In the present volume, Angelika Brodersen uses a text-critical edition of al-Ṣābūnī’s comprehensive theological work, the Kitāb al-Kifāya fī l-hidāya fī uṣūl al-dīn, to analyze, based on selected thematic examples, how both elements of Māturīdite theological tradition and transformation processes occur in al-Ṣābūnī’s work, which contributed to the consolidation of the Māturīdiyya as a Sunni school of thought.

Nūr ad-Dīn aṣ-Ṣābūnī war ein prominenter Jurist und Theologe im Samarkand des ausgehenden 6./12. Jahrhunderts. Seine theologischen Werke stehen einerseits in der Tradition der ḥanafitisch-māturīditischen Strömung des sunnitischen kalāms. Auf der anderen Seite spiegelt aṣ-Ṣābūnīs Argumentation die zunehmende Auseinandersetzung der māturīditischen mutakallimūn mit ihrem allgemeinen geistesgeschichtlichen Umfeld wider. Bezeugt sind seine Diskussionen mit dem berühmten Gelehrten Faḫr ad-Dīn ar-Rāzī.
Im vorliegenden Band untersucht Angelika Brodersen auf der Grundlage einer textkritischen Edition von aṣ-Ṣābūnīs theologischem Hauptwerk, dem Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn, anhand ausgewählter Themenbeispiele, wie sich im Werk aṣ-Ṣābūnīs sowohl Elemente māturīditischer theologischer Tradition als auch Transformationsprozesse verfolgen lassen, die zur Konsolidierung der Māturīdiyya als sunnitische Schulrichtung beigetragen haben.
The Contemplacioun of Synnaris, by the Observant Franciscan William Touris, written c.1494 and evidently intended for King James IV of Scotland, is a significant and much copied work of Older Scots, although the earliest surviving witness is the English print by Wynkyn de Worde (1499).
The Contemplacioun was the very first work of Older Scots literature to be translated and to be printed. The poem’s seven sections comprise a course of meditations for Holy Week. Richard Fox, bishop of Durham, commissioned the English print, in which the stanzas were preceded by Latin sententiae, biblical, medieval and ancient. The work retained sufficient interest to re-emerge in separate versions in both Scotland (1568) and England (1578), drastically revised for Protestant readers.
Ibn Wāṣil (d. 1298), perhaps better known today as a historian and an emissary to the court of King Manfred in southern Italy, was also an eminent logician. The present work is a critical edition of his main work in the field, a commentary on his teacher Khūnajī’s (d. 1248) handbook al-Jumal. The work helped consolidate the logic of the “later scholars” (such as Khūnajī). It also shows that commentators did much more than merely explain the original work and instead regularly discussed and assessed received views. Ibn Wāṣil’s work was an influential contribution to a particularly dynamic chapter in the history of Arabic logic.