This article examines the understudied political dynamics of the televised nabaṭī poetry competition Shāʿir al-Milyūn (“Million’s Poet”) to offer a new understanding of the program. Media coverage has focused on the participation of a single female participant, while scholars have assessed Shāʿir al-Milyūn as primarily an experiment in the wedding of local tradition to modern technology, overlooking the central and complex negotiations of ruler-ruled relationships taking place on the show’s stage. Shāʿir al-Milyūn’s political aspect becomes particularly apparent in the regular performances of waṭaniyyah verse, i.e. poetry for the waṭan or homeland. Reading a waṭaniyyah poem performed during the fifth season of Shāʿir al-Milyūn by Emirati poet Aḥmad bin Hayyāy al-Manṣūrī, I argue that Shāʿir al-Milyūn, rather than merely celebrating local poetic tradition, operates as a political technology that provides both poetry contestants and the show’s princely patron with opportunities to articulate and enact expectations of proper citizenship.