Edited by Jay Paul Gates and Brian T. O'Camb
Contributors are Cynthia Turner Camp, Irina Dumitrescu, Jay Paul Gates, Erin Michelle Goeres, Mary Kate Hurley, Maren Clegg Hyer, Nicole Marafioti, Brian O’Camb, Kathleen Smith, Carla María Thomas, Larissa Tracy, and Eric Weiskott.
House Symbolism and Sufism in Elif Shafak’s The Flea Palace
Elif Shafak’s The Flea Palace (2004) exposes secularized Istanbul as a grotesque world. By establishing the apartment building as a synecdoche for the city and negotiating the characters’ trajectories within the historical context of modernizing Istanbul, the novel presents their alienation as the sine qua non of the modern individual which is best confronted playfully or rather in the Sufi way. The argument is supported by the novel’s complex employment of circles and lines as thematic and formal patterns which refer to Islamic ritual practice of the Mevlevi Sufis in numerous ways.