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This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of writing testimony, subjective reportage or the poetics of everyday life emerged that still shape cultural debates today.
This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of writing testimony, subjective reportage or the poetics of everyday life emerged that still shape cultural debates today.
Studies in Judeo-Arabic Culture Dedicated to the Memory of Joshua Blau
This volume is dedicated to Professor Joshua Blau, of blessed memory. The articles included therein, written by his students and fellows, all deal with the Judeo-Arabic language and its associated culture. Among them are articles dealing with language, lexicography, cross-cultural relations, biblical translation, prayer, law, and poetics. The wide scope of material in this volume attests to the richness and breadth of Judeo-Arabic as well as to the expansive range of fields studied by Professor Blau himself.
Studies in Judeo-Arabic Culture Dedicated to the Memory of Joshua Blau
This volume is dedicated to Professor Joshua Blau, of blessed memory. The articles included therein, written by his students and fellows, all deal with the Judeo-Arabic language and its associated culture. Among them are articles dealing with language, lexicography, cross-cultural relations, biblical translation, prayer, law, and poetics. The wide scope of material in this volume attests to the richness and breadth of Judeo-Arabic as well as to the expansive range of fields studied by Professor Blau himself.
Le projet de Lieux
Author:
Textes décrivant ses lieux de mémoire, photographies, documents personnels ou collectés dans la rue : Lieux forme un vaste et passionnant ensemble par lequel Perec visait à ancrer son autobiographie dans l’espace urbain. Georges Perec et ses lieux de mémoire est la première étude monographique à se fonder sur l’ensemble de ce « livre mythique », resté longtemps inédit. Elle en explore les constantes thématiques, les pratiques d’écriture, les graphismes et les photographies, montrant l’impact de la rhétorique classique sur la méthode de Perec, qui fait que ces textes sont une véritable topique de ses lieux de mémoire.
« Précisément situé dans un champ critique exhaustivement balisé, le livre frappe par sa finesse et sa nouveauté – quant à l’œuvre de Perec, aujourd’hui devenue classique, mais aussi plus largement pour ce qui est de l’importance du quotidien, notamment urbain, dans la littérature et l’art contemporains. » (Christelle Reggiani, Sorbonne Université)
Perec’s Lieux project consists of texts describing the author's places of memory, photographs, personal documents and ephemera collected in the street. With this vast and fascinating body of work, Perec aimed at anchoring his biography in urban space. Georges Perec et ses lieux de mémoire is the first book length study about this “mythic book”, which remained unpublished for a long time. It explores Perec’s recurrent themes, writing practises, graphisms and photographs, showing the impact of classical rhetoric on his methodology, which makes Lieux into a topics of his places of memory.
“This study is precisely situated within an abundant critical field. It strikes the reader through its finesse and novelty both regarding Perec’s work, which has become a classic, and more largely the importance of the urban every day in contemporary literature and art.” (Christelle Reggiani, Sorbonne Université)
« Précisément situé dans un champ critique exhaustivement balisé, le livre frappe par sa finesse et sa nouveauté – quant à l’œuvre de Perec, aujourd’hui devenue classique, mais aussi plus largement pour ce qui est de l’importance du quotidien, notamment urbain, dans la littérature et l’art contemporains. » (Christelle Reggiani, Sorbonne Université)
Perec’s Lieux project consists of texts describing the author's places of memory, photographs, personal documents and ephemera collected in the street. With this vast and fascinating body of work, Perec aimed at anchoring his biography in urban space. Georges Perec et ses lieux de mémoire is the first book length study about this “mythic book”, which remained unpublished for a long time. It explores Perec’s recurrent themes, writing practises, graphisms and photographs, showing the impact of classical rhetoric on his methodology, which makes Lieux into a topics of his places of memory.
“This study is precisely situated within an abundant critical field. It strikes the reader through its finesse and novelty both regarding Perec’s work, which has become a classic, and more largely the importance of the urban every day in contemporary literature and art.” (Christelle Reggiani, Sorbonne Université)
Le projet de Lieux
Author:
Textes décrivant ses lieux de mémoire, photographies, documents personnels ou collectés dans la rue : Lieux forme un vaste et passionnant ensemble par lequel Perec visait à ancrer son autobiographie dans l’espace urbain. Georges Perec et ses lieux de mémoire est la première étude monographique à se fonder sur l’ensemble de ce « livre mythique », resté longtemps inédit. Elle en explore les constantes thématiques, les pratiques d’écriture, les graphismes et les photographies, montrant l’impact de la rhétorique classique sur la méthode de Perec, qui fait que ces textes sont une véritable topique de ses lieux de mémoire.
« Précisément situé dans un champ critique exhaustivement balisé, le livre frappe par sa finesse et sa nouveauté – quant à l’œuvre de Perec, aujourd’hui devenue classique, mais aussi plus largement pour ce qui est de l’importance du quotidien, notamment urbain, dans la littérature et l’art contemporains. » (Christelle Reggiani, Sorbonne Université)
Perec’s Lieux project consists of texts describing the author's places of memory, photographs, personal documents and ephemera collected in the street. With this vast and fascinating body of work, Perec aimed at anchoring his biography in urban space. Georges Perec et ses lieux de mémoire is the first book length study about this “mythic book”, which remained unpublished for a long time. It explores Perec’s recurrent themes, writing practises, graphisms and photographs, showing the impact of classical rhetoric on his methodology, which makes Lieux into a topics of his places of memory.
“This study is precisely situated within an abundant critical field. It strikes the reader through its finesse and novelty both regarding Perec’s work, which has become a classic, and more largely the importance of the urban every day in contemporary literature and art.” (Christelle Reggiani, Sorbonne Université)
« Précisément situé dans un champ critique exhaustivement balisé, le livre frappe par sa finesse et sa nouveauté – quant à l’œuvre de Perec, aujourd’hui devenue classique, mais aussi plus largement pour ce qui est de l’importance du quotidien, notamment urbain, dans la littérature et l’art contemporains. » (Christelle Reggiani, Sorbonne Université)
Perec’s Lieux project consists of texts describing the author's places of memory, photographs, personal documents and ephemera collected in the street. With this vast and fascinating body of work, Perec aimed at anchoring his biography in urban space. Georges Perec et ses lieux de mémoire is the first book length study about this “mythic book”, which remained unpublished for a long time. It explores Perec’s recurrent themes, writing practises, graphisms and photographs, showing the impact of classical rhetoric on his methodology, which makes Lieux into a topics of his places of memory.
“This study is precisely situated within an abundant critical field. It strikes the reader through its finesse and novelty both regarding Perec’s work, which has become a classic, and more largely the importance of the urban every day in contemporary literature and art.” (Christelle Reggiani, Sorbonne Université)
At the intersection of Jewish studies and linguistic research, the essays assembled in this book approach the topic of the languages of Sephardic Jews from different perspectives, spanning chronologically from the Middle Ages to the present day. Drawing on diverse sources – from medical glossaries to inquisition archives, from rabbinic responsa to recordings of today's speakers – the scholars collaborating on this project have endeavoured to reconstruct fragments of a complex and elusive linguistic reality, which over the centuries has been shaped by the historical experience of its speakers. An innovative collection of rigorously conducted synchronic and diachronic studies that contributes to expanding our knowledge and opening new perspectives on crucial issues, such as the effects of contact on the linguistic structures, the possibility of a norm for polycentric languages, the relationship between the lexicon of a language and the vitality of its speech community.
At the intersection of Jewish studies and linguistic research, the essays assembled in this book approach the topic of the languages of Sephardic Jews from different perspectives, spanning chronologically from the Middle Ages to the present day. Drawing on diverse sources – from medical glossaries to inquisition archives, from rabbinic responsa to recordings of today's speakers – the scholars collaborating on this project have endeavoured to reconstruct fragments of a complex and elusive linguistic reality, which over the centuries has been shaped by the historical experience of its speakers. An innovative collection of rigorously conducted synchronic and diachronic studies that contributes to expanding our knowledge and opening new perspectives on crucial issues, such as the effects of contact on the linguistic structures, the possibility of a norm for polycentric languages, the relationship between the lexicon of a language and the vitality of its speech community.
Disputas. Lumbre de fe contra la secta mahomética y el Alcorán. Volume 1
Series:
Heterodoxia Iberica, Volume: 8.1
Lumbre de fe is the most extensive and articulate text of polemic against Islam written during the 16th century in Spanish in the Iberian Peninsula. The work is the result of the preaching task carried out by Joan Martí de Figuerola for the conversion of the Mudejars of Zaragoza between 1517 and 1518, a task that brought Figuerola into numerous confrontations with both ecclesiastical and secular authorities in Aragon for disturbing the coexistence between the two confessions. Lumbre de fe also stands out for its use of qur’ānic texts in Arabic to attack Islam. These texts, also transliterated in Latin characters and translated into Spanish, are commented and discussed by Figuerola, making use of his vast theological erudition and his experience as a preacher in the crown of Aragon. The manuscript in which the work is preserved also contains numerous images representing Islamic beliefs and rites, which further reinforces the enormous originality and strength of the work.
Disputas. Lumbre de fe contra la secta mahomética y el Alcorán. Volume 1
Series:
Heterodoxia Iberica, Volume: 8.1
Lumbre de fe is the most extensive and articulate text of polemic against Islam written during the 16th century in Spanish in the Iberian Peninsula. The work is the result of the preaching task carried out by Joan Martí de Figuerola for the conversion of the Mudejars of Zaragoza between 1517 and 1518, a task that brought Figuerola into numerous confrontations with both ecclesiastical and secular authorities in Aragon for disturbing the coexistence between the two confessions. Lumbre de fe also stands out for its use of qur’ānic texts in Arabic to attack Islam. These texts, also transliterated in Latin characters and translated into Spanish, are commented and discussed by Figuerola, making use of his vast theological erudition and his experience as a preacher in the crown of Aragon. The manuscript in which the work is preserved also contains numerous images representing Islamic beliefs and rites, which further reinforces the enormous originality and strength of the work.
Disputas. Lumbre de fe contra la secta mahomética y el Alcorán. Volume 2
Series:
Heterodoxia Iberica, Volume: 8.2
Disputas. Lumbre de fe contra la secta mahomética y el Alcorán. Volume 2
Series:
Heterodoxia Iberica, Volume: 8.2
Anna Langfus a contribué à un renouvellement majeur de la littérature de la Shoah, qui, avant ses publications, était largement dominée par le récit du témoin. Elle est l’auteure de pièces de théâtre et de trois romans : Le Sel et le soufre (1960), Les Bagages de sable (1962), lauréat du prix Goncourt, et Saute, Barbara (1965). Bien qu’ayant vécu les horreurs du génocide, elle n’a pas exprimé sa souffrance par l’autobiographie. Dans son œuvre elle explore, sans pathos, la tragédie des survivants atteints par ce qu’elle appelle « la maladie de la guerre ». Ce livre étudie, entre autres, la spécificité des textes de Langfus. Ecrits à une époque où prévalait l’ethos de la victimisation, de la repentance et parfois du manichéisme, ils nous invitent à tenir à distance toute idéalisation ou fausse consolation.
Anna Langfus participated in a major renewal of Holocaust literature which had been mainly testimonial and witness-focused prior to her publications. She is the author of theater plays and of three novels: Le Sel et le soufre (1960), Les Bagages de sable (1962), awarded with the Prix Goncourt, and Saute, Barbara (1965). She experienced the horrors of the Holocaust, but she refused to express her grief through autobiography. Through her work she explores, without pathos, the tragedy of those who survived, and what Anna Langfus herself calls “la maladie de la guerre”: the war disease. This books examines, among other issues, the specificity of Langfus’s texts. Written at a time when an ethos of victimization, repentance, and sometimes Manichaeism was dominant, Langfus’s they urge us to keep any form of idealization or false consolation at a distance.
Anna Langfus participated in a major renewal of Holocaust literature which had been mainly testimonial and witness-focused prior to her publications. She is the author of theater plays and of three novels: Le Sel et le soufre (1960), Les Bagages de sable (1962), awarded with the Prix Goncourt, and Saute, Barbara (1965). She experienced the horrors of the Holocaust, but she refused to express her grief through autobiography. Through her work she explores, without pathos, the tragedy of those who survived, and what Anna Langfus herself calls “la maladie de la guerre”: the war disease. This books examines, among other issues, the specificity of Langfus’s texts. Written at a time when an ethos of victimization, repentance, and sometimes Manichaeism was dominant, Langfus’s they urge us to keep any form of idealization or false consolation at a distance.
Series:
Francopolyphonies, Volume: 34
Anna Langfus a contribué à un renouvellement majeur de la littérature de la Shoah, qui, avant ses publications, était largement dominée par le récit du témoin. Elle est l’auteure de pièces de théâtre et de trois romans : Le Sel et le soufre (1960), Les Bagages de sable (1962), lauréat du prix Goncourt, et Saute, Barbara (1965). Bien qu’ayant vécu les horreurs du génocide, elle n’a pas exprimé sa souffrance par l’autobiographie. Dans son œuvre elle explore, sans pathos, la tragédie des survivants atteints par ce qu’elle appelle « la maladie de la guerre ». Ce livre étudie, entre autres, la spécificité des textes de Langfus. Ecrits à une époque où prévalait l’ethos de la victimisation, de la repentance et parfois du manichéisme, ils nous invitent à tenir à distance toute idéalisation ou fausse consolation.
Anna Langfus participated in a major renewal of Holocaust literature which had been mainly testimonial and witness-focused prior to her publications. She is the author of theater plays and of three novels: Le Sel et le soufre (1960), Les Bagages de sable (1962), awarded with the Prix Goncourt, and Saute, Barbara (1965). She experienced the horrors of the Holocaust, but she refused to express her grief through autobiography. Through her work she explores, without pathos, the tragedy of those who survived, and what Anna Langfus herself calls “la maladie de la guerre”: the war disease. This books examines, among other issues, the specificity of Langfus’s texts. Written at a time when an ethos of victimization, repentance, and sometimes Manichaeism was dominant, Langfus’s they urge us to keep any form of idealization or false consolation at a distance.
Anna Langfus participated in a major renewal of Holocaust literature which had been mainly testimonial and witness-focused prior to her publications. She is the author of theater plays and of three novels: Le Sel et le soufre (1960), Les Bagages de sable (1962), awarded with the Prix Goncourt, and Saute, Barbara (1965). She experienced the horrors of the Holocaust, but she refused to express her grief through autobiography. Through her work she explores, without pathos, the tragedy of those who survived, and what Anna Langfus herself calls “la maladie de la guerre”: the war disease. This books examines, among other issues, the specificity of Langfus’s texts. Written at a time when an ethos of victimization, repentance, and sometimes Manichaeism was dominant, Langfus’s they urge us to keep any form of idealization or false consolation at a distance.
a Study of Takkanot Kandiyah
Author:
In the first book-length study of Takkanot Kandiyah, Martin Borýsek analyses this fascinating corpus of Hebrew texts written between 1228 –1583 by the leaders of the Jewish community in Candia, the capital of Venetian Crete. Collected in the 16th century by the Cretan Jewish historian Elijah Capsali, the communal byelaws offer a unique perspective on the history of a vibrant, culturally diverse Jewish community during three centuries of Venetian rule. As well as confronting practical problems such as deciding whether Christian wine can be made kosher by adding honey, or stopping irresponsible Jewish youths disturbing religious services by setting off fireworks in the synagogue, Takkanot Kandiyah presents valuable material for the study of communal autonomy and institutional memory in pre-modern Jewish society.