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Edited by Anne Regourd

The nine contributions in The Trade in Papers Marked with non-Latin Characters initiated by Anne Regourd (ed.) approach global history through the paper trade. They cover, in addition to a paper used in 14th C Persia, papers used in Africa (Ethiopia, Nigeria, Tunisia) and Asia (the Ottoman Levant, Mecca, Persia, Russia, and Yemen) during the 19th-20th C. Primarily based on paper examination and quantitative data, the book invites us to treat papers as a source, and provides tools to determine the production of manuscripts in space and time for the area of interest. This methodology offers new insights on the competition between suppliers to the various markets particularly in respect of the emergence of import-export trading companies.

Le commerce des papiers à marques à caractères non-latins, dont Anne Regourd (éd.) est à l'initiative, a pour projet de traiter d'histoire globale par le commerce du papier. Les neuf contributions réunies ici font apparaître un premier exemple de ce papier, persan, dès le xive s. sous les Moẓaffarides et, principalement, des papiers utilisés en Afrique (Éthiopie, Nigéria, Tunisie) et en Asie (Levant ottoman, La Mecque, Perse, Russie et Yémen), aux xixe et xxe s. S'appuyant sur l'observation des papiers et des données quantitatives, le livre invite à prendre le support de l'écrit comme source de l'histoire du commerce et donne des instruments pour déterminer la production de manuscrits dans l'espace et le temps pour une aire définie. Cette méthode renouvelle notre connaissance de l'approvisionnement des marchés, avec, en particulier, l'apparition de compagnies d'import-export.

Contributors are: Michaelle Biddle, Evyn Kropf, Anne Regourd, Francis Richard, Alice Shafi-Leblanc, Jan Just Witkam, Olga Yastrebova. Foreword by Anna-Grethe Rischel.

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Edited by Hildegard Diemberger, Karl Ehrhard and Peter F. Kornicki

In Tibetan Printing: Comparisons, Continuities and Change the editors publish the results of the workshop “Printing as an Agent of Change in Tibet and beyond” held at Pembroke College, Cambridge, in November 2013. This is the first study of the social and cultural history of Tibetan book technology that takes materials, living traditions and cross-cultural comparisons into consideration. Bringing together leading experts from different disciplines, it discusses the introduction of printing in Tibetan societies in the context of Asian book cultures with an eye to the questions raised by the study of the European history of printing. This title is available online in its entirety in Open Access.
Contributors are: Tim Barrett, Alessandro Boesi, Peter Burke, Michela Clemente, Hildegard Diemberger, Dorje Gyeltsen, Franz-Karl Ehrhard, Helmut Eimer, Johan Elverskog, Camillo Formigatti, Imre Galambos, Agnieszka Helman-Wazny, Tomasz Wazny, Sherab Sangpo Kawa, Peter Kornicki, Leonard van der Kuijp, Stefan Larsson, Ben Nourse, Anuradha Pallipurath, Porong Dawa, Paola Ricciardi, Tsering Dawa Sharshon, Sam van Schaik, Cristina Scherrer-Schaub, Marta Sernesi, Pasang Wangdu.

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Agnieszka Helman-Ważny

In Archaeology of Tibetan Books, Agnieszka Helman-Ważny explores the varieties of artistic expression, materials, and tools that have shaped Tibetan books over the millennia. Digging into the history of the bookmaking craft, the author approaches these ancient texts primarily through the lens of their artistry, while simultaneously showing them as physical objects embedded in pragmatic, economic, and social frameworks. She provides analyses of several significant Tibetan books—which usually carry Buddhist teachings—including a selection of manuscripts from Dunhuang from the 1st millennium C.E., examples of illuminated manuscripts from Western and Central Tibet dating from the 15th century, and fragments of printed Tibetan Kanjurs from as early as 1410. This detailed study of bookmaking sheds new light on the books' philosophical meanings.