Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective contributes to the continuing debate on the encounter of the classical anarchisms (1860s−1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits. Case studies on Dadaism, decadence, fauvism, neo-impressionism, symbolism, and various anarchisms explore the influence anarchism had on the avant-gardes and reflect on avant-garde tendencies within anarchism. This volume also explores the divergence of anarchism and the avant-gardes. It offers a rich examination of politics and arts, and it complements an ongoing discourse with theoretical tools to better assess the aesthetic, social, and political cross-pollination that took place between the avant-gardes and the anarchists in Europe.
Edited by Florian Lippert and Marcel Schmid
Self-reflection is fundamental for human thinking on many levels. Philosophy has described the mind's capacity to observe itself as a core element of human existence. Political and social sciences have shown how modern democracies depend on society's ability to critically reflect on their own values and practices. And literature of all ages has proven self-reflexivity to be a crucial trait of cultural production. This volume provides the first diachronic panorama of genres, forms, and functions of literary self-reflection and their connections with social, political and philosophical discourses from the 17th century to the present. Far beyond the usual focus on postmodernist opacity, these contributions present a rich tradition of critical transparency: Literary texts that show us what is behind and beyond them.
A Joyful Materialism
Power’s Stoicism and Performance presents Stoicism as a means of navigating key debates and concepts in contemporary theatre and performance. Stoicism has influenced many of the most cited radical thinkers in the discipline of theatre and performance studies; for instance Deleuze, Foucault, Kristeva, Agamben. A central aim of this work is to bring Stoicism more explicitly into the fold of the discipline, and to use Stoicism to think differently about performance. With a series of chapters covering themes such as performativity, embodiment, emotion, affect and spectatorship, this book finds points of encounter between Stoicism and contemporary understandings and practices of performance. It presents these encounters as modes of transformative experience in relation to our being in the world.
In T. S. Eliot’s Ascetic Ideal, Joshua Richards charts an intellectual history of T. S. Eliot’s interaction with asceticism. This history is drawn from Eliot’s own education in the topic with the texts he read integrated into detailed textual analysis. Eliot’s early encounters with the ascetic ideal began a lifetime of interplay and reflection upon self-denial, purgation, and self-surrender. In 1909, he began a study of mysticism, likely, in George Santayana’s seminar, and thereafter showed the influence of this education. Yet, his interaction with the ascetic ideal and his background in mysticism was not a simple thing; still, his early cynicism was slowly transformed to an embrace.
Edited by Vitali I. Betaneli and Peter R. Weisensel
Audacity of the Spirit by A.F. Losev (1893-1988) dares us to think holistically, dialectically. Translated from the Russian original Дерзание духа (Politizdat Moskva, 1988) by Peter R. Weisensel and Vitali I. Betaneli, the book falls into three parts: the dialectical method; Losev’s application of dialectics to history and culture; and his personal reflections on studying philosophy. Losev’s insatiable intellectual curiosity probes a remarkable variety of areas. Positions he considers, though, are not always easily reconcilable, as with Marxism-Leninism and Orthodox Christianity. In Losev’s conception of culture, however, culture and the intrinsic unity of any given cultural order is the common element that underlies everything living, even the order’s incompatibles. The given culture cannot be reduced to any single position nor to all of them taken together. Audacity of the Spirit is an introduction to dialectics for beginners, but it is also a major philosopher’s summing-up of his reflections to a non-specialized audience.