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Damascus under the Mamlūk sultans (1260–1516 CE)
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The goals and tactics of a state's ruling elite influence its artistic and architectural output, shaping the overall characteristics, orientation, and themes of its creations. Architecture reflects political ideology and historical events, showcasing the power and cultural values of the state, with implications for politics and authority.
This book presents a comprehensive and nuanced exploration of the intricate interplay between art, politics, and religion within the architectural legacy of Mamluk Damascus. It sheds light on how these dynamics enrich our comprehension of the past and contribute to contemporary dialogues concerning the preservation of cultural heritage.
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The Gothic and Twenty-First-Century American Popular Culture examines the gothic mode deployed in a variety of texts that touch upon inherently US American themes, demonstrating its versatility and ubiquity across genres and popular media. The volume is divided into four main thematic sections, spanning representations related to ethnic minorities, bodily monstrosity, environmental anxieties, and haunted technology. The chapters explore both overtly gothic texts and pop culture artifacts that, despite not being widely considered strictly so, rely on gothic strategies and narrative devices.
Towards the History of the Working Class Movement in Delhi
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