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Author:
Structured as five microhistories c. 632-705, this book offers a counternarrative for the formation of Islamic architecture and the Islamic state. It adopts a novel periodization informed by moments of historical violence and anxiety around caliphal identities in flux, animating histories of the minbar, throne, and maqsura as a principal nexus for navigating this anxiety. It expands outward to re-assess the mosque and palace with a focus on the Qubbat al-Khadraʾ and the Dar al-Imara in Kufa. It culminates in a reading of the Dome of the Rock in Jerusalem as a site where eschatological anxieties and political survival converge.
Author:
Structured as five microhistories c. 632-705, this book offers a counternarrative for the formation of Islamic architecture and the Islamic state. It adopts a novel periodization informed by moments of historical violence and anxiety around caliphal identities in flux, animating histories of the minbar, throne, and maqsura as a principal nexus for navigating this anxiety. It expands outward to re-assess the mosque and palace with a focus on the Qubbat al-Khadraʾ and the Dar al-Imara in Kufa. It culminates in a reading of the Dome of the Rock in Jerusalem as a site where eschatological anxieties and political survival converge.
Material Culture, Socio-territorial Features, Archaeozoology and Archaeometry
Editor:
Material Culture, Socio-territorial Features, Archaeozoology and Archaeometry, Volume 3 of The Oasis of Bukhara, focuses on the study of material culture (pottery and glass), as well as on the archaeoscience activities conducted during the archaeological mission MAFOUB (2009-2023). The objective is to present a comprehensive framework of this vast region. The topics in this third, concluding volume concern environmental aspects, preliminary results on archaeozoology, the reconstruction of the evolution of the fauna over nineteen centuries, and politico-territorial aspects. It completes the urban and demographic tableau carried out in the previous two volumes.
Contributors: Anne Bouquillon, Jacopo Bruno, Yvan Coquinot, Delphine Decruyenaere, Christel Doublet, Ayano Endo, Nathalie Gandolfo, Takako Hosokawa, Marjan Mashkour, Djamal Mirzaakhmedov, Andrey Omelchenko, Elisa Porto, Silvia Pozzi, Gabriele Puschnigg, Rocco Rante, Pascale Richardin, Yoko Shindo, Toshiyasu Shinmen, Tamako Takeda, Manon Vuillien, Antoine Zink
The volume is co-published by Brill, Leiden, and the Louvre Museum, Paris.
Contributors: Anne Bouquillon, Jacopo Bruno, Yvan Coquinot, Delphine Decruyenaere, Christel Doublet, Ayano Endo, Nathalie Gandolfo, Takako Hosokawa, Marjan Mashkour, Djamal Mirzaakhmedov, Andrey Omelchenko, Elisa Porto, Silvia Pozzi, Gabriele Puschnigg, Rocco Rante, Pascale Richardin, Yoko Shindo, Toshiyasu Shinmen, Tamako Takeda, Manon Vuillien, Antoine Zink
The volume is co-published by Brill, Leiden, and the Louvre Museum, Paris.
Material Culture, Socio-territorial Features, Archaeozoology and Archaeometry
Editor:
Material Culture, Socio-territorial Features, Archaeozoology and Archaeometry, Volume 3 of The Oasis of Bukhara, focuses on the study of material culture (pottery and glass), as well as on the archaeoscience activities conducted during the archaeological mission MAFOUB (2009-2023). The objective is to present a comprehensive framework of this vast region. The topics in this third, concluding volume concern environmental aspects, preliminary results on archaeozoology, the reconstruction of the evolution of the fauna over nineteen centuries, and politico-territorial aspects. It completes the urban and demographic tableau carried out in the previous two volumes.
Contributors: Anne Bouquillon, Jacopo Bruno, Yvan Coquinot, Delphine Decruyenaere, Christel Doublet, Ayano Endo, Nathalie Gandolfo, Takako Hosokawa, Marjan Mashkour, Djamal Mirzaakhmedov, Andrey Omelchenko, Elisa Porto, Silvia Pozzi, Gabriele Puschnigg, Rocco Rante, Pascale Richardin, Yoko Shindo, Toshiyasu Shinmen, Tamako Takeda, Manon Vuillien, Antoine Zink
The volume is co-published by Brill, Leiden, and the Louvre Museum, Paris.
Contributors: Anne Bouquillon, Jacopo Bruno, Yvan Coquinot, Delphine Decruyenaere, Christel Doublet, Ayano Endo, Nathalie Gandolfo, Takako Hosokawa, Marjan Mashkour, Djamal Mirzaakhmedov, Andrey Omelchenko, Elisa Porto, Silvia Pozzi, Gabriele Puschnigg, Rocco Rante, Pascale Richardin, Yoko Shindo, Toshiyasu Shinmen, Tamako Takeda, Manon Vuillien, Antoine Zink
The volume is co-published by Brill, Leiden, and the Louvre Museum, Paris.
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its chapters examine ideas, objects, and practices from the ancient time of Aboriginal Australians’ Dreaming through to the present. The volume is also multi-cultural in scope and includes chapters focussed on manifestations of the sacred in indigenous culture, in cultures influenced by each of the world’s major religions, and in the secular, contemporary world.
Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw.
Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw.
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its chapters examine ideas, objects, and practices from the ancient time of Aboriginal Australians’ Dreaming through to the present. The volume is also multi-cultural in scope and includes chapters focussed on manifestations of the sacred in indigenous culture, in cultures influenced by each of the world’s major religions, and in the secular, contemporary world.
Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw.
Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw.
Volume Editor:
Burial and Memorial explores funerary and commemorative archaeology, A.D. 284-650, across the late antique world, from Catalonia to Cappadocia. The first volume includes an overview of research, and papers exploring bioarchaeology, mortuary rituals, mausolea, and funerary landscapes. It considers the sacralisation of tombs, movements of relics, and the political significance of cemeteries. The fate of statue monuments is explored, as memorials for individuals. Authors also compare the spoliation or preservation of tombs to other buildings, and, finally, how the city itself, with its monuments, served as a place of collective memory, where meanings were long maintained.
The second volume includes papers exploring all aspects of funerary archaeology, from scientific samples in graves, to grave goods and tomb robbing and a bibliographic essay. It brings into focus neglected regions not usually considered by funerary archaeologists in NW Europe, such as the Levant, where burial archaeology is rich in grave good, to Sicily and Sardinia, where post-mortem offerings and burial manipulations are well-attested. We also hear from excavations in Britain, from Canterbury and London, and see astonishing fruits from the application of science to graves recently excavated in Trier.
The second volume includes papers exploring all aspects of funerary archaeology, from scientific samples in graves, to grave goods and tomb robbing and a bibliographic essay. It brings into focus neglected regions not usually considered by funerary archaeologists in NW Europe, such as the Levant, where burial archaeology is rich in grave good, to Sicily and Sardinia, where post-mortem offerings and burial manipulations are well-attested. We also hear from excavations in Britain, from Canterbury and London, and see astonishing fruits from the application of science to graves recently excavated in Trier.
Volume 1: Thematic Perspectives
Volume Editor:
Burial and Memorial explores funerary and commemorative archaeology, A.D. 284-650, across the late antique world, from Catalonia to Cappadocia. This first volume includes an overview of research, and papers exploring bioarchaeology, mortuary rituals, mausolea, and funerary landscapes. It considers the sacralisation of tombs, movements of relics, and the political significance of cemeteries. The fate of statue monuments is explored, as memorials for individuals. Authors also compare the spoliation or preservation of tombs to other buildings, and, finally, how the city itself, with its monuments, served as a place of collective memory, where meanings were long maintained.
Volume 1: Thematic Perspectives
Volume Editor:
Burial and Memorial explores funerary and commemorative archaeology, A.D. 284-650, across the late antique world, from Catalonia to Cappadocia. This first volume includes an overview of research, and papers exploring bioarchaeology, mortuary rituals, mausolea, and funerary landscapes. It considers the sacralisation of tombs, movements of relics, and the political significance of cemeteries. The fate of statue monuments is explored, as memorials for individuals. Authors also compare the spoliation or preservation of tombs to other buildings, and, finally, how the city itself, with its monuments, served as a place of collective memory, where meanings were long maintained.
Volume 2: Regional Perspectives
Burial and Memorial explores funerary and commemorative archaeology A.D. 284-650, by region. This second volume includes papers exploring all aspects of funerary archaeology, from scientific samples in graves, to grave goods and tomb robbing and a bibliographic essay. It brings into focus neglected regions not usually considered by funerary archaeologists in NW Europe, such as the Levant, where burial archaeology is rich in grave good, to Sicily and Sardinia, where post-mortem offerings and burial manipulations are well-attested. We also hear from excavations in Britain, from Canterbury and London, and see astonishing fruits from the application of science to graves recently excavated in Trier.
Volume 2: Regional Perspectives
Burial and Memorial explores funerary and commemorative archaeology A.D. 284-650, by region. This second volume includes papers exploring all aspects of funerary archaeology, from scientific samples in graves, to grave goods and tomb robbing and a bibliographic essay. It brings into focus neglected regions not usually considered by funerary archaeologists in NW Europe, such as the Levant, where burial archaeology is rich in grave good, to Sicily and Sardinia, where post-mortem offerings and burial manipulations are well-attested. We also hear from excavations in Britain, from Canterbury and London, and see astonishing fruits from the application of science to graves recently excavated in Trier.
Author:
This volume, the second of three, offers an anthology of Western descriptions of Islamic religious buildings in Syria, Egypt and North Africa, mostly from the seventeenth to early twentieth centuries, taken from travel books and ambassadorial reports. (The third volume will deal with Islamic palaces around the Mediterranean.) As travel became easier and cheaper, thanks to better roads, steamships, hotels and railways, tourist numbers increased, museums accumulated eastern treasures, illustrated journals proliferated, and photography provided accurate data. All three deal with the impact of Western trade, taste and imports on the East, and examine the encroachment of westernised modernism.
Volume 2
Author:
This volume, the second of three, offers an anthology of Western descriptions of Islamic religious buildings in Syria, Egypt and North Africa, mostly from the seventeenth to early twentieth centuries, taken from travel books and ambassadorial reports. (The third volume will deal with Islamic palaces around the Mediterranean.) As travel became easier and cheaper, thanks to better roads, steamships, hotels and railways, tourist numbers increased, museums accumulated eastern treasures, illustrated journals proliferated, and photography provided accurate data. All three deal with the impact of Western trade, taste and imports on the East, and examine the encroachment of westernised modernism.
A Mamluk Obsession
Author:
In this book, Doris Behrens-Abouseif responds to the Mamluk chroniclers whose loquacity regarding clothing matters demands our attention. Using a multiplicity of sources including chronicles, European and Muslim travel narratives, popular storytelling, legal treatises, literature, and poetry, Behrens-Abouseif delves into the details of Mamluk dress. Whether as a vehicle for the sultanate’s self-representation both internationally and domestically or as an expression of religious and social identities, status and wealth, female assertion, urban culture, and artistic creativity, clothing personified the broad Mamluk social spectrum. Replete with colorful anecdotes and copious illustrations, Dress and Dress Code in Medieval Cairo offers a lively and comprehensive study of this fascinating topic.