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Author: Jessica Nowlin
Etruscan Orientalization provides a historiography of the terms ‘orientalizing’ and ‘orientalization’ in eighteenth through twentieth century European scholarship on early Etruscan history as it sought to understand how civilizational knowledge transferred in antiquity from East to West. This original orientalist framing of cultural influence was influenced by notions of Italian nationalism and colonialism, all traits that can still be felt in modern understandings of ‘orientalizing’ as an art historical style, chronological period, and process of cultural change. This work argues that scholarship on Mediterranean connectivity in early first millennium BCE can provide new insights by abandoning the term ‘orientalizing’.
Author: Jessica Nowlin

Abstract

The terms ‘orientalizing’ and ‘orientalization’ have been employed to describe an art historical style, historical period, and process of cultural interaction between East and West within the early first-millennium BCE Mediterranean. With particular focus on Etruria and Italy, this historiography explores the Orientalist framework at the heart of ‘orientalizing’ terms while outlining how modern political movements and ideologies of nationalism and colonialism have influenced interpretations of ‘orientalizing.’ By showing the political viewpoints underlying the origins of the term and the ways in which these positions have continued to shape modern interpretations of the effects of eastern imported objects, ideas, and practices in Etruria, this work argues that the term ‘orientalizing’ should no longer be used. Instead, the period should be fit into existing chronological periodizations, and the process of cultural change should be interrogated outside of an Orientalist discourse.

In: Etruscan Orientalization
Volume Editors: Philip Sapirstein and David Scahill
New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies.