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This lavishly illustrated book is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests—so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps.
Series:
Mapping the Past, Volume: 2
This lavishly illustrated book is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests—so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps.
Medieval Moldavia – which was located within present-day northeastern Romania and the Republic of Moldova – developed a bold and eclectic visual culture beginning in the 15th century. Within this networked Carpathian Mountain region, art and architecture reflect the creativity and diversity of the cultural landscapes of Eastern Europe.
Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian centers – negotiate the complex issues of patronage and community in the region. The works attest to processes of cultural contact and translation, revealing how Western medieval, Byzantine, and Slavic traditions were mediated in Moldavian contexts in the post-Byzantine period.
Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian centers – negotiate the complex issues of patronage and community in the region. The works attest to processes of cultural contact and translation, revealing how Western medieval, Byzantine, and Slavic traditions were mediated in Moldavian contexts in the post-Byzantine period.
Medieval Moldavia – which was located within present-day northeastern Romania and the Republic of Moldova – developed a bold and eclectic visual culture beginning in the 15th century. Within this networked Carpathian Mountain region, art and architecture reflect the creativity and diversity of the cultural landscapes of Eastern Europe.
Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian centers – negotiate the complex issues of patronage and community in the region. The works attest to processes of cultural contact and translation, revealing how Western medieval, Byzantine, and Slavic traditions were mediated in Moldavian contexts in the post-Byzantine period.
Moldavian objects and monuments – ranging from fortified monasteries and churches enveloped in fresco cycles to silk embroideries, delicately carved woodwork and metalwork, as well as manuscripts gifted to Mount Athos and other Christian centers – negotiate the complex issues of patronage and community in the region. The works attest to processes of cultural contact and translation, revealing how Western medieval, Byzantine, and Slavic traditions were mediated in Moldavian contexts in the post-Byzantine period.
In this first comprehensive study of women as economic actors in medieval Norway, Susann Anett Pedersen analyses the economic agency of unmarried heiresses, wives and widows c.1400-1550. Drawing on sources such as sales contracts and private letter correspondence, the book investigates elite women’s formal and informal roles in decision making processes and their ability to make independent economic choices. In particular, the book stresses the importance of looking beyond the legal regulation of women’s economic activities and rather analyses women’s own actions, in order to better grasp the complexity of their economic agency.
Series:
The Northern World, Volume: 95
In this first comprehensive study of women as economic actors in medieval Norway, Susann Anett Pedersen analyses the economic agency of unmarried heiresses, wives and widows c.1400-1550. Drawing on sources such as sales contracts and private letter correspondence, the book investigates elite women’s formal and informal roles in decision making processes and their ability to make independent economic choices. In particular, the book stresses the importance of looking beyond the legal regulation of women’s economic activities and rather analyses women’s own actions, in order to better grasp the complexity of their economic agency.
Selected Essays
Volume Editor:
The establishment of the People’s Republic of China in 1949 heralded dramatic changes in Chinese cultural practices. This volume, the latest entry in the Historical Studies of Contemporary China series, includes 11 articles translated from Historical Studies of Contemporary China (Dangdai Zhongguo shi yanjiu), one of China’s leading academic journals.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
Selected Essays
Volume Editor:
The establishment of the People’s Republic of China in 1949 heralded dramatic changes in Chinese cultural practices. This volume, the latest entry in the Historical Studies of Contemporary China series, includes 11 articles translated from Historical Studies of Contemporary China (Dangdai Zhongguo shi yanjiu), one of China’s leading academic journals.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
Dissent and Creativity in Chosŏn Korea
The Lives and Legacy of Kim Sisŭp (1435–1493) offers an account of the most extraordinary figure of Korean literature and intellectual history. The present work narrates the fascinating story of a prodigious child, acclaimed poet, author of the first Korean novel, Buddhist monk, model subject, Confucian recluse and Daoist master. No other Chosŏn scholar or writer has been venerated in both Confucian shrines and Buddhist temples, had his works widely read in Tokugawa Japan and became an integral part of the North Korean literary canon.
The nine studies and further materials presented in this volume provide a detailed look on the various aspects of Kim Sisŭp’s life and work as well as a reflection of both traditional and modern narratives surrounding his legacy. Contributors are: Vladimír Glomb, Gregory N. Evon, Dennis Wuerthner, Barbara Wall, Kim Daeyeol, Miriam Löwensteinová, Anastasia A. Guryeva, Sixiang Wang, and Diana Yüksel.
The nine studies and further materials presented in this volume provide a detailed look on the various aspects of Kim Sisŭp’s life and work as well as a reflection of both traditional and modern narratives surrounding his legacy. Contributors are: Vladimír Glomb, Gregory N. Evon, Dennis Wuerthner, Barbara Wall, Kim Daeyeol, Miriam Löwensteinová, Anastasia A. Guryeva, Sixiang Wang, and Diana Yüksel.
Dissent and Creativity in Chosŏn Korea
The Lives and Legacy of Kim Sisŭp (1435–1493) offers an account of the most extraordinary figure of Korean literature and intellectual history. The present work narrates the fascinating story of a prodigious child, acclaimed poet, author of the first Korean novel, Buddhist monk, model subject, Confucian recluse and Daoist master. No other Chosŏn scholar or writer has been venerated in both Confucian shrines and Buddhist temples, had his works widely read in Tokugawa Japan and became an integral part of the North Korean literary canon.
The nine studies and further materials presented in this volume provide a detailed look on the various aspects of Kim Sisŭp’s life and work as well as a reflection of both traditional and modern narratives surrounding his legacy. Contributors are: Vladimír Glomb, Gregory N. Evon, Dennis Wuerthner, Barbara Wall, Kim Daeyeol, Miriam Löwensteinová, Anastasia A. Guryeva, Sixiang Wang, and Diana Yüksel.
The nine studies and further materials presented in this volume provide a detailed look on the various aspects of Kim Sisŭp’s life and work as well as a reflection of both traditional and modern narratives surrounding his legacy. Contributors are: Vladimír Glomb, Gregory N. Evon, Dennis Wuerthner, Barbara Wall, Kim Daeyeol, Miriam Löwensteinová, Anastasia A. Guryeva, Sixiang Wang, and Diana Yüksel.
Sketch maps, despite their intuitive, informal appearance and seemingly naïve use, are intellectual devices and efficient tools that shape the geographical imagination, regardless of the drawing skills of their makers. By delineating the silhouettes of nations, we express territorial knowledge and geopolitical stereotypes that, although shaped at school from an early age, organized the way we interact with the world. why do we still need to draw maps? What is behind our common and naturalized practice of sketching maps? This innovative book deciphers why and how the intuitive mechanisms behind sketch mapping activate multiple conscious and unconscious knowledges about place and space.
Sketch maps, despite their intuitive, informal appearance and seemingly naïve use, are intellectual devices and efficient tools that shape the geographical imagination, regardless of the drawing skills of their makers. By delineating the silhouettes of nations, we express territorial knowledge and geopolitical stereotypes that, although shaped at school from an early age, organized the way we interact with the world. why do we still need to draw maps? What is behind our common and naturalized practice of sketching maps? This innovative book deciphers why and how the intuitive mechanisms behind sketch mapping activate multiple conscious and unconscious knowledges about place and space.
Editor / Translator:
The True Record of the Lord of Heaven (Tianzhu shilu, 1584) by the Jesuit missionary Michele Ruggieri was the first Chinese-language work ever published by a European. Despite being published only a few years after Ruggieri started learning Chinese, it evinced sophisticated strategies to accommodate Christianity to the Chinese context and was a pioneering work in Sino-Western exchange. This book features a critical edition of the Chinese and Latin texts, which are both translated into English for the first time. An introduction, biography, and rich annotations are provided to situate this text in its cultural and intellectual context.