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The project illustrates the variety of ways human beings have sought to communicate with or influence beings with extraordinary superhuman power for millennia. By including diverse examples such as vows and oaths, blessings, curses, incantations, graffiti, iconography, and more, PAW casts a wide net. In so doing, PAW privileges no particular tradition or conception of how to interact with the divine; for example, the project refuses to perpetuate a value distinction between “prayer,” “magic,” and “cursing.”
Detailed overviews introduce each area and address key issues such as language and terminology, geographical distribution, materiality, orality, phenomenology of prayer, prayer and magic, blessings and curses, and ritual settings and ritual actors. In order to be as comprehensive as practically possible, the volume includes a representative prayer of every attested type from each tradition.
Individual entries include a wealth of information. Each begins with a list of essential details, including the source, region, date, occasion, type and function, performers, and materiality of the prayer. Next, after a concise summary and a brief synopsis of the main textual witnesses, a formal description calls attention to the exemplar’s literary and stylistic features, rhetorical structure, important motifs, and terminology. The occasions when the prayer was used and its function are analyzed, followed by a discussion of how this exemplar fits within the range of variation of this type of prayer practice, both synchronically and diachronically. Important features of the prayer relevant for cross-cultural comparison are foregrounded in the subsequent section. Following an up-to-date translation, a concise yet detailed commentary provides explanations necessary for understanding the prayer and its function. Finally, each entry concludes with a bibliography of essential primary and secondary resources for further study.
The project illustrates the variety of ways human beings have sought to communicate with or influence beings with extraordinary superhuman power for millennia. By including diverse examples such as vows and oaths, blessings, curses, incantations, graffiti, iconography, and more, PAW casts a wide net. In so doing, PAW privileges no particular tradition or conception of how to interact with the divine; for example, the project refuses to perpetuate a value distinction between “prayer,” “magic,” and “cursing.”
Detailed overviews introduce each area and address key issues such as language and terminology, geographical distribution, materiality, orality, phenomenology of prayer, prayer and magic, blessings and curses, and ritual settings and ritual actors. In order to be as comprehensive as practically possible, the volume includes a representative prayer of every attested type from each tradition.
Individual entries include a wealth of information. Each begins with a list of essential details, including the source, region, date, occasion, type and function, performers, and materiality of the prayer. Next, after a concise summary and a brief synopsis of the main textual witnesses, a formal description calls attention to the exemplar’s literary and stylistic features, rhetorical structure, important motifs, and terminology. The occasions when the prayer was used and its function are analyzed, followed by a discussion of how this exemplar fits within the range of variation of this type of prayer practice, both synchronically and diachronically. Important features of the prayer relevant for cross-cultural comparison are foregrounded in the subsequent section. Following an up-to-date translation, a concise yet detailed commentary provides explanations necessary for understanding the prayer and its function. Finally, each entry concludes with a bibliography of essential primary and secondary resources for further study.
The extensive and painstaking study of the surviving fragments leads to the radically innovative conclusion that this encyclopedic treatise, written by Porphyry in the last decades of the 3rd century CE, consisted of fifteen books organized in various sections. After an initial discussion of the nature of theurgy and of its subordinate role with respect to philosophy, Porphyry describes the entire history of Greek philosophy from Homer up to his own teacher Plotinus, to then go on to present “introductions” to the seven encyclical disciplines whose study is required for the comprehension of theosophy, that is, the esoteric speculation on the three parts of philosophy: anthropology-ethics, physics, and metaphysics-theology.
By harmonizing the teachings of Plato, Aristotle, Plotinus, and the Chaldean Oracles, Porphyry intends to present the complete and definitive philosophic system, with the aim of showing the universal way for the liberation of the souls of initiates and of contextually fighting the final battle of the Greco-Roman civilization against Christianity.
The extensive and painstaking study of the surviving fragments leads to the radically innovative conclusion that this encyclopedic treatise, written by Porphyry in the last decades of the 3rd century CE, consisted of fifteen books organized in various sections. After an initial discussion of the nature of theurgy and of its subordinate role with respect to philosophy, Porphyry describes the entire history of Greek philosophy from Homer up to his own teacher Plotinus, to then go on to present “introductions” to the seven encyclical disciplines whose study is required for the comprehension of theosophy, that is, the esoteric speculation on the three parts of philosophy: anthropology-ethics, physics, and metaphysics-theology.
By harmonizing the teachings of Plato, Aristotle, Plotinus, and the Chaldean Oracles, Porphyry intends to present the complete and definitive philosophic system, with the aim of showing the universal way for the liberation of the souls of initiates and of contextually fighting the final battle of the Greco-Roman civilization against Christianity.
This is part I of a two-part set.
This is part I of a two-part set.
This is volume II of a two-volume set.
This is volume II of a two-volume set.