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Editors:
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We publish high quality research on specific trends in single arts, countries and regions, as well as comparative and interdisciplinary studies in the interrelation between the different arts as well as between the arts, social and political contexts and cultural life in the broadest sense and all its diversity.
Editor-in-Chief:
AVISTA Studies in the History of Medieval Technology, Science and Art is a wide-ranging and multi-disciplinary book series publishing scholarly work on a variety of aspects of technology, science, art, and architecture of the Middle Ages. The series publishes works that emphasize the interrelationship of these fields. In doing so, the series aims to promote a cross-disciplinary perspective, and submissions are encouraged from any field of study, including (but not limited to) history, art and architectural history, manuscript studies, literature, and history of science. Studies with a closer focus or works examining wider contexts and global developments are equally welcomed. The series publishes monographs, thematic edited volumes, and, on occasion, text editions and translations. All proposals from early career projects to those from established scholars are invited.
The series is published in affiliation with the Association Villard de Honnecourt for Interdisciplinary Study of Medieval Technology, Science and Art (AVISTA), an international society dedicated to the cross-disciplinary exploration of the linked fields of technology, science and art in the Middle Ages.
This series was published by Routledge until August 2020. For volumes published before August 2020, please contact Routledge.
Authors are cordially invited to submit proposals and/or full manuscripts to the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
The series is published in affiliation with the Association Villard de Honnecourt for Interdisciplinary Study of Medieval Technology, Science and Art (AVISTA), an international society dedicated to the cross-disciplinary exploration of the linked fields of technology, science and art in the Middle Ages.
This series was published by Routledge until August 2020. For volumes published before August 2020, please contact Routledge.
Authors are cordially invited to submit proposals and/or full manuscripts to the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Editors:
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Originating in the project The Transformation of the Roman World, Brill's Series on the Early Middle Ages publishes high-quality scholarly studies on the on the chronological period ranging from from Late Antiquity (third century onwards) through the Early Middle Ages (up until the eleventh century).
The scope of the series is broad, inclusive and global: we encourage submissions on societies, economies and cultures from different regions and disciplines: archaeology, art and architectural history, history, literature, gender and cultural studies, numismatics, paleography or religious studies. The outcomes of interdisciplinary research and cross-field collaborative projects are particularly welcome, as the series is keen to foster cross-cultural, comparative, and global studies. The series is particularly open to innovative proposals on new or hitherto neglected research venues.
The series publishes monographs, multi-authored edited thematic collections, and occasionally translations and scholarly editions. The preferred language is English though the editorial board will consider works in French and German.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editor, Professor Bonnie Effros or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
The scope of the series is broad, inclusive and global: we encourage submissions on societies, economies and cultures from different regions and disciplines: archaeology, art and architectural history, history, literature, gender and cultural studies, numismatics, paleography or religious studies. The outcomes of interdisciplinary research and cross-field collaborative projects are particularly welcome, as the series is keen to foster cross-cultural, comparative, and global studies. The series is particularly open to innovative proposals on new or hitherto neglected research venues.
The series publishes monographs, multi-authored edited thematic collections, and occasionally translations and scholarly editions. The preferred language is English though the editorial board will consider works in French and German.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editor, Professor Bonnie Effros or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Editor:
This peer-reviewed book series publishes research monographs and edited collections on modern and contemporary history. The remit of the series is broad in chronological (nineteenth to twenty-first centuries) and geographic (global coverage) terms to promote a multi-dimensional conversation on the diverse expressions of the ‘modern condition’; and on how particular ‘modern’ forces and processes shaped the world in micro- and macro-scales. The series fosters critical reflection on the study of modern concepts and ideologies; of political, cultural, and social change; of mobilities and exchanges within and across conventional borders; and of conflicts between competing actors, groups or ideas.
The series welcomes submissions from scholars of political, cultural, social, and intellectual history, as well as of scholars whose work on the modern world lies at the fruitful intersection of history, political science, cultural studies, and international relations. We particularly encourage interdisciplinary submissions that traverse traditional historical, geographical, or methodological boundaries; engage with transnational and comparative perspectives; promote long-term analysis of drivers and processes of historical change; and develop new perspectives on the fascinating plurality of modern and contemporary phenomena. We are committed to giving space to new scholarship that questions conventional assumptions about, and understandings of, the modern/contemporary world; or brings in focus previously under-studied topics and areas.
Authors who are interested in submitting proposals/full manuscripts or wish to discuss any publishing ideas that may fit the series are invited to contact either the series editor Aristotle Kallis or the publisher at Brill, Alessandra Giliberto.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
The series welcomes submissions from scholars of political, cultural, social, and intellectual history, as well as of scholars whose work on the modern world lies at the fruitful intersection of history, political science, cultural studies, and international relations. We particularly encourage interdisciplinary submissions that traverse traditional historical, geographical, or methodological boundaries; engage with transnational and comparative perspectives; promote long-term analysis of drivers and processes of historical change; and develop new perspectives on the fascinating plurality of modern and contemporary phenomena. We are committed to giving space to new scholarship that questions conventional assumptions about, and understandings of, the modern/contemporary world; or brings in focus previously under-studied topics and areas.
Authors who are interested in submitting proposals/full manuscripts or wish to discuss any publishing ideas that may fit the series are invited to contact either the series editor Aristotle Kallis or the publisher at Brill, Alessandra Giliberto.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Series Editor:
Maritime history is the history of mankind’s relation to the sea. The peer-reviewed Brill’s Studies in Maritime History welcomes studies on maritime history primarily international and comparative, with a global perspective. It regards maritime history as the history of the people who sail on the sea and live round the sea, that is, of littoral societies, of maritime regions, of seas and oceans, of the effects on land of man’s interaction with the sea. Maritime history is approached as widely as possible, as delineated by the important Dutch-Australian maritime historian Frank Broeze: it includes the use of the surface of the sea for transport and maritime business; the use of the resources of the sea and its subsoil; the use of the sea for power projection; the sea as an area for scientific exploration; the use of the sea for leisure activities; the use of the sea as an inspiration in culture and ideology. Maritime history offers the liberation of a borderless world in a synthesis of history and the social sciences, including economics, sociology, anthropology, linguistics and geography.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editor Gelina Harlaftis or the publisher at BRILL, Alessandra Giliberto.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editor Gelina Harlaftis or the publisher at BRILL, Alessandra Giliberto.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Beihefte zum Daphnis
The electronic version of the Chloe series.
Die Beihefte-Reihe zum Daphnis bringt Beiträge zu Rahmenthemen unter der Verantwortung dazu eingeladener Herausgeber.
From its foundation in 1972, Chloe as series related to the journal Daphnis was conceived as a platform for the publication of research into German literature and culture of the early modern period (14th-18th century). Since then it has developed to take on board interdisciplinary and intercultural perspectives. It is considered today an outstanding international scholarly forum for research into the early modern period. From a comparative point of view it examines the relationship between German literatures and cultural history and the culture of other European (and non-European) countries in the period, as well as such phenomena as cultural transfer. It addresses problems pertaining to the early new high German language and to Neo-Latin literature, as well as to new research fields such as intermediality, performance theories or gender studies.
With its double blind peer-review procedures, Chloe is a platform which welcomes previously unpublished contributions in German or English.
Die Reihe Chloe ist seit 1972 als Organ zur Erforschung der deutschen Literatur(en) und Kultur(en) der Frühen Neuzeit (14.-18.Jh) konzipiert worden. Seit ihrer Gründung hat sie sich im Sinne einer breiteren Interdisziplinarität und interkulturellen Perspektive entwickelt und ausdifferenziert. Heute gilt sie als ein international anerkanntes wissenschaftliches Forum für Frühneuzeitforschung. Sie berücksichtigt unter komparatistischem Aspekt die Beziehungen der deutschen Literatur und Kultur zu den europäischen (auch außereuropäischen) Kulturen dieses Zeitraums und Phänomene des Kulturtransfers. Hinzu kommen aktuelle Fragestellungen der frühneuhochdeutschen Sprache, der neulateinischen Literatur wie auch neuere Forschungsfelder der Intermedialität, Performanz, Gender Studies u.a. Im Rahmen der jährlich vorgesehenen vier Hefte sind inhaltlich geschlossene Themenhefte möglich und werden von Gastherausgebern verantwortet. Im Chloe werden noch unveröffentlichte Beiträge in deutscher und englischer Sprache.
Authors are cordially invited to submit proposals to the publisher at BRILL, Masja Horn.
Die Beihefte-Reihe zum Daphnis bringt Beiträge zu Rahmenthemen unter der Verantwortung dazu eingeladener Herausgeber.
From its foundation in 1972, Chloe as series related to the journal Daphnis was conceived as a platform for the publication of research into German literature and culture of the early modern period (14th-18th century). Since then it has developed to take on board interdisciplinary and intercultural perspectives. It is considered today an outstanding international scholarly forum for research into the early modern period. From a comparative point of view it examines the relationship between German literatures and cultural history and the culture of other European (and non-European) countries in the period, as well as such phenomena as cultural transfer. It addresses problems pertaining to the early new high German language and to Neo-Latin literature, as well as to new research fields such as intermediality, performance theories or gender studies.
With its double blind peer-review procedures, Chloe is a platform which welcomes previously unpublished contributions in German or English.
Die Reihe Chloe ist seit 1972 als Organ zur Erforschung der deutschen Literatur(en) und Kultur(en) der Frühen Neuzeit (14.-18.Jh) konzipiert worden. Seit ihrer Gründung hat sie sich im Sinne einer breiteren Interdisziplinarität und interkulturellen Perspektive entwickelt und ausdifferenziert. Heute gilt sie als ein international anerkanntes wissenschaftliches Forum für Frühneuzeitforschung. Sie berücksichtigt unter komparatistischem Aspekt die Beziehungen der deutschen Literatur und Kultur zu den europäischen (auch außereuropäischen) Kulturen dieses Zeitraums und Phänomene des Kulturtransfers. Hinzu kommen aktuelle Fragestellungen der frühneuhochdeutschen Sprache, der neulateinischen Literatur wie auch neuere Forschungsfelder der Intermedialität, Performanz, Gender Studies u.a. Im Rahmen der jährlich vorgesehenen vier Hefte sind inhaltlich geschlossene Themenhefte möglich und werden von Gastherausgebern verantwortet. Im Chloe werden noch unveröffentlichte Beiträge in deutscher und englischer Sprache.
Authors are cordially invited to submit proposals to the publisher at BRILL, Masja Horn.
Series Editor:
Edited by Angela Schottenhammer, Catholic University of Leuven, Belgium
This series focuses on the manifold commercial, human, political-diplomatic and scientific interactions that took place across the continental (overland) and maritime Silk Routes. This includes exchanges of ideas, knowledge, religions, and the transfer of cultural traditions, including forms of migration. Geographically speaking the series covers networks (or routes) across the Eurasian continent, the broader Indian Ocean (from East Asia as far as Africa), and the Asia-Pacific world, that is, trans-Pacific connections from Asia to the American continent. A special interest lies in the history of science and technology and knowledge transfer along and across these routes.
The series focuses particularly on historical topics but contemporary studies are also welcome.
This series focuses on the manifold commercial, human, political-diplomatic and scientific interactions that took place across the continental (overland) and maritime Silk Routes. This includes exchanges of ideas, knowledge, religions, and the transfer of cultural traditions, including forms of migration. Geographically speaking the series covers networks (or routes) across the Eurasian continent, the broader Indian Ocean (from East Asia as far as Africa), and the Asia-Pacific world, that is, trans-Pacific connections from Asia to the American continent. A special interest lies in the history of science and technology and knowledge transfer along and across these routes.
The series focuses particularly on historical topics but contemporary studies are also welcome.
Series Editors:
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A forum for new interdisciplinary studies on the pre-colonial and early colonial period history of indigenous cultures on the American continent.
The indigenous cultures of North, Middle and South America, including the Caribbean, have a diverse and fascinating history, reaching from the early pre-colonial past until the present. Modern multidisciplinary research investigates many social, political, economic and religious aspects, such as the population movements, the original development of agriculture, sedentary communities, chiefdoms and early states, the effects of mobility and exchange, the forms, functions and meanings of writing systems and visual art, the indigenous knowledge, technology and organisation as well as cosmovision, rituals, biology and medicine, but also the process of European colonization, which caused major destruction as well as complex intercultural dynamics and synergies. Given the importance of cultural continuity in the present, this series pays further attention to living traditions and oral literature, as well as to the present-day issues of cultural values and indigenous rights.
The Early Americas: History and Culture provides an international peer-reviewed forum for innovative contributions and synthetic standard works in the fields of archaeology, iconography and epigraphy, history, anthropology, museology, material culture and heritage studies. The editors welcome original monographs, edited volumes, source editions and translations, preferably written in English. Submissions in Spanish and French will be considered on a case-by-case basis.
Authors are cordially invited to submit proposals and/or full manuscripts by email to the series editor, Professor Corinne Hofman or to the publisher, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
The indigenous cultures of North, Middle and South America, including the Caribbean, have a diverse and fascinating history, reaching from the early pre-colonial past until the present. Modern multidisciplinary research investigates many social, political, economic and religious aspects, such as the population movements, the original development of agriculture, sedentary communities, chiefdoms and early states, the effects of mobility and exchange, the forms, functions and meanings of writing systems and visual art, the indigenous knowledge, technology and organisation as well as cosmovision, rituals, biology and medicine, but also the process of European colonization, which caused major destruction as well as complex intercultural dynamics and synergies. Given the importance of cultural continuity in the present, this series pays further attention to living traditions and oral literature, as well as to the present-day issues of cultural values and indigenous rights.
The Early Americas: History and Culture provides an international peer-reviewed forum for innovative contributions and synthetic standard works in the fields of archaeology, iconography and epigraphy, history, anthropology, museology, material culture and heritage studies. The editors welcome original monographs, edited volumes, source editions and translations, preferably written in English. Submissions in Spanish and French will be considered on a case-by-case basis.
Authors are cordially invited to submit proposals and/or full manuscripts by email to the series editor, Professor Corinne Hofman or to the publisher, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.