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The Language of the Old-Okinawan Omoro Sōshi

Reference Grammar, with Textual Selections

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Leon A. Serafim and Rumiko Shinzato

The Omoro Sōshi (1531–1623) is an indispensable resource for historical linguistic comparison of Old Okinawan with other Ryukyuan languages and Old Japanese. Leon A Serafim and Rumiko Shinzato offer a reference grammar, including detailed phonological analyses, of the otherwise opaque and dense poetic/religious language of the Omoro Sōshi.

Meshing Western linguistic insight with existing literary/linguistic work in Ryukyuan studies, and incorporating their own research on Modern Okinawan, the authors offer a grammar and phonology of the Omoro language, with selected (excerpts of) songs grammatically analyzed, phonologically reconstructed, translated, and annotated.

No Moonlight in My Cup

Sinitic Poetry (Kanshi) from the Japanese Court, Eighth to the Twelfth Centuries

Series:

Edited by Judith N. Rabinovitch and Timothy R. Bradstock

This work is an anthology of 225 translated and annotated Sinitic poems ( kanshi 漢詩) composed in public and private settings by nobles, courtiers, priests, and others during Japan’s Nara and Heian periods (710-1185). The authors have supplied detailed biographical notes on the sixty-nine poets represented and an overview of each collection from which the verse of this eminent and enduring genre has been drawn. The introduction provides historical background and discusses kanshi subgenres, themes, textual and rhetorical conventions, styles, and aesthetics, and sheds light on the socio-political milieu of the classical court, where Chinese served as the written language of officialdom and the preeminent medium for literary and scholarly activity among the male elite.

Series:

Editor/translator Judith N. Rabinovitch and Timothy R. Bradstock