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Series:

Paolo Santangelo and Gábor Boros

In The Culture of Love in China and Europe Paolo Santangelo, Gábor Boros and Roberto Gigliucci offer a survey of the cults of love developed in the history of ideas and literary production in China and Europe between the 12th and early 19th century. They describe parallel evolutions within the two cultures, and how innovatively these independent civilisations developed their own categories and myths to explain, exalt but also control the emotions of love and their behavioural expressions. The analyses contain rich materials for comparison, point out the universal and specific elements in each culture, and hint at differences and resemblances, without ignoring the peculiar beauty and attractive force of the texts cultivating love.

Yi Liu

Translator Casey Lee

Abstract

The ancient Chinese people believed that they existed at the center of the world. With the arrival of Buddhism in China came a new cosmic worldview rooted in Indian culture that destabilized the Han [huaxia 華夏] people’s long-held notions of China as the Middle Kingdom [Zhongguo 中國] and had a profound influence on medieval Daoism. Under the influence of Buddhist cosmology, Daoists reformed their idea of Middle Kingdom, for a time relinquishing its signification of China as the center of the world. Daoists had to acknowledge the existence of multiple kingdoms outside China and non-Han peoples [manyi 蠻夷] who resided on the outskirts of the so-called Middle Kingdom as potential followers of Daoism. However, during the Tang dynasty, this capacious attitude ceased to be maintained or passed on. Instead, Tang Daoists returned to a notion of Middle Kingdom that reinstated the traditional divide between Han and non-Han peoples.

Wen Lei

Translator Kathryn Henderson

Abstract

The Abbey Celebrating the Tang [Qingtang guan 慶唐觀], a Daoist temple on Mount Longjiao in southern Shanxi Province, played a special role in the religious history of China in the Tang dynasty. Because of the myth that Laozi himself emerged from this mountain during the war to found the Tang state, this abbey was closely linked to the political legitimation of the Tang. Even plants in this abbey were regarded as the harbingers of the fate of the state. The emperor Xuanzong erected a huge stele in the Abbey Celebrating the Tang, demonstrating the support enjoyed from the royal house. Images of the six emperors, from Tang Gaozu to Xuanzong, were also held in the abbey. After the collapse of the Tang dynasty in 907, the Abbey Celebrating the Tang lost its political, legitimizing privileges, but its connection with the local community continued to develop well into the Song, Liao, Jin, and later dynasties. The creation and transformation of the Abbey Celebrating the Tang not only show the political influence of popular religion in ancient medieval China but also provide an interesting case of how a Daoist temple grew in popularity and prestige after it lost favor with the state.

Shuchen Xiang

Abstract

This paper, unlike scholars who ascribe to it a copy theory of meaning, argues that the logic of the Xici is best described through “philosophy’s linguistic turn,” specifically Ernst Cassirer’s philosophy of symbolic forms. Cassirer’s concept of the symbol as a pluralistic, constitutive, and functional yet concrete and observable form, is comparable to the symbolic system in the Xici 系辭: xiang 象, gua 卦, yao 爻, and yi 易. Their similarity is due to a shared philosophical orientation: humanism. The characteristics of the Xici—the part-whole (structuralist) relationship typical of correlative cosmology, the simultaneously sensuous and conceptual nature of its symbols, the stress on order as opposed to unity, and the importance of symbols per se—for Cassirer are characteristics that were only possible in European intellectual history after a substance ontology was replaced by a functional one. For Cassirer, a functional ontology is closely associated with a humanism that celebrates creations (i.e., language) of the human mind in determining reality. This humanism is coherent with the intellectual context—Confucian humanism—contemporary with the period of the Xici’s composition. It would thus be inconsistent to concede this humanism to the Xici without also conceding that its understanding of the symbols is akin to that of the linguistic turn. Finally, even regardless of this comparative framework, the Xici runs into a paradox if we read it through a copy theory of meaning, paradoxes that immediately dissolve if we read it through the paradigm of the linguistic turn.

Bin Wei

Translator Casey Lee

Abstract

During the Six Dynasties period, the cultural landscape of the mountains underwent a transformation. Most notable among these were the appearance of monasteries and Daoist temples as well as the system of immortals’ grottos and estates that accompanied the latter. Because of this shift, mountains began to constitute a special religious and cultural space. Two factors contributed to this shift. The first was religious, specifically, the movement of Daoist and Buddhist practice into mountain retreats. The second was political, namely, how political power was shaped by new geopolitical configurations centered on the city of Jiankang (Nanjing). With these two factors at work, a new cultural form and spatial configuration emerged from the mountains that reflects the intimate relationship between the Six Dynasties politics, society, and culture.

Philosophical Horizons

Metaphysical Investigation in Chinese Philosophy

Series:

Yang Guorong

Edited by Paul D'Ambrosio

Professor Yang Guorong is one of the foremost living philosophers in China, and is widely known for the development of his “concrete metaphysics.” In Philosophical Horizons Yang offers penetrating discussions of some of the most important issues in modern philosophy—especially those topics related to comparative and Chinese philosophy. Drawing freely and adroitly on Confucian, Daoist, and Buddhist texts, while staging a dialogue with Western thinkers such as from Kant and Hegel to Marx, Heidegger, and Wittgenstein, Yang shows how contemporary Chinese philosophy has adopted, localized, and critically developed Western ideas alongside traditional Chinese concepts.

Series:

Guorong Yang

Editor/translator Paul J. D’Ambrosio, Daniel Sarafinas, Sharon Small, Ady van den Stock and Stefano Gandolfo

Analytic philosophy and Chinese philosophy are often seen as two completely different philosophical systems.1 Yet, from the perspective of Chinese philosophy, analytic philosophy does not merely constitute an existence of a philosophical “other,” nor is it just an incommensurable system of thought. Either from a historical review of Chinese philosophy or from the perspective of contemporary Chinese philosophy, the significance of having a solid understanding of the connection—and the possibility of establishing a connection—between analytic philosophy and Chinese philosophy cannot be overlooked.