On her death bed, Laurel Richardson’s sister whispers a deep family secret to her. Those whispered words send the famed sociologist and author on a personal exploration of a lifetime. Lone Twin: A True Story of Loss and Found is an extraordinary story of a search for identity, wholeness, and forgiveness. Grounded in the cultures of mid-Twentieth Century Chicago, New York City, and Los Angeles, Lone Twin weaves the personal with the social, cultural, and political. Richardson shares fascinating, resonant, and humorous stories about her relationships with a suicidal poet, a Swedish fencer, a budding scientist, a Puerto Rican family, a Mafia family, her Russian Jewish and Irish Catholic family, and her famous cousin, Laura Foreman. Her story is at once singular and plural. As Richardson shares her journey towards wholeness and forgiveness, readers are invited to consider their own journeys and ask: Is there something missing in my life? How do I justify my existence? Lone Twin is an exquisitely written book about identity, the search for people who understand us, and the ties that bind. This outstanding example of literary sociology can be used as supplemental reading in a range of courses in American studies, gender studies, social science, child development, and creative writing. It can be read entirely for pleasure and is a great choice for book clubs. An appendix offers discussion questions, projects, and creative writing exercises.
The Daddies is a love letter to masculinity, a kaleidoscope of its pleasures and horrors. The question “Who’s your Daddy?” started showing up in mainstream cultural references during the 1990s. Those words can be spoken as a question, or a challenge, as a flirtation, a joke, or a threat. It’s all about inflection, intention, and who’s asking. Apparently, we have so much shared cultural meaning about “Daddy” the speakers and listeners can simply intuit meaning and proceed to laugh at the joke, or experience the shame, as appropriate. But who is Daddy in American culture? The Daddies aims to find out more than who – but how the process of knowing Daddy can prompt readers to know themselves and their society. This allegory about patriarchy unfolds as a kinky lesbian Daddy/girl love story. Daddy-ness is situated in all people, after all, and we each share responsibility for creating a fairer world. The Daddies can be used as a springboard for discussion in courses in sociology, gender and women's studies, cultural studies, sexuality studies and communication. As a work of fiction, The Daddies can also be enjoyed by general audiences.
Martha E. Giménez
In Marx, Women and Capitalist Social Reproduction, Martha E. Gimenez offers a distinctive perspective on social reproduction which posits that the relations of production determine the relations of social reproduction, and links the effects of class exploitation and location to forms of oppression predominantly theorised in terms of identity. Grounding her analysis on Marx’s theory and methodology, Gimenez examines the relationship between class, reproduction and the oppression of women in different contexts such as the reproduction of labour power, domestic labour, feminisation of poverty, and reproductive technologies. Because most women and men, whether members of dominant or oppressed groups, are working class, she argues that the future of feminist politics is inextricably tied to class politics and the fate of capitalism.